IMDb रेटिंग
6.3/10
23 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंA camera crew catches up with David Brent, the former star of the fictional British TV series The Office (2001), as he now fancies himself a rock star on the road.A camera crew catches up with David Brent, the former star of the fictional British TV series The Office (2001), as he now fancies himself a rock star on the road.A camera crew catches up with David Brent, the former star of the fictional British TV series The Office (2001), as he now fancies himself a rock star on the road.
- पुरस्कार
- 1 जीत और कुल 2 नामांकन
फ़ीचर्ड समीक्षाएं
13 years after the end of the beloved sitcom, The Office, David Brent is still stuck in an office, but a documentary crew is filming him again and he decides to go on tour with a band in a last-ditch attempt to live his dreams of being a rock-star. Like most films connected to TV shows, this is annoying since it doesn't connect to the show enough, with Gareth, Tim and Dawn disappointingly absent. Ricky Gervais was never the most impressive actor in The Office, but he gives a good (If often irritating) tragicomic performance here. This film serves as an interesting exploration of the character and has many good laughs and touching character moments along the way; it humanizes David Brent, though don't worry it also embarrasses him and every opportunity. The trouble is, there's a line between comedy and sadism and after a funny first half, the film just gets extremely uncomfortable and stops being enjoyable. The Office was quite depressing. Extras was incredibly depressing. But this- wow. Be warned: you will cringe. A lot. The original show had enough realism and honesty to pull off the cringe, as it felt so truthful but here the uncomfortable stuff goes too far. I can tell Stephen Merchant was the one who added the nuance that made the sitcom so good. With Gervais on his own, there's no-one to stop him from taking the cringe comedy too far. Even so, while he's clearly not as good as he was, there's no denying that this is a funny and often enjoyable road movie with some nice bits of drama.
6/10
6/10
I liked this comedy and i find it sad that many people are bashing it. It has many funny moments throughout and it is also giving a message at the same time. Probably those who didn't like it were comparing it to the Office and there are similarities of course but this is different it is a movie and it is a romantic comedy actually. I do recommend it especially for people who like Ricky and his style it's all there all what you need to get the best of him. Even the songs are nice and catchy.
"Life on the Road" is a mockumentary sequel to the classic British version of the TV comedy "The Office" (obviously later remade for the US market and featuring Steve Carrell). Ricky Gervais played the ego-centric David Brent, a monster of a character who exercised what little control he had in his managerial role at a Slough paper company.
Here in "Life on the Road" we join Brent 15 years later where he has taken a rung or two down the career ladder and is working as a sales rep for Lavachem, a sanitary goods manufacturer, also based in Slough.
But Brent still harbors a dream of making it big in the rock world with his middle-of-the-road band called 'Foregone Conclusion (2)'. Gathering around him his ethnic rapper 'friend' Dom Johnson (Doc Brown) and a band of session musicians (who can't stand him), Brent cashes in "several pensions" to fund a tour of the venues of Berkshire... or at least, those that will give stage time over to a "shite band". As the tour delivers predictably diminishing returns, and no record-company interest (at least, not in him) Brent is forced to face his inner demons and some uncomfortable truths.
Bringing TV comedy characters to screen is fraught with difficulty, and few have successfully done it. Even legends like Morecambe and Wise struggled with a series of lacklustre films. Perhaps in recent times Steve Coogan's Alan Partridge has come closest with "Alan Partridge - Alpha Papa" and indeed there are a lot of similarities visible between Partridge and Brent: both have extreme ego issues and self-centredness. But there are significant differences as well, for while Partridge is just an irritatingly loud and obnoxious minor-celebrity Brent - as this film makes much clearer - has real mental illness.
Is this therefore a comedy at all? Well, yes, but in a very black way. There are certainly moments of excellent humor, with the tattooing scene being a high-point. But the result of watching Brent's progressive decline, with his nervous laugh as a constant 'fingernails on chalk board' reminder of his insecurity, results in a level of audience squirming that is palpable. Everything he does is perverse, from describing in excruciating detail every song before singing it, to spending his money on multiple hotel rooms when every gig is within the County of Berkshire.
As a black comedy its important that it doesn't outstay its welcome, and at 96 minutes it doesn't. However, the film lacks the courage of its own dark convictions, and unnecessarily switches tack in the last reel to provide a degree of redemption for Brent. Whilst 'sweet', it is also implausible given what's happened before and I would have suspected the interference of the director in lightening the mood of the writer's original intent. However, as Gervais is both writer and director, there is no such excuse. That's a shame.
So, in summary, an uncomfortable watch that aligns appropriately with the high squirm factor of the original TV show. Prepare to laugh, but feel a bit guilty in doing so.
