नौसेना के सील्स की एक टुकड़ी इराक के रमादी में एक खतरनाक मिशन पर निकलती है, जिसमें युद्ध की अराजकता और भाईचारे की कहानी घटना की उनकी यादों के माध्यम से दोहराई जाती है.नौसेना के सील्स की एक टुकड़ी इराक के रमादी में एक खतरनाक मिशन पर निकलती है, जिसमें युद्ध की अराजकता और भाईचारे की कहानी घटना की उनकी यादों के माध्यम से दोहराई जाती है.नौसेना के सील्स की एक टुकड़ी इराक के रमादी में एक खतरनाक मिशन पर निकलती है, जिसमें युद्ध की अराजकता और भाईचारे की कहानी घटना की उनकी यादों के माध्यम से दोहराई जाती है.
- निर्देशक
- लेखक
- स्टार
- पुरस्कार
- कुल 1 नामांकन
फ़ीचर्ड समीक्षाएं
A masterclass in tension and sound design. A visceral, gut wrenching, unrelenting war film experience.
This film absolutely deserves an Oscar nod for its sound design, my ears are still ringing, but in the best way possible. It's not for the faint of heart. Rarely has the raw horror of war been depicted with such intensity; I haven't felt this shaken since Saving Private Ryan. The theatrical experience is essential, this soundscape demands a massive screen. The gunfire alone rivals Heat in realism and impact.
Those expecting a conventional narrative should adjust their expectations. This isn't a traditional hero's journey, it's an immersive, boots-on-the-ground depiction of a team navigating a chaotic operation where, even when everything is done right, everything can still go catastrophically wrong.
Watching this, my respect for our military deepened tenfold. The courage it takes to step into such situations is beyond comprehension, and the professionalism of the operators is portrayed with remarkable authenticity. This film didn't just entertain, it inspired me to be a better leader, a better friend.
This is the film I wanted Civil War to be, and I wouldn't be surprised if Alex Garland felt the same. It offered a deeper understanding of PTSD and the brotherhood forged in combat. The emotional and psychological toll is palpable, yet never overplayed.
This is not just a film, it's an experience. I'm already planning to see it again in theaters. I'm genuinely curious if my heart rate ever dropped below 130 bpm. As a filmmaker who dreams of tackling a military story one day, I found this both intimidating and inspiring.
So. Well. Done.
This film absolutely deserves an Oscar nod for its sound design, my ears are still ringing, but in the best way possible. It's not for the faint of heart. Rarely has the raw horror of war been depicted with such intensity; I haven't felt this shaken since Saving Private Ryan. The theatrical experience is essential, this soundscape demands a massive screen. The gunfire alone rivals Heat in realism and impact.
Those expecting a conventional narrative should adjust their expectations. This isn't a traditional hero's journey, it's an immersive, boots-on-the-ground depiction of a team navigating a chaotic operation where, even when everything is done right, everything can still go catastrophically wrong.
Watching this, my respect for our military deepened tenfold. The courage it takes to step into such situations is beyond comprehension, and the professionalism of the operators is portrayed with remarkable authenticity. This film didn't just entertain, it inspired me to be a better leader, a better friend.
This is the film I wanted Civil War to be, and I wouldn't be surprised if Alex Garland felt the same. It offered a deeper understanding of PTSD and the brotherhood forged in combat. The emotional and psychological toll is palpable, yet never overplayed.
This is not just a film, it's an experience. I'm already planning to see it again in theaters. I'm genuinely curious if my heart rate ever dropped below 130 bpm. As a filmmaker who dreams of tackling a military story one day, I found this both intimidating and inspiring.
So. Well. Done.
Super slow and quiet at the start then an eruption of chaos and gunfire without any kind of build up - typical Alex Garland films. Sound design and extra loud gunfire made it a very immersive experience. Some criticism of the film is that there was no story plot or character arcs but when the film ends, it's apparent that the Iraqis and the American soldiers are left with the trauma when everything suddenly stops and the violence has ended. Maybe gone are the days of entertainment war films and 'Warfare' makes people think about the nitty gritty details and what soldiers and civilians are left to deal with.
Went into this expecting a military movie like those that get rolled out on Netflix periodically, however this is a huge step above. The fact it's a true story too also adds so much to the events shown. The filmmakers go out to put you in the middle of the action. It's a very intense movie that does an amazing job of making you feel the tension in the situation. Performances keep you locked in but the real star of the show is the sound. From the gunfire to explosions you feel every hit. The 'Show of force' they use NEEDS to be heard to be believed. I came out of the movie shaken tbh but really entertained and the time flew by.
