Marshland

Marshland is slow burn, albeit entertaining and intriguing police procedural that takes place in a rural Spain during 1980. In addition to this police investigation we have an interesting character study, as we get to know the two detectives Pedro and Juan. The photography in particular is splendid. There was something very trance like feel in this movie, especially the weather n the locations. The music too was good. I enjoyed true detective the mini series. Marshland comes very close to true detective. Also while watching this film, memories of murder came to my mind. The Superb photography, memorable acting, music that asks questions, simmering political undertones. The cinematography was excellent. Certain scenes looked like painting. I highly recommend this to fans of true detective, memories of murder, prisoners and the abandoned (2006).

The time is the early eighties. Two detectives, a good-cop (Pedro) bad-cop (Juan) pairing, are sent to a remote region in Spain to investigate the disappearance of teenage sisters. They uncover a series of brutal murders that the tight-knit community may be complicit in. Set in a Spain slowly emerging from Franco's shadow, Marshland has a wonderfully political noir-ish tone. Opening with birds-eye shots of an other-worldy landscape, that the camera often returns to, the futility and inhumanity of the toils that take place on the ground is constantly invoked by the judicious shot choice. Pedro and Juan have personal concerns beyond the investigation. Pedro's wife is pregnant and not always trusting of him in their separation. Juan has failing health and may not be long for this world. They bring their past as well as their present: Juan was in Franco's Gestapo and may have carried out atrocities, Pedro is being punished for open criticism of the military. They deal with these issues as best they can while navigating local resistance to their investigation and their own wary sense of each other. The characters, setting, tone and pace are all compelling, and the overhead shots add wonder and mystery. There are hints of Mississippi Burning here, and also True Detective and Chinatown - a local oligarch seems amoral and ultimately goes unpunished. But the film wears these influences lightly and portrays its own authentic, self-contained world. This is a stylish thriller that comfortably meshes plot, politics and personal concerns.

Gripping and stirring picture , in which there's a fine line between genre conventions and outright clichés . The Spanish deep South, 1980 , in the Marshland a serial killer is on the loose . A series of brutal murders of adolescent girls in a remote and forgotten location bring together a pair of different Police Inspectors Juan (Javier Gutiérrez) and Pedro (Raúl Arévalo) . Two homicide policemen who appear to be poles apart must settle their differences and bring the murderer to justice before more young women lose their lives . With deep divisions in their ideology , these detectives must put aside their differences if they are to successfully hunt down a murderer

Formula thriller filled with gritty action , crisply edition , tension , suspenseful and lots of violence . This serious and truly original film with groundbreaking narrative results to be a fantastically intriguing story of murders , being very well done , swiftly paced and including a twisted screenplay . Interesting theme about a couple of cops who carry out their objectives by whatever means , including violence , slipping outside the bounds of the law through their use of force , coercion , lies and half-truths ; however this issue has been previously treated in many other films , especially American ones . As its story can remember the great American series "True Detective" , because they have similar situations with a misfit pair of cops and two parallel outdoors : American Southern Mississippi against the background of the Spanish south such as Andalucia and its Guadalquivir marshes . It has emotional or aesthetic resonance , even comforting in some ways , and partly because is just more attuned to nuanced variations on what might appear to be mere formula . The plot is simple but plenty of thrills and surprises , as two detectives to track down a killer who for years has terrorized a community in the shadow of a general disregard for women rooted in a misogynistic past . This intelligently made picture relies heavily on the complicated relationship between two disparate characters , both detectives in the homicide division to investigate the grisly killings cases . This moving motion picture contains stylistic boldness and energy , its evocation of a particular time and place , Spain of 30+ years ago , adding impressive images corresponding to various marshes of Andalucia , such as the ones of Coto Doñana and the Salinas De San Fernando in Cádiz . Very good acting from Javier Gutiérrez as a tough , arrogant cop abusing the suspects' civil rights and Raul Arevalo as an upright Inspector who displays his disturbing look to everybody . Support cast is pretty good such as Antonio De la Torre , Nerea Barros and Jesus Castro , ¨El Niño¨ .