(Please visit http://bob-the-movie-man.com for the graphical version of this review, and to provide feedback).
Here in "Life on the Road" we join Brent 15 years later where he has taken a rung or two down the career ladder and is working as a sales rep for Lavachem, a sanitary goods manufacturer, also based in Slough.
But Brent still harbors a dream of making it big in the rock world with his middle-of-the-road band called 'Foregone Conclusion (2)'. Gathering around him his ethnic rapper 'friend' Dom Johnson (Doc Brown) and a band of session musicians (who can't stand him), Brent cashes in "several pensions" to fund a tour of the venues of Berkshire... or at least, those that will give stage time over to a "shite band". As the tour delivers predictably diminishing returns, and no record-company interest (at least, not in him) Brent is forced to face his inner demons and some uncomfortable truths.
Bringing TV comedy characters to screen is fraught with difficulty, and few have successfully done it. Even legends like Morecambe and Wise struggled with a series of lacklustre films. Perhaps in recent times Steve Coogan's Alan Partridge has come closest with "Alan Partridge - Alpha Papa" and indeed there are a lot of similarities visible between Partridge and Brent: both have extreme ego issues and self-centredness. But there are significant differences as well, for while Partridge is just an irritatingly loud and obnoxious minor-celebrity Brent - as this film makes much clearer - has real mental illness.
Is this therefore a comedy at all? Well, yes, but in a very black way. There are certainly moments of excellent humor, with the tattooing scene being a high-point. But the result of watching Brent's progressive decline, with his nervous laugh as a constant 'fingernails on chalk board' reminder of his insecurity, results in a level of audience squirming that is palpable. Everything he does is perverse, from describing in excruciating detail every song before singing it, to spending his money on multiple hotel rooms when every gig is within the County of Berkshire.
As a black comedy its important that it doesn't outstay its welcome, and at 96 minutes it doesn't. However, the film lacks the courage of its own dark convictions, and unnecessarily switches tack in the last reel to provide a degree of redemption for Brent. Whilst 'sweet', it is also implausible given what's happened before and I would have suspected the interference of the director in lightening the mood of the writer's original intent. However, as Gervais is both writer and director, there is no such excuse. That's a shame.
So, in summary, an uncomfortable watch that aligns appropriately with the high squirm factor of the original TV show. Prepare to laugh, but feel a bit guilty in doing so.
(Please visit http://bob-the-movie-man.com for the graphical version of this review, and to provide feedback).
Continuing his unique brand of horribly awkward humour that made The Office such a success (with remakes in the USA, France, Germany, Canada, Chile, Sweden, and Israel), Ricky Gervais resurrects the phenomenon that is David Brent, idiosyncrasies and all. Following on from the Christmas specials, the hapless eponymous character is still a sales rep for a cleaning supplies company, yet still harbours dreams of going on tour with his band, a resurrected Foregone Conclusion.
This film feels a little unnecessary, but that certainly doesn't detract from its enjoyment levels. After the perfect ending given to us by the Christmas specials back in 2003, the character was at peace and it felt like he had achieved some sort of catharsis. Nonetheless, this is premium Gervais - it probably helps that I binge watched all of The Office in the week before watching this, so was in a real Office-y mood. The humour is on point, from Brent's tics (the perfectly judged nervous laugh, the shifty grins to the camera) to his own form of inadvertently offending people. There's a good amount of pathos, too, with Brent really sinking to new lows over the course of the film. The plot is well-suited to the character, and another highlight is the songs - the standout being 'Please Don't Make Fun of the Disabled' - which are just hilarious when delivered by Gervais.
Ultimately, though, it won't stick in the memory for long and it didn't need to be made - nor are the side characters as compelling as the likes of Tim Canterbury, Gareth Keenan, Dawn Tinsley, and Keith Bishop. It also feels a little sweetened and watered down at times, especially towards the end. It feels a little too perfect and not bittersweet enough. Still, an enjoyable 90 minute diversion for any Office fan, and good fun. 66/100.
This film feels a little unnecessary, but that certainly doesn't detract from its enjoyment levels. After the perfect ending given to us by the Christmas specials back in 2003, the character was at peace and it felt like he had achieved some sort of catharsis. Nonetheless, this is premium Gervais - it probably helps that I binge watched all of The Office in the week before watching this, so was in a real Office-y mood. The humour is on point, from Brent's tics (the perfectly judged nervous laugh, the shifty grins to the camera) to his own form of inadvertently offending people. There's a good amount of pathos, too, with Brent really sinking to new lows over the course of the film. The plot is well-suited to the character, and another highlight is the songs - the standout being 'Please Don't Make Fun of the Disabled' - which are just hilarious when delivered by Gervais.
