Hao dong xi

The film explores the modern day challenges of women in China and especially being a single mother. On a deeper level, it explores the ability for women to courageously live the life they wish to live. The expectations placed upon them and the relationships between mothers and daughters, and between women and 'womanhood'. Extrapolate this out though it's also about people in general living within the confines of social expectations set for them instead of chasing after the things that bring them joy - and the real costs of that.

Every so often a movie leaves me with thoughts and feelings beyond the plot that makes me want to watch it again. This is one of them.

The movie feels like a kindhearted friend telling you stories about ups and downs realities of a life well lived. I found myself laughing and crying with the characters and entranced by the connections, chemistries that they shared.

Unclear to me though if watching as a non-mandarin speaker will be able to understand the nuances of what's said.

If I have one complaint about the film it would be that it tried to tackle too many themes. Because of that points it felt like some of the commentary was a bit shallow. Nonetheless, it still got me thinking and apparently now writing about it.

Wow a movie with an outspoken feminist female character? And two simps around her? Championing female autonomy and independence? That's bold in the land that calls females over 27 leftover women I guess. A country that still holds women up to patriarchal ideals of sacrificial motherhood. But anyway I think what's bold is using these concepts and ideas in the dialogues. The mentality is already very prevalent among urban women, whether they call it feminism or not.

It's funny how desperate the government has gotten trying to encourage marriage and childbearing.

Anyway, it was a fun and frustrating movie at the same time. I had terrible subtitles, probably machine translated or something and it was clearly not what was being said a lot of the times and it took from my enjoyment of watching it. It also probably made some of the characters more obnoxious or unpleasant then they're meant to be in certain scenes. The second dinner scene was very funny though, even with the bad subtitles. The one with the "feminist performing men" line. I didn't get what her ex was after with that behaviour. And I'm sure I missed a lot of the humour and the warmth again cause of the subtitles. I felt the movie's intentions and the point the characters were making, it just didn't really reach me as it should have, and I don't know if the subtitles are the only thing I can blame here.

Was that really Mark Chao? Damn...

Too many movies settle for just scratching the surface of deep topics, whereas "Her Story" jumps right in. This film is a triumph across the board; the playful artistic choices, colorful dialogue, and effortless flow from scene to scene. The dinner conversation may go down as one of my favorite film moments of the year. The film explores a variety of topics from motherhood to childhood education to depression without judgement and without pandering, respectfully leaving audiences to ponder them. It's a joy in English, even better if you know a little Chinese. Her Story (Hao DongXi) will rightfully go down as one of the best films of 2024.

NOTE: Minus 1 point for a depiction of a jobless single woman drinking Singleton straight out of the bottle, you must be joking single malts ain't cheap people..

Having this week sat through the turgidly bad Kraven the Hunter my faith in awesome filmmaking has been fully restored by Yihui Shao's outstanding writing and directing.

Of course her creation could well have been spoiled if the actors had been failing in their performances but thankfully ALL the actors are magnificent and do Shao's script proud.

It's one of those rare movies were its impossible to select an outstanding performance and I cannot separate the three female leads, I suppose I have to heap praise on Ms. Isabella Zeng merely because the performance from one so young is astonishing.

I'm from the UK but live in Asia so I see lots of movies from India, Thailand, Malaysia, Singapore, Hong Kong, South Korea and China and I have to say the majority of the films I watch (at least 6 a month) are better than so called Hollywood productions in many aspects.

I'm only sorry the majority of cinema goers in the West will not get to view this touching, heart warming, thoughtful, provocative, brilliant movie.

Delightful movie that brings up serious topics about expectations from both society and from people themselves, without being somber or bringing in antagonists. All the characters are very mature, and shine through how they introspect and deal with their own issues.

Although the main topic woven through the plot is feminism, the film shows us similarities to expectations about talent, relationships, parenthood and school. How the characters grow around these topics is the real substance of the movie, and it's put together in a way that balances humor and substance well.

What's really bolding this back though, is that there are a few moments were the writer/director let themselves get carried away and we get characters essentially dictating what we are supposed to think in that moment. This is unnecessary as the movie was already getting us to think about these topics, and it really whiplashes you out of the movie at those points.

This even happens with the Shanghai location: at some point we see her walk past the Sihang storehouse full with bullet holes from where the legendary RoC company made their last stand against the Japanese, and the dad says something about not making noodles much because they're southerners. But then later the mom just says "we live in Shanghai" to her own daughter.

Overall definitely recommend, very uplifting and likeable for a large variety of audiences.