I want to start off by saying GWOT (global war on terrorism) can be seen in a couple different periods of time and I personally fall into the latter having gone to Afghanistan in 2010. The former however was really a depiction of the Wild West with ROE (rules of engagement) and TTPs (tactics techniques and procedures); folks were learning this new environment that didn't exist. Admittedly I'm a little biased because I spent a number of years supporting operators in this community, but watching this movie really hit me. This movie completely understands what we as service members care about and potentially go through in horrible circumstances. The movie throws a middle finger to narrative and just gives you the story as a handful of men experienced that day with no real bias. As far as accuracy I have to say they really hit the nail on the head! Comms saying 0 and not O(the letter), blood sweeps, and taking a knee one someone if you don't have a tourniquet are so fundamental to us, and it's the little details we appreciate for remembrance. This isn't the modern day saving private ryan but it is the theatrical version of generation kill from HBO. If this was your time and conflict go see it.
It starts light. Almost like a joke.
Young soldiers, full of swagger, testosterone, and nervous energy, dropped into a foreign neighborhood with gear, guns, and no real plan. You think you know where it's going.
Then it tightens. Hard.
Alex Garland's Warfare isn't a typical war film. It's a mirror. A slow-burn portrait of occupation - show up, seize control, provoke chaos, and leave. It doesn't lecture. It just sits with you. Uncomfortably.
They're foreign soldiers holding civilians in their own home at gunpoint, surrounded by a community trying to push them out. Whether the locals are rescuers or rebels depends on your perspective - and Garland refuses to give you one.
There's no soaring score. No rousing speeches. Just dust, dread, a spectacle of force and the weight of presence. It's not about winning.
It's a loud reflection of the post-9/11 playbook: arrive with guns, destabilize everything, leave behind blood and rubble. Sound familiar?
Young soldiers, full of swagger, testosterone, and nervous energy, dropped into a foreign neighborhood with gear, guns, and no real plan. You think you know where it's going.
Then it tightens. Hard.
Alex Garland's Warfare isn't a typical war film. It's a mirror. A slow-burn portrait of occupation - show up, seize control, provoke chaos, and leave. It doesn't lecture. It just sits with you. Uncomfortably.
They're foreign soldiers holding civilians in their own home at gunpoint, surrounded by a community trying to push them out. Whether the locals are rescuers or rebels depends on your perspective - and Garland refuses to give you one.
There's no soaring score. No rousing speeches. Just dust, dread, a spectacle of force and the weight of presence. It's not about winning.
It's a loud reflection of the post-9/11 playbook: arrive with guns, destabilize everything, leave behind blood and rubble. Sound familiar?
Theatrical Releases You Can Stream or Rent
Theatrical Releases You Can Stream or Rent
These big screen releases can now be watched from the comfort of your couch.
क्या आपको पता है
- ट्रिवियाNames of the real SEAL team members' were changed in the film to protect their identities as some are still serving in the military or preferred to remain anonymous. The only names that weren't changed in the film are: Ray Mendoza and Elliott Miller.
- गूफ़The sniper is positioned about 1.5 m from the hole in the wall, which is barely 20 cm across. His viewing field is no more than 10 degrees. In the movie, they show the sniper doing panoramic sweeps at least five times wider.
- क्रेज़ी क्रेडिटBefore the end credits, photos are displayed showing the cast on the right and the true-life servicemen they portrayed on the left. Many of the left-hand photos are blurred to protect identities, including the last photo showing the Iraqi family whose home the Navy SEALs occupied.
- साउंडट्रैकCall on Me
Written by Will Jennings, Eric Prydz, Steve Winwood
Performed by Eric Prydz
C/O Data Records/Ministry of Sound Recordings Limited/Wincraft Music Limited
Licensed by Sony Music Entertainment UK Limited
Published by Sony Music Publishing
Hipgnosis SFH I Limited
Administered by Kobalt Music Publishing Limited
Universal Music Publishing Ltd.
On behalf of Blue Sky Rider Songs
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइट
- भाषा
- इस रूप में भी जाना जाता है
- Çatışma
- फ़िल्माने की जगहें
- Iraq(on location)
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $2,00,00,000(अनुमानित)
- US और कनाडा में सकल
- $2,60,00,309
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $83,17,989
- 13 अप्रैल 2025
- दुनिया भर में सकल
- $3,28,95,387
- चलने की अवधि1 घंटा 35 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.00 : 1
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