IMDb रेटिंग
6.5/10
3.1 हज़ार
आपकी रेटिंग
जब केरल में एक सीरियल किलर हमला करता है, तो स्थानीय उपद्रवी ल्यूक मुख्य संदिग्ध बन जाता है. एक भाग्यशाली रात की बस यात्रा उसे एक कंडक्टर और ड्राइवर से जोड़ती है, जिससे अप्रत्याशित घटनाक्रम ह... सभी पढ़ेंजब केरल में एक सीरियल किलर हमला करता है, तो स्थानीय उपद्रवी ल्यूक मुख्य संदिग्ध बन जाता है. एक भाग्यशाली रात की बस यात्रा उसे एक कंडक्टर और ड्राइवर से जोड़ती है, जिससे अप्रत्याशित घटनाक्रम होता है.जब केरल में एक सीरियल किलर हमला करता है, तो स्थानीय उपद्रवी ल्यूक मुख्य संदिग्ध बन जाता है. एक भाग्यशाली रात की बस यात्रा उसे एक कंडक्टर और ड्राइवर से जोड़ती है, जिससे अप्रत्याशित घटनाक्रम होता है.
- निर्देशक
- लेखक
- स्टार
फ़ीचर्ड समीक्षाएं
Maranamass is a film that leaves you confused-not because it's deep or thought-provoking, but because it struggles to decide what it wants to be. It's neither grounded in realism nor does it dive fully into fantasy. Instead, it floats awkwardly in a middle space where nothing really sticks.
The first half is a chaos of trending social media references thrown in one after the other-memes, reels, etc. While this might have been intended to connect with a younger audience, it doesn't quite land.
Basil Joseph, who once gave us the much-loved Ponnman, feels like a completely different person here. Sadly, it's a massive downgrade. Paired with the lead actress-who also delivers a wooden performance-the duo fails to carry any scene, be it emotional or comedic.
The film tries to do a lot: mixing comedy with emotional drama, introducing several new faces, and throwing in plot after plot. Unfortunately, nothing lands. The comedy feels forced, and the emotional scenes are just... boring. At times, the two are blended together, and instead of striking a balance, it becomes a mess where neither emotion nor humor works.
Repetitive scenes, irrelevant subplots, and a frustrating climax only add to the disappointment. Maranamass is buried under weak performances, poor storytelling, and a painfully unengaging screenplay.
If you're a fan of experimental movies, you can give it a try. Otherwise, stay home and wait for it to hit OTT.
The first half is a chaos of trending social media references thrown in one after the other-memes, reels, etc. While this might have been intended to connect with a younger audience, it doesn't quite land.
Basil Joseph, who once gave us the much-loved Ponnman, feels like a completely different person here. Sadly, it's a massive downgrade. Paired with the lead actress-who also delivers a wooden performance-the duo fails to carry any scene, be it emotional or comedic.
The film tries to do a lot: mixing comedy with emotional drama, introducing several new faces, and throwing in plot after plot. Unfortunately, nothing lands. The comedy feels forced, and the emotional scenes are just... boring. At times, the two are blended together, and instead of striking a balance, it becomes a mess where neither emotion nor humor works.
Repetitive scenes, irrelevant subplots, and a frustrating climax only add to the disappointment. Maranamass is buried under weak performances, poor storytelling, and a painfully unengaging screenplay.
If you're a fan of experimental movies, you can give it a try. Otherwise, stay home and wait for it to hit OTT.
This is loud, fun and entertaining !
I had pretty low expectations when I started watching it - but the movie surprisingly was fun, flowing, entertaining, refreshingly new and quite funny!
This is a movie like Double Barrel, Neram, Super Deluxe etc. Which may not be 100% coherant, believable and have a whole plethora of characters that many may not have satisfying arcs or conclusions - but the journey is all that matter.
Performance wise Basil stood out and Babu Antony was pretty fun as well - rest were hit and miss.
This is a great movie to watch with friends.
Had the story and editing been a bit more crispy and detailed - I might have even rated it higher - but as it is - this deserve one watch atleast !
I had pretty low expectations when I started watching it - but the movie surprisingly was fun, flowing, entertaining, refreshingly new and quite funny!
This is a movie like Double Barrel, Neram, Super Deluxe etc. Which may not be 100% coherant, believable and have a whole plethora of characters that many may not have satisfying arcs or conclusions - but the journey is all that matter.
Performance wise Basil stood out and Babu Antony was pretty fun as well - rest were hit and miss.
This is a great movie to watch with friends.
Had the story and editing been a bit more crispy and detailed - I might have even rated it higher - but as it is - this deserve one watch atleast !
Rating - 3.25/5
A series of funny and chaotic events weaved in dark humour template coupled with complementing BGM's.
The plot of the story revolves around a young sigma male trying to blossom the relationship with his love interest unexpectedly falls into a chaotic situation wherein his lady love is involved and how they made out of it forms the storyline.
