मिशवर रोहोश्यो

I had stopped watching bengali movies when i was a child in the 80s. It seemed too childish to even a child then. Recently, with Chokher Baali, Bhooter Bhobishyot, Goenar Baksho and now this... i am watching Bengali movies again. While i was watching the movie, i felt proud as a probashi bengali.

I have never read Kakababu stories but have heard about him from my cousins in Kolkata. It was my discovery of the character through this film. The movie could have been great if the story telling was compact and fast. Certain portions were painfully stretched. I even went out from the hall to grab some snacks. When i came back, i didn't miss anything. Casting and acting were the strong points but few characters were forced.

There were few loopholes like the one in the climax. It seemed childish. The climax was not at all thrilling, instead it was hilarious. The background score was good but seems unnecessary and irritatingly used in many situations. Use of darkness and silence inside the pyramid could have been thought about. Instead it was well lit and loud with background music.

Still, hats-off to the maker for this brave and entertaining attempt.

A one time watch for sure.

'Mishawr Rawhashyo' lacks the proper use of camera. The basics of camera movement have been violated here and there which can be easily pointed out by anyone from the field of film studies. The choice of cast is a mess, some being excellent, some being a total disaster. Story lacks the compactness. And music is incredibly brilliant, might be one of the all time bests in a Bengali movie. Prosenjit Chatterjee is at his best. The political touch to the plot was completely unnecessary. At times the movie goes past high above the boundaries of excellence while at times it goes well below mediocrity. With a mixture of good and bad, it can be declared to be an average movie.

Srijit Mukherjee's fifth directorial venture based on Sunil Gangopadhyay's novel was a treat to watch from beginning to end. The attention to detail and innovative camera angles right from the start bore an indication that something special was in store. Srijit twisted and modified the original story to make it relevant in the present times, interspersed it with enough comic moments to make the movie thoroughly entertaining and bound everything together in a non linear timeline seamlessly. Prosenjit Chatterjee delivered in style as Kakababu, the larger than life handicapped yet jovial protagonist and all the other actors were brilliant in their respective roles. The vast deserts and the inherent mystery of Egypt was captured with panache and along with the mesmerizing background score, made the big screen experience one to treasure.

All in all, it was really fulfilling seeing our childhood hero come to life and save the day in style in a scintillating adventure. At the same time it made me a little sad thinking that there won't be another new kakababu novel in the pages of Pujabarshiki Anandamela....

There were lots of immaturity in the making and forced Beangaliana. The special take away from this movie is Indranel's acting as Hani Al Kadi. You were brilliant.

Srijit Mukherjee's 5th directorial venture fails to meet the expectation. Only positive side of the movie is performance by Prosenjeet. Indraneel Sengupta does well as Hani Alkadi. The movie fails to create the suspense and thrill expected from a Kakababu story. The director fails to understand that too much melodrama and intellectual gibberish in a thriller doesn't work always. It was unnecessarily stretched by at least 30 min. The characters of Neel , Swastika and Riddhi as Santu's love interest were complete misfit. Was JNU campus tour necessary ? Rajesh Sharma does a decent job. Too much editing of the original story takes away a lot of fun. Hope the directors will keep these in mind. The screenplay and locations are well done. Watch Kahani - how to show a thriller in a simple way without being preachy.