The Game

I absolutely loved "THE GAME"...while it was on. Why not more than just one season, I'll never know. I love this genre and the 6 episodes drip in espionage as if it was written from the pen of John le Carré's monozygotic identical twin. It has a certified fresh rating of 95% for a reason. I suggest you watch it with closed captions on to help you understand the British accents better. I would also suggest you watch this on your DVD player so you can rewind the parts that might confuse you too much. The show reveals ways in which the USSR would plan out espionage years in advance and how it infiltrated into top positions of government. Deliberately paced and brooding in tone, yet laced with caustic wit, personal tragedy and sinister inference, The Game keeps us wondering how far will a foreign government go to disrupt and destroy our way of life in the west. It is a first rate production of the Cold War terror that we all feared at times growing up in the 60's and 70's.

The Game is an absolutely first rate Cold War mini-series from the BBC set in the 1970's. The 70's feel is palpably conveyed through the authentic use of the fashions, hairstyles, vehicles and music from that decade. The plot is complex and intelligent with lots of twists and turns and will appeal to Le Carré fans. The acting is absolutely superb all round. The scenes inside the Security Service show that most of the people working there are paper shufflers rather than James Bond action types which is probably a more realistic portrayal. My only gripe is that it was only 6 episodes but as is often the case with the BBC, quality trumps quantity. If I could only have one station on my pay TV service it would definitely be the BBC. The quality of British productions in recent times, both on the big screen (e.g. Tinker Tailor, The Imitation Game, The Theory of Everything) and small screen (The Game, Peaky Blinders, The Honourable Woman), has been absolutely outstanding.

The premise is this: a Soviet agent holed up as a university professor in England gets called up for a major operation that consists in waking up sleeper cells in numbers for an unstated grievous purpose. He defects and spills the beans to the MI5. The MI5 - represented, for the most part, by the love-child of Morrissey and a flock of cats (Tom Hughes) - expects the worst and stands up to the challenge, monitoring the operation in desperate hope that they may get one step ahead of the Russians. Needless to say, with 6 hour-long episodes, it's easier said than done. All this takes place in the bleak environs of early-1970s London, in cramped spaces, dilapidated housing, and persistent rain (reminiscent of "Se7en"). The series is well-made and entertaining. The pace - initially somewhat pedestrian - quickens by the 4th episode to get you panting by the 5th. At first, the drama seems very facile - seeming to boil down to a personal duel between Tom Hughes's "Joe Lambe" and a KGB killer on the loose in England. But there's enough of side story to this to keep you thinking there's more to it than that. And, frankly, you do get rewarded. On the technical side, the editing is near-perfect and the acting is pretty good, too. I was stuck on Victoria Hamilton' performance in "Mansfield Park," but she's a completely different thing here, with enormous self-assurance and power. Brian Cox is also a perfect hit as the head of MI5 ("Daddy"). If anything, it's Hughes that seems rather odd - his appearance and demeanor is somewhat out of place. On the one hand, this may be a virtue, since he does portray a far less bleak character than it initially appears. On the other hand, he's anachronistic - a poster-boy for the new romantic or a candidate for a remake of "Anna Karenina." The portrayal of "the game" resonates with all that an avid reader of le Carre will know - that it's almost never fun and games, and that it's not about the spectacular at all. The "games" we see played out in the series are not just about espionage - they are also about the personal lives of the characters who either play or get played. While it's not on level with the classic le Carre stuff with Alec Guinness, there's enough substance here to make you hope there's more to come from this source. This is really good enough to see.

Watched this as a way to relax before going to sleep. Boy, was that a mistake.

First thing's first. This show is intense. There were several times where I had to pause the episode, take a breather (knowing that crap was about to hit the proverbial fan), and then play the remaining scene. The music and camera work seamlessly complemented each other providing tension at every turn. There are strange, asymmetric camera angles that were meant to distort your view so that you, the viewer, couldn't get a good look at what was going on.

Secondly, this show is more than just about the Cold War "game" between UK vs USSR. It shows the games we play in our social, professional, and public lives and how people cope. It's about intrigue and personal aspirations. Everyone is playing a game with each other.

Thirdly, the actors are top notch. So fantastic to see these characters fleshed out and actually have personality.

A thing to note: the show is definitely a slow burn. Things don't really "happen" per se as expected until episode 5. Every episode is DEFINITELY intense but when you stop and think about what actually happened during the course of 59 minutes, very little occurs. Each episode seems to focus on a particular aspect for the entire episode. Of course, in the end, everything comes together like a puzzle.

So I guess an earlier reviewer was correct in saying that the real game is to make us watch. Because it does. It makes you wonder about what's going to happen next, forces you to think back to earlier episodes for little details and hints about upcoming events, and finally reach the conclusion with the characters at the end of episode 6.

Really great watch.

Call it a Le Carré light. MI5, spies and Cold War. Toby Whithouse, Sarah Dollard and Debbie O'Malley deliver 6 episodes of good fun and high entertainment full of suspense and surprise. Excellent mood and camera play, the viewer is convincingly cast back to a London of the 70's.

A tremendous performance from the entire cast especially Paul Ritter playing the hypocritical British public school creep! Worth watching if only for his performance and the exquisite interaction with his assistant the superb Chloé Pirrie (a touch naive, upright, loyal researcher).

The suspension of disbelief is perhaps called for to draw maximum enjoyment. The strength of the production rests chiefly on the convincing relationships fleshed out.

Why oh Why does the BBC have to nip above average productions in the bud. Xen is another example. It seems that the minute a viewer's brain is in any way engaged the Corporation pulls the plug out on it! Let's have some more please!