Thrilling as well as evocative musical score by Julio De Rosa . Colorful as well as dark cinematography by award-winning Alex Catalan . Aerial photographs at the beginning of the film and others that you can see over it like a guided tour were digitalized from photographs . Being wonderfully shot on location in Coria del Río, Las Cabezas De San Juan , Seville , Andalucía . Some frames of the film are based on photographs of Atín Aya and Héctor Garrido , whose works impressed the filmmakers when they knew his work in a retrospective exhibition . This multi-prized film won several awards such as : Goyas , Feroz Awards, Cinema Writers Circle Awards , Fotogramas de Plata , Gaudí Awards ,José María Forqué Awards , San Sebastián International Film Festival and Spanish Actors Unión . The latest from the director of ¨7 Virgins¨ , ¨El Traje¨ , ¨Factor Pilgrim¨ , ¨Grupo 7¨ or ¨Unit 7¨ was masterfully directed by Alberto Rodríguez . To an outsider, someone who's not a fan of a particular genre , anything that looks somewhat familiar can be grounds for dialing the cliché police , but I think results to be an entertaining film with several scenes that'll have you on the edge of your seat . Rating : Above average , well worth watching , a real masterpiece .

In the vain of True Detective (2014) but with the intensity (and pretentiousness) dialled down a couple of notches. This was compulsive, engaging and entertaining throughout.

I watched with the original Spanish audio and Spanish subtitles so I can't really comment on the quality of the script because my level of understanding was at about 70-80%.

The pacing was even, there weren't any unnecessarily drawn out scenes and everybody behaved in a realistic manner. The acting from the leads was superb but some of the supporting cast were quite wooden and most of the photographs used in the film were extremely posed. Those are minor critiques though; the only thing that really irks me is that no matter how well these films are made, and no matter how sensitively the subject matter is broached, they always feel a little gratuitous, hence why they usually lose one or two points from me. I watched The Treatment (2014) a while ago and both of these films currently have roughly the same IMDb score. Clearly then, ratings are hugely affected by the emotional impact of dealing with sexual abuse and murder. La Isla Mínima was, in my opinion, markedly better than The Treatment and I hope its rating increases to reflect this.

Another reason this film was more satisfying than others in its genre is that the police behave in a realistic manner - granted this is part of the commentary on the culture in this part of the world and what police have to resort to in order to protect their own people, but it still felt satisfying from a plot perspective and as an audience member. The final confrontation was horrific and yet entirely necessary. The film needed it and this was also entirely in keeping with the characters and the message of the film. Obviously, each will take away their own views but for me, the 'very' end made me question my earlier conviction that the final confrontation was 'justified': isn't that what everyone says to justify their actions?

If you enjoy films in this genre then it's an obvious choice 8/10.

Rodriguez's movie set in the Guadalquivir marshland and rural Sevilla when Spain's democracy was at its infancy is poetic and artistic, yet if flows fluidly. Its 10 awards -including Best Photography- at the Goya 2015 edition are well deserved, and it establishes Alberto Rodríguez as a director to look out for. Gutierrez's (Juan) and Arevalo's (Pedro) interpretations are powerful and convincing. Juan is an ambiguous and complex character, though I found certain aspects of his personality and biography (or rather, their combination) a bit artificial. The gist of the plot reminded me of a famous crime which took place in a Valencia village in the early 90s, but I doubt that was Rodriguez's and Cobo's intention. Apparently they wrote the script some 10 years ago, but only recently they thought of setting the action in the early 80s (from what I gathered, before the attempted coup and the socialists' victory). Although I would have preferred the end to shed a bit more light on a couple of things, this thriller is gripping, well-structured, well-interpreted (kudos also to Nerea Barros) and entertaining throughout. Excellent music and photography, too.