Marshland

Rodriguez's movie set in the Guadalquivir marshland and rural Sevilla when Spain's democracy was at its infancy is poetic and artistic, yet if flows fluidly. Its 10 awards -including Best Photography- at the Goya 2015 edition are well deserved, and it establishes Alberto Rodríguez as a director to look out for. Gutierrez's (Juan) and Arevalo's (Pedro) interpretations are powerful and convincing. Juan is an ambiguous and complex character, though I found certain aspects of his personality and biography (or rather, their combination) a bit artificial. The gist of the plot reminded me of a famous crime which took place in a Valencia village in the early 90s, but I doubt that was Rodriguez's and Cobo's intention. Apparently they wrote the script some 10 years ago, but only recently they thought of setting the action in the early 80s (from what I gathered, before the attempted coup and the socialists' victory). Although I would have preferred the end to shed a bit more light on a couple of things, this thriller is gripping, well-structured, well-interpreted (kudos also to Nerea Barros) and entertaining throughout. Excellent music and photography, too.

Marshland is slow burn, albeit entertaining and intriguing police procedural that takes place in a rural Spain during 1980. In addition to this police investigation we have an interesting character study, as we get to know the two detectives Pedro and Juan. The photography in particular is splendid. There was something very trance like feel in this movie, especially the weather n the locations. The music too was good. I enjoyed true detective the mini series. Marshland comes very close to true detective. Also while watching this film, memories of murder came to my mind. The Superb photography, memorable acting, music that asks questions, simmering political undertones. The cinematography was excellent. Certain scenes looked like painting. I highly recommend this to fans of true detective, memories of murder, prisoners and the abandoned (2006).

2014 is being a fantastic year for Spanish movies. Critics and viewers are supporting made in Spain movies that are shown month by month. La isla mínima is a very remarkable film whose highlights are the plot, the narrative structure, the characters, the beautiful locations, the way that information is given to the viewers, and the rain that falls and envelopes everything around a small southern village in the late 80s. Leading role Javier Gutierrez has been awarded as best actor in San Sebastian film festival, but my favorite one is Raul Arevalo, his disturbing look to everybody, and how he tries to introduce different investigation procedures and different ways of thinking in a society that is still stuck in the past. Highly recommended.

Gripping and stirring picture , in which there's a fine line between genre conventions and outright clichés . The Spanish deep South, 1980 , in the Marshland a serial killer is on the loose . A series of brutal murders of adolescent girls in a remote and forgotten location bring together a pair of different Police Inspectors Juan (Javier Gutiérrez) and Pedro (Raúl Arévalo) . Two homicide policemen who appear to be poles apart must settle their differences and bring the murderer to justice before more young women lose their lives . With deep divisions in their ideology , these detectives must put aside their differences if they are to successfully hunt down a murderer

Formula thriller filled with gritty action , crisply edition , tension , suspenseful and lots of violence . This serious and truly original film with groundbreaking narrative results to be a fantastically intriguing story of murders , being very well done , swiftly paced and including a twisted screenplay . Interesting theme about a couple of cops who carry out their objectives by whatever means , including violence , slipping outside the bounds of the law through their use of force , coercion , lies and half-truths ; however this issue has been previously treated in many other films , especially American ones . As its story can remember the great American series "True Detective" , because they have similar situations with a misfit pair of cops and two parallel outdoors : American Southern Mississippi against the background of the Spanish south such as Andalucia and its Guadalquivir marshes . It has emotional or aesthetic resonance , even comforting in some ways , and partly because is just more attuned to nuanced variations on what might appear to be mere formula . The plot is simple but plenty of thrills and surprises , as two detectives to track down a killer who for years has terrorized a community in the shadow of a general disregard for women rooted in a misogynistic past . This intelligently made picture relies heavily on the complicated relationship between two disparate characters , both detectives in the homicide division to investigate the grisly killings cases . This moving motion picture contains stylistic boldness and energy , its evocation of a particular time and place , Spain of 30+ years ago , adding impressive images corresponding to various marshes of Andalucia , such as the ones of Coto Doñana and the Salinas De San Fernando in Cádiz . Very good acting from Javier Gutiérrez as a tough , arrogant cop abusing the suspects' civil rights and Raul Arevalo as an upright Inspector who displays his disturbing look to everybody . Support cast is pretty good such as Antonio De la Torre , Nerea Barros and Jesus Castro , ¨El Niño¨ .

Thrilling as well as evocative musical score by Julio De Rosa . Colorful as well as dark cinematography by award-winning Alex Catalan . Aerial photographs at the beginning of the film and others that you can see over it like a guided tour were digitalized from photographs . Being wonderfully shot on location in Coria del Río, Las Cabezas De San Juan , Seville , Andalucía . Some frames of the film are based on photographs of Atín Aya and Héctor Garrido , whose works impressed the filmmakers when they knew his work in a retrospective exhibition . This multi-prized film won several awards such as : Goyas , Feroz Awards, Cinema Writers Circle Awards , Fotogramas de Plata , Gaudí Awards ,José María Forqué Awards , San Sebastián International Film Festival and Spanish Actors Unión . The latest from the director of ¨7 Virgins¨ , ¨El Traje¨ , ¨Factor Pilgrim¨ , ¨Grupo 7¨ or ¨Unit 7¨ was masterfully directed by Alberto Rodríguez . To an outsider, someone who's not a fan of a particular genre , anything that looks somewhat familiar can be grounds for dialing the cliché police , but I think results to be an entertaining film with several scenes that'll have you on the edge of your seat . Rating : Above average , well worth watching , a real masterpiece .

The difference between a good crime thriller and an average one, is often the setting. In the case of 'La Isla Minima', the surroundings are as important as the plot. The story takes place in a remote part of Spain, an area of treeless plains, lonely marshlands and wide rivers. The inhabitants of the isolated villages are suspicious of outsiders. In this hostile environment, two policemen try to solve the murder of two teenage sisters. Slowly but determinedly, they gather clues and try to squeeze information out of the uncooperative villagers.

Apart from the scenery, the film is also interesting because of the political situation underpinning the story. The film takes place in 1980, when Spain is in the process of becoming a democracy after being ruled for decades by the dictator Franco. One of the policemen, a former officer in Franco's special forces, still holds on to the old fashioned way of using violence to get things done. The other, a much younger man who embraces the new democracy, has a very different style.

The film is beautifully shot, with some remarkable aerial footage. It's nice to see that Spanish cinema has more to offer than Almodovar.