Gyesirok

To be honest, I expected more. The plot was quite predictable - not in the sense that you could guess the ending, but rather that you could anticipate how the next scenes would unfold. The character twists weren't particularly fresh or surprising. Actually, there were many moments where the characters' actions felt a bit confusing and forced. Every issue in the movie, from the initial events to the ending, happened and was resolved too quickly.

The acting was decent. Shin Hyun Bin has shown noticeable improvement in her acting compared to her previous works. Ryu Jun-yeol, as always, delivered a solid performance.

Overall, the movie didn't leave much of an impression on me because its main message wasn't deep. If you have time and are curious, you can give it a try. But I know there are many other Korean films out there that are much better and more worth watching.

South Korean director Yeon Sang-ho delivers a gripping and suspenseful experience in the first two-thirds of his latest film. Set against an increasingly tense backdrop, the story builds steadily toward a thrilling showdown in an unfinished house-an eerie, concrete shell that serves as the perfect stage for a psychological and spiritual confrontation.

At the heart of this build-up is the character of the pastor-charismatic, unsettling, and deeply complex. His god-like delusions and moral ambiguity offer rich thematic material, and it's here that the film seems poised to dive into bold, unflinching territory.

And then, inexplicably, it all falls apart.

Instead of deepening the conflict, the film abandons its most compelling character. The pastor vanishes from the narrative, and with him, the entire dramatic weight and thematic sharpness of the film. The focus shifts to a police officer's investigation-a far more conventional and diluted thread that lacks the urgency and existential tension of what came before.

This final third feels like a betrayal-not just to the audience, but to the film's own premise. What was once sharp and provocative becomes bland and toothless. The direction loses its edge, opting for a safer, less confrontational conclusion that undermines everything the first part had set up.

Ultimately, what begins as a promising, intense thriller fizzles out into a hollow resolution. It's a shame to see a film with such daring potential end in such a timid and characterless way. A missed opportunity.

This is the latest Netflix Korean offering, which stands up against several other similar movies.

So the basis of the plot revolves around a kidnapper and a Pastor, but the story takes may twists and turns and lines between good and bad are blurred, which if course is far more to how life actually is than most of Hollywoods superhero style movies.

It keeps you engaged throughout the whole movie, is she alive, is she not being a running theme throughout. Look, there are some flaws here, the storyline isn't anything groundbreaking + there's no big twist at the end, but it's thrilling enough to keep you entertained till the credits roll. Another downside is how the characters make some terrible choices; a detective goes to a suspected crime scene alone + the perpetrator not covering his tracks at all being two of the most notable. However these are mistakes many movies make and didn't ruin the suspense for me.

I also liked the way religion was explored heavily but never shown in a preachy way. Whether there was any divine interventions going on is left to the viewers imagination, which means neither Theists or Atheists should be offended, Lastly despite what another reviewer has said, the acting is superb, they put western actors to shame, i cried at the end. I think the other reviewer may just be racist.

All in all, i highly recommend it if you are a fan of the genre, if not, it may be a little slow for you.

South Korean cinema is one of my favourites so I was looking forward to watch this new movie from director Yeon Sang-ho. I really enjoyed watching his previous movies Train To Busan and Jung_E, both movies that I scored with an eight. Revelations is not as good as the other two but it is still a more than decent movie. Another genre, a crime/thriller this time, with good actors and a story that was pleasant to follow. Sure towards the end the crime solving got a bit too easy but still a decent movie in this genre. As for the cinematography that was very good again, almost like usual I would say when thinking about Yeon Sang-ho.

A good thriller that had the potential to become big.

The screenplay could have been written in such a manner that the film focuses on the tension and suspense rather than the approach taken in the film.

The film depicts themes like Perception and Apophenia, Religious Zeal vs Trauma, Broken Morality and Belief as a coping mechanism.

The film explores pareidolia where a person perceives divine messages or patterns in randomness indicating Pastor Sung's visions. Sung's self-justified violence in the name of God contrasts with Yeon-hui's vendetta fueled by grief. The film also questions if our actions are our own or are they fueled by faith, prejudice and past trauma. Belief - Each character in the film relies on belief to justify pain. Be it divine, procedural or personal

The acting performances were top-notch. Ryu Jun-yeol, Shin Hyun-been and Shin Min-jae were magnificent.

A 5 min 30 second long take in the climax was an absolute masterclass. Outstanding execution. The emotions expressed in that moment was peak.

Unmoored angles and visual tricks express the psychic states of Sung and Yeon-hui.

Kudos to the cinematographer Byun Bong-Sun. The camera work was gave superb elevation to the film. The visual approach worked so well for me. The editing was outstanding too.

The film was great. It just fell low in its screenplay part a bit. The one-eyed monster reveal was amazing.

A 3.5/5 film.

Again, outstanding cinematography. Magnificent visual technique.