Welcome Back

Nowadays, film producers are hiring marketing and advertising agencies not only to promote their movies, but also to improve IMDb ratings. They post fake reviews and rate films greatly to fetch more people to the theaters. About the movie: This movie is completely baseless and crap. Dialogues are good as the dialogue writer is a stickler in writing comedy. Direction is fine, but the most important aspect "the script" is baseless. The movie will nettle you after the interval and you might feel annoyed by it. Go and watch this movie if you want to waste your hard earned money.

P.S this is my first review on IMDb

music--awful script--one of the worst, even stalwarts like naseruddin shah or paresh rawal looked idiotic due to scripts

action sequence--these kind of action sequences were shown in 90s

acting--out of the 1000 one liners in the movie, maybe 2-3 can really make you giggle

Anees Bazmee creates below average films -thats true, but this one is definitely one of his worst!

It's hard to believe these kind of movies are coming out in 2015!!

Don't waste your time

watch welcome instead!

The worst treatment of a script. I might say this. The prequel ' Welcome' was a good watch, a time pass movie with some extremely good comedy scenes. Akshay Kumar did a great job in the comic role. and Anil Kapoor and Nana Patekar were the highlights of the film.

In the second installment. Welcome back, everything fails except nana and Anil. Thanks to Anil and Nana for their effortless performance in the movie. Anil Kapoor should these kind of roles more often. paresh Rawal had nothing to do more, so is with Dimple kapadia and Naseeruddin Shah. John was seen hard working to get the right expressions, but was strictly average. I felt like he is copying Salman Khan's tapori role. The dialogues, body language etc resembles to Salman Khan.

The lead actors were like fashion models on ramp. Shruti Hassan and Anjana Srivastava's cleavage had better expressions than her face.

The script had the potential to bring more laugh, but Director ruined this in timing of twists. Some unnecessary scenes like ' cemetery scene' , was the most boring one in the movie.

IT was very sad to see actors Naseeruddin and Dimple being wasted in this movie, which actually offers some good laugh. This is example of how a good script can be turned into a bad movie.

Nana and Anil were the only saving faces in this movie.

Thumbs down.. Well, come back.

I wasn't expecting much from the film from the beginning however unexpectedly it did provided some fun time though the film had weak direction and weak story. The first thing I must say is that there is not much difference to see in this film from the predecessor,similar situations and very similar plot (though the first part was way much better). Let's start with the pros first Anil Kapoor and Nana Patekar did a fine job in portraying the characters of Majnu and Udai just like before. The film is pretty funny in second half and few dialogs are pretty cleverly written and have many amazing and beautiful locations. However still they were not able to fill in for the cons which include bad songs and some very unfunny jokes along with bad visual effects which by the way felt unnecessary. I was pretty disappointed with performance of Shruti Hasan as she did not stood out much and also with Paresh Rawal not getting more screen time and John Abraham's performance which yet again did not left a mark. The film doesn't make much sense and has pretty brainless plot I won't recommend this film if if you want something which makes sense however you can watch if you leave brain at home.

Films like DON, Dhoom, Murder, Bhoothnath, Golmaal series and Tanu Weds Manu has generated enough curiosity among movie mongers to spawn their eagerly awaited sequels. Follow-up to the smash-hit Welcome (2007), Welcome Back was right there with high dose of entertainment value but looses the steam due to the fiddling climax, wafer-thin plot and tuneless music.

Uday and Majnu wants to marry off his sister to someone from a good family background if he wants to get married to Chandni. Story gets further complicated when Ranjana(Uday's sister) falls in love with Mumbai goon ( John Abraham) who is completely opposite to what Uday and Majnu expected.

Anees Bazmee has mastered of making no-sense and yet entertaining films ( No Entry, Welcome, Singh Is King, Ready) . With Welcome Back, Bazmee has gone one step-further. He has created a mish-mash plot and sub-plots that will make you pull your hair. You do not bargain for logic here as anything can happen from anywhere and at anytime. The good news is despite all the foolishness, the films work thanks to the quick-witted tapori humour, funny scenes and threesome- Anil Kapoor, Nana Patekar and Paresh Rawal who are sure to bring down the house with their rib-tickling act. The climax plays a spoil-sport and you wish director could have made it more smart, crispy and shorter version. The dialogues, especially, by Raaj Shaandilyaa is noteworthy and will remain with you after the film. Lets be frank- there is nothing called "screenplay" in the film. Editing is terribly loose. The budget is pretty high (estimated to be Rs 100 crores) which makes sense considering high production values and shooting locations in Dubai. Cinematography sometimes rolls out to make film look like 90's potboiler entertainer but nevertheless is magnus. Music is a big letdown. The hopeless film stands on the shoulders of 3 supremely talented actors – Anil Kapoor, Nana Patekar and Paresh Rawal. The chemistry between them is sparkling and convincing that you will love every moment of them in the film. Anil Kapoor is simply mindblowing. Nana Patekar is equally outstanding. Watch for the scene when they play antakshri in the graveyard. Paresh Rawal is splendid. He gets to deliver witty-one-liners and does it with ease. John Abraham is decent with his tapori looks. Shruti Hassan should start thinking of some other profession. Naseeruddin Shah does not making any impact replacing the role of legendary Feroze Khan. as Wanted Bhai. Dimple Kapadia surprises with astounding performance. She gets to deliver some good lines as well.

Despite weak script and poor direction – Welcome Back is watchable only because of three aces – Anil Kapoor, Nana Patekar and Paresh Rawal

Decent – 2.75/5