Thudarum

It's a story about a guy living a joyful middle-class life, who adores his family and his car. However, things take a turn when the police seize his car due to a case. The film, Thudarum, showcases his struggle to reclaim his vehicle and the challenges he faces along the way.

It's a fantastic movie with a good first half packed with references to Mohanlal's films and a playful sense of humor. The second half, however, takes a dramatic turn that forms the heart of the story, delivering a gripping experience and showcasing Mohanlal's talent, which is a delight for fans.

Prakash Varma shines in his role, and the supporting cast, including Sobhana, Binu Pappu, and Thomas Mathew, also deliver solid performances.

The film effectively blends drama, suspense, and revenge, with standout writing, catchy songs, and impressive background music, making it a technically strong film.

While the self-referential humor, excessive movie nods, some forced family drama, and a lack of freshness in the plot might be seen as drawbacks,

overall, it's a great example of how to honor an actor through a compelling story that brings out the best in him.

I took a leave from my job to watch this movie with just average expectations, the film shocked me from minute 1itself. Brilliant music, story telling, direction, acting, all 10/10 with very little flaws. The film was not at all lagging and was exciting throughout, with quirky one liners from both shobana and mohanlal. The one negative i noticed was the fact that the climax was a bit rushed, but still the film managed to be entertaining thoughout. Good supporting roles from binu pappu, and ali. WELL WORTH THE MONEY. INFACT I MIGHT EVEN GO SEE IT A SECOND TIME

Hats off to tharun moorthy and kr sunil.

Thudarum, a recent Malayalam crime thriller, arrived with considerable hype, promising a gripping narrative powered by stalwarts like Mohanlal and Shobhana. While the film delivers in patches-showcasing stellar performances and technical finesse-it struggles to rise above a formulaic storyline and inconsistent direction, ultimately feeling like a missed opportunity to transcend genre conventions.

The writing lacks freshness, making key twists feel telegraphed and diluting suspense. However, the cast elevates the material. Mohanlal brings his trademark gravitas to the role, though it's far from his most challenging. The real scene-stealer is the anti-hero, portrayed with chilling charisma, whose layered performance adds much-needed intrigue. Shobhana, in a limited role, impresses with her poise and emotional depth, leaving viewers wishing her character had more screen time.

Technically, Thudarum shines. The cinematography is atmospheric, using shadows and tight frames to amplify tension, while the background score (BGM) complements the gritty tone with pulsating rhythms. That said, the direction falters in pacing, with sluggish stretches disrupting momentum. The film's inability to balance style with substance becomes evident as it progresses, relying too heavily on star power rather than narrative innovation.

Thudarum is a watchable yet uneven experience. While Mohanlal's presence, the anti-hero's magnetic performance, and Shobhana's brilliance anchor the film, the derivative script and lackluster direction hold it back. The technical prowess and gripping BGM make it visually and aurally engaging, but the overhyped project never fully transcends its mediocrity. For die-hard fans of the cast, it's a decent one-time watch; for others, it's a reminder that even a stellar ensemble can't salvage a story that plays it too safe.

Thudarum was a movie which had everything Mohanlal the actor needed. In this movie we don't see the Superstar, but the actor Mohanlal. Big kudos to Tharun Moorthy for bringing the actor in him to audiences.

The movie direction was top notch, though I personally felt the fight sequences a bit over the top, but the pacing, story and hard hitting moments make up for it.

Another special mention to prakash Varma - what a brilliant actor! His scenes in the movie were next level and you will feel hatred towards that character if it were a real person. What a performance.

Shobana - Lalettan chemistry is still there even after all these years, and some of Lalettan's cute mannerisms can be seen here too especially in the first half.

A very simple story told beautifully.

First of all, what an intense performance by Mohanlal, the performer. I'll hop aboard that train and exclaim how much of Thudarum reminds me of some of his other "thrillers" with oodles of sentiment thrown in. Yeah, this ain't no ordinary family drama, like they advertised. After the first act which does a decent job of trolling Lalettan's recent filmography, has a lot of meta references (that non-mallus will struggle to relate with), and sets up his background and family dynamic (his equation with Shobana is still a treat to watch, and Tharun Moorthy made the right casting call there). But boyyyy, do we already know there's more to Shanmughan (or "Benz", as he's lovingly called) than what initially meets the eye.

There's more than enough in the screenplay to make every fan of Mohanlal (the actor, i.e.) leave the cinema halls with a high. And when Benz is matched up against an antagonist like CI George Mathan (played by a freshly cast Prakash Varma), there's no way we wouldn't see Lalettan in BEAST mode, subtly and otherwise. Binu Pappu also rises to the occasion in one of his meanest efforts so far, as SI Benny. The aura around the first 30-40 minutes is one of familial bonding, friendships, and mostly what Benz does for a living. But by the time the credits roll, you'd have forgotten how jolly-good those moments were, and how much has changed in Benz's life since then.

The fight scenes (yes, this has a few) are in the not-bad-not-great category. They have a specific purpose to serve, and not just a means to showcase Mohanlal's massy side. Jakes Bejoy keeps it sweet and toned down in the first half, but goes crazy in the second (..for good reason!). DoP Shaji Kumar effectively uses the landscape of the terrain to convey the core elements of the story, while also giving the Mark-I Ambassador car a distinct persona. The visual effects work is pretty solid, especially the portions depicting a landslide.

On the flip side, I feel there's still work to be done on Tharun Moorthy's end when it comes to dialogue-writing. I'm willing to let that slide this time, given he carried the responsibility of presenting both sides of Lalettan that we all love (switching between 'cute' and 'massy'). As a filmmaker, third time's the charm for Tharun, indeed!

P. S. Good work on the title cards.