Une nouvelle amie

I came to this film as a long-time lover of French cinema, a devotee of Ruth Rendell/Barbara Vine's masterful storytelling (here given its deserved production values at last, after all of the rather limiting low-budget TV adaptations) and Romain Duris' incredibly versatile, sensitive acting - so all the elements were already in place; it was pretty much a foregone conclusion I would adore it, but I still wasn't prepared for the emotional head-rush.

The nature of attraction is explored fascinatingly; it goes through stages including revulsion, acceptance, friendship, attraction and love and revisits them, with an ending that blew me away and stayed with me long after the film finished, making me think deeply about the limitless nature of love and things unexpectedly turning out for the best.

The two leads were captivating and the unexpected humorous touches at some of the saddest or serious of moments were a pure joy.

To avoid spoilers I won't discuss the plot. I'll just say that the movie is about people, in all their strangeness, and you'll come to understand and care about even the oddest among them. It's an enjoyable movie. It contains some tasteful but very hot sex scenes that mean it's not for the kids.

each theme and solution, scene and flavor, cliché and provocation from the Francois Ozon 's circle is present in The New Girlfriend. the game/joke skin of story, the seductive song, the gay sparkles. result - a kind of comedy. because , and it is not a really surprise, the director presents a large scene without precise direction. and that spring story has the sin to not explore, in the fair manner, the potential of story, the art of actors - Romain Duris is better than the ambiguous sketch from movie and Raphael Personnaz is not only the gray-shadow man . but, sure, for the fans of Ozon, the film could be a delight.

The first film I saw which had a transvestite character was The Damned, some 50 years ago. In the intervening years we've had any number of accounts of a man (why almost always a man?) who has to dress as a woman. Ozon's film has a stale air about it which works against our enjoyment.

For me Anais Demoustier is the sole strong actor in this; Duris and Personnaz give capable support but she must carry the story, and carry it she does very memorably. The feeling is always that punches are being pulled, that possibly painful moments are being glossed over. I expected more anger from Personnaz's character when he discovered the deception (the weekend in the country with Duris, instead of the mother's house). Everybody is so well behaved, it doesn't ring true. La Cage aux Folles had more sting to it, you knew how bigoted some people were.

I haven't really enjoyed an Ozon film since 8 femmes of 2002. He's coasting, giving us tried and true subjects and clichéd situations.

Sometimes, the less you know about a film, the more you are likely to enjoy it. This is one of those times. All I really knew about the movie was that it was French and appreciated by public and critics alike. That was enough for me and ensured that the surprises really were surprises.

You need to know more? OK, the film is based on a 1985 short Story by Ruth Rendell and the directed by François Ozon ("Potiche"). What? You want more? The core of the film is the relationship between characters - the husband and best friend of the recently deceased Laura - ably acted by Romain Duris and Anaïs Demoustier.

Oh, gosh. You want to know what it's about? Let's just say that it's an amusingly serious - if this is not too oxymoronic - examination of sexual identity. And that really is all I'm going to tell you about this enjoyable movie. Now see it for yourself.

PS 1 Why are there so few reviews of this interesting film on IMDb?

PS 2 Why do the IMDb reviews of this film give away so many plot spoilers?