Sleeping with Other People

Jason Sudeikis is dynamite in this raunchy yet surprisingly romantic take on rom-com. If you were to see this film with a group of friends, you would constantly be thinking about what the sheltered friend is thinking as they watch the numerous sex scenes unfold on screen. On the opposite end of the spectrum, it had some of the wittiest dialogue I have seen in years from a movie. The final act wraps everything up nicely and is quite wholesome. Great stuff Sudeikis.

The movie moved in a romantic way with comedy sprinkled throughout it in all the cute ways. I hadn't expected the movie to go in the direction it did and was pleasantly surprised with its ending.

Both main characters were relatable and were interesting to follow as they made their way through learning about what love is and what it could be. I found they were both refreshing with their honesty with one another and made me smile knowing that a movie portrays a man and a woman as someone with sense and fault.

Great movie that i'd recommend to friends. But i'm always a sucker for these type of romantic type movies. It's a, seemingly, well done Romantic Comedy to me.

Jason was very funny and charming, and he plays a guy most dudes can relate to.

Jason tells the story from a guy's point of view which is something that is not done in chick clicks, but I guess when you're as charming as Sudeikis, you can pull that off.

Plus Alison Brie was the perfect Straight man for Sudeikis's comedy. It's not as laugh out loud as I hoped it would be but it had a few giggles and how the story was laid out made for a very entertaining film.

I enjoined it.

Greetings again from the darkness. In 1989, Rob Reiner's WHEN HARRY MET SALLY hit theatres, and many described it as an updated/contemporary version of Woody Allen's 1977 classic ANNIE HALL. It's been 26 years since Billy Crystal and Meg Ryan debated whether guys and girls could be "just" friends, and now writer/director Leslye Headland shows us that same debate continues to this day.

Jason Sudekis ("Saturday Night Live", Horrible Bosses) stars as Jake, and Alison Brie ("Mad Men", "Community") stars as Lainey. These two characters meet in college and promptly lose their virginity to each other. (It takes a little imagination to accept these two thirty-somethings as college kids) Twelve years later, they meet again by happenstance at a meeting for sex addicts. It turns out, Jake's biggest phobia is related to commitment, and he's a womanizer who has mastered the break-up (yep, he slept with your sister). Lainey's issue is commitment as well, only it's her misplaced commitment to a married doctor (Adam Scott) instead of her boyfriend (Adam Brody) that causes problems.

Jake and Lainey quickly pick up their legendary (in their own mind) repartee, and it becomes a friendship comprised of rapid-fire one-liners. Yes, I used the F word to describe their relationship. To protect their platonic bond, they go to the extreme of creating a safe word as an admission/warning if one is feeling overly amorous towards the other … it's like a fire hose to extinguish any thoughts not related to being a good buddy.

While Sudekis and Brie are both talented and likable, it's the outdated pop culture references that create such an out-of-place feeling for the viewer. How many thirty-somethings these days reference Bobby Fischer, Anne Sullivan and Madame Butterfly during conversation? And the "Pontiac Aztec" line may be the best line in the movie, but how likely is it to resonate with most audience members? There is certainly no shortage of dialogue committed to laughs, but so much of it seems out of step with the young adults it's clearly targeting.

The obvious comparisons/tributes to WHEN HARRY MET SALLY come in the form of the split screen during a text conversation (in contrast to Harry and Sally's phone chats), and the uncomfortable scene featuring a glass tea bottle is the answer to Sally's infamous diner scene. What's lacking is the intellect and heart so prevalent in the 1989 film. It may be contemporary, but it's missing any subtlety or nuance. Perhaps that's the influence of Producers Will Ferrell and Adam McKay, both who specialize in laughs over nuance.

Additional support work is provided by Amanda Peet, as Jake's boss and love interest; and Jason Mantzoukas and Andrea Savage, the married couple trying hard to help while delivering the film's best and funniest scenes (the closing credits – wow!). Also contributing are Natasha Lyonne, Margarita Levieva, and Katherine Waterston (as the doctor's wife).

Though they deliver some easy laughs (a good thing), if this movie and Amy Schumer's recent TRAINWRECK are accurate social observations of the times, it's difficult to have much hope for modern day relationships (not really a funny thing).

I'm a little surprised at all the negative reviews here. It's hard to imagine what the reviewers found missing. Romance? Comedy? Or both? Because I found plenty of each. I will say that I can see how you need to be able to relate to the lifestyles depicted to appreciate the film. Because if you can't, this might as well be about life on Mars.

This is a smart movie. And the concept is pretty original, considering the difficulty of deviating from the restrictions of the genre. The leads are immensely likable and each able to toss off complex comedic riffs with ease. And I very much enjoyed seeing Adam Scott play the heavy. Not easy to portray a dull-as-donuts bad guy, but he pulled it off.

Despite the "truthiness" of the dialog, the movie does share one thing with all romantic comedies: it's a wet dream for the love hungry. Especially for those folks who juggle and struggle with the reality of modern relationships. The lead characters wear a veneer of cynical sophistication that many of us use as protective shields. But, as is expected from a rom-com, the veneer cracks. And we're glad when it does.

I thoroughly enjoyed this movie, but be warned: it is a movie for grown ups.