Sivaprasad & Siju Sunny has fairly managed to come up with a unique and distinctive narrative style without giving any hint of what is going to happen. The first half of the movie may keep the audience puzzled until the story makes an elevation towards the intermission meanwhile giving delectable and laughter moments through some dialogues. The filmmaker has put the audience in a story loop wherein you have to watch the movie till the end to conceive the complete story .
Impressive performances by Basil Joseph,Suresh Krishna,Puliyanam Poulose & Kudassanadu Kanakam. Startling performance by Rajesh Madhavan throughout the story and he has effortlessly carried the character through his style of conversation and mannerisms. Anishma,Jomon Jyothir,Baburaj & Pooja Mohanraj also made convincing performances.
The impressive background scoring by Jay Unnithan that stands coherent with the mood of the story is worth praising.
A decent movie for the ones who follows this genre but may not be everyone's cup of tea.
A series of funny and chaotic events weaved in dark humour template coupled with complementing BGM's.
The plot of the story revolves around a young sigma male trying to blossom the relationship with his love interest unexpectedly falls into a chaotic situation wherein his lady love is involved and how they made out of it forms the storyline.
Sivaprasad & Siju Sunny has fairly managed to come up with a unique and distinctive narrative style without giving any hint of what is going to happen. The first half of the movie may keep the audience puzzled until the story makes an elevation towards the intermission meanwhile giving delectable and laughter moments through some dialogues. The filmmaker has put the audience in a story loop wherein you have to watch the movie till the end to conceive the complete story .
Impressive performances by Basil Joseph,Suresh Krishna,Puliyanam Poulose & Kudassanadu Kanakam. Startling performance by Rajesh Madhavan throughout the story and he has effortlessly carried the character through his style of conversation and mannerisms. Anishma,Jomon Jyothir,Baburaj & Pooja Mohanraj also made convincing performances.
The impressive background scoring by Jay Unnithan that stands coherent with the mood of the story is worth praising.
A decent movie for the ones who follows this genre but may not be everyone's cup of tea.
Always we know malayalam industry is rocking to give such a wonderful movies past times. They are doing very well Like manjummel boys, avesham, jaya jaya jaya hey, Guruvayoor ambalanadaiyil, Nehru and maany more. Its also comes from them but somewhere they lost, thats why its came out as a average one. Dark comedy works very well in some moments especially that last tatoo ..... Its hilarios. But somewhere its not worked as expected. There is no suspense in this movie, because they concentrated in black comedy more than thrilling moments. Good try and the whole team is working hard. Congrats to the team.
When a TV channel interviews a serial killer to know their real pain, or when a police officer puts more effort into finding his missing dog than solving a case - or when a whole village tries to deport the hero to a faraway place because he's a nuisance - or when a popular Malayalam actor appears in an unexpected guest role... you know you're not watching an ordinary film. These kinds of weirdo things don't happen in most movies, but in Maranamass, you get to witness far more absurdity.
The first half really works and makes you smile internally just seeing how ridiculous and imaginative everything is.
The protagonist, Basil Joseph, deserves a big shoutout. He mocks himself continuously and takes digs at Gen Z concepts like how being a social media influencer doesn't always take you far, or pokes fun at the "Sigma Male" trend. He underplays himself in the second half - until the end, where the tone shifts suddenly toward heroism, which feels exaggerated and inconsistent with the earlier parts.
There are some uncomfortable moments too. One scene involving inappropriate behavior by an older man toward a girl could have been handled more sensitively. Still, the way the girl responds adds a certain boldness, and it takes guts to show something like that on screen in a comical way
The promise shown by the first half makes Maranamass feel like a mass dark comedy - even if it's not exactly "maranamass" in the traditional sense. Unfortunately, the second half loses momentum, and by the time you reach the end, you find yourself just waiting for the climax. As expected, it turns a bit too cinematic and over-the-top - a contrast to the wild but grounded absurdity that came before.
Maranamass worked for me - but it's strictly not for everyone. It's a slow-burn dark comedy. Like eating a banana with poison - weirdly, it tastes good and doesn't actually harm you.
The first half really works and makes you smile internally just seeing how ridiculous and imaginative everything is.
The protagonist, Basil Joseph, deserves a big shoutout. He mocks himself continuously and takes digs at Gen Z concepts like how being a social media influencer doesn't always take you far, or pokes fun at the "Sigma Male" trend. He underplays himself in the second half - until the end, where the tone shifts suddenly toward heroism, which feels exaggerated and inconsistent with the earlier parts.
There are some uncomfortable moments too. One scene involving inappropriate behavior by an older man toward a girl could have been handled more sensitively. Still, the way the girl responds adds a certain boldness, and it takes guts to show something like that on screen in a comical way
The promise shown by the first half makes Maranamass feel like a mass dark comedy - even if it's not exactly "maranamass" in the traditional sense. Unfortunately, the second half loses momentum, and by the time you reach the end, you find yourself just waiting for the climax. As expected, it turns a bit too cinematic and over-the-top - a contrast to the wild but grounded absurdity that came before.
Maranamass worked for me - but it's strictly not for everyone. It's a slow-burn dark comedy. Like eating a banana with poison - weirdly, it tastes good and doesn't actually harm you.
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