Ultimately, though, it won't stick in the memory for long and it didn't need to be made - nor are the side characters as compelling as the likes of Tim Canterbury, Gareth Keenan, Dawn Tinsley, and Keith Bishop. It also feels a little sweetened and watered down at times, especially towards the end. It feels a little too perfect and not bittersweet enough. Still, an enjoyable 90 minute diversion for any Office fan, and good fun. 66/100.
David Brent: Life on the Road is written & directed by Ricky Gervais and stars Ricky Gervais, Jo Hartley, Ben Bailey Smith and Tom Bennett.
A camera crew catches up with 'The Office' star, David Brent, as he pursues his lifelong dream of becoming a rockstar on the road.
Gervais' comedic genius was firmly planted in toe-curlingly awkward situations back in 2001, with two very successful series and specials of The Office. 'Life on the Road' explores Brent's life after the events of the show, and continues to spawn the incredibly hard-to-watch moments that Brent gets himself into. The scenes in the new office are perfectly written and performed, welcoming us back to the situational comedy that was so brilliantly crafted.
Unfortunately, once we leave the office the film slightly degrades into something more average than superior. However, this doesn't mean there aren't more hilarious scenes to follow, it just seems less consistent. I also thought that as the film moved into its final 15 minutes, it seemed like a bit of Derek had made its way into the character of Brent. That said, the heartfelt scenes were satisfying. It's possible that without Merchant's co-writing the screenplay wasn't as great as it could have been, but wishful thinking is something I like to do without.
A lot of the band performances felt a little repetitive after a while, but they did include some funny moments. The music (also written by Gervais) is catchy and fun, adding a new dynamic that we only briefly heard in the original series.
All of the actors involved are extremely convincing and show great chemistry with Brent. I felt that some of the characters were underused, most notably Nigel (played by Tom Bennett), who was surprisingly delightful.
Overall, it was as I expected it to be and I am fairly pleased with how it turned out. It's not as consistently funny or awkward as I'd hoped, but it has a lot of heart. Gervais seems to implement a lot more emotion into his work now that he has gone solo, which is nice to see. Fans of Gervais will like it. Others, not so much.
Verdict; David Brent: Life on the Road is an above-average follow up to the original series and while it does lack at times, it's a pretty enjoyable experience.
David Brent: Life on the Road, 7/10.
A camera crew catches up with 'The Office' star, David Brent, as he pursues his lifelong dream of becoming a rockstar on the road.
Gervais' comedic genius was firmly planted in toe-curlingly awkward situations back in 2001, with two very successful series and specials of The Office. 'Life on the Road' explores Brent's life after the events of the show, and continues to spawn the incredibly hard-to-watch moments that Brent gets himself into. The scenes in the new office are perfectly written and performed, welcoming us back to the situational comedy that was so brilliantly crafted.
Unfortunately, once we leave the office the film slightly degrades into something more average than superior. However, this doesn't mean there aren't more hilarious scenes to follow, it just seems less consistent. I also thought that as the film moved into its final 15 minutes, it seemed like a bit of Derek had made its way into the character of Brent. That said, the heartfelt scenes were satisfying. It's possible that without Merchant's co-writing the screenplay wasn't as great as it could have been, but wishful thinking is something I like to do without.
A lot of the band performances felt a little repetitive after a while, but they did include some funny moments. The music (also written by Gervais) is catchy and fun, adding a new dynamic that we only briefly heard in the original series.
All of the actors involved are extremely convincing and show great chemistry with Brent. I felt that some of the characters were underused, most notably Nigel (played by Tom Bennett), who was surprisingly delightful.
Overall, it was as I expected it to be and I am fairly pleased with how it turned out. It's not as consistently funny or awkward as I'd hoped, but it has a lot of heart. Gervais seems to implement a lot more emotion into his work now that he has gone solo, which is nice to see. Fans of Gervais will like it. Others, not so much.
Verdict; David Brent: Life on the Road is an above-average follow up to the original series and while it does lack at times, it's a pretty enjoyable experience.
David Brent: Life on the Road, 7/10.
क्या आपको पता है
- ट्रिवियाDuring an interview on Talksport, Doc Brown revealed that a lot of the scenes had improv involved, and the scene where David (Ricky Gervais) is talking with the waitress, most of that was un-scripted. You'll notice Doc Brown hiding his face in his hoodie, this is to cover up his laugh and breaking character, due to the nature of David's comments.
- गूफ़When David Brent is doing his Chinese impersonation, his 2 female colleagues are seen watching disapprovingly in the background. However, a matter of seconds later, one of those women is emerging from the office of Miriam, having evidently had a conversation with her, with no time to get there and have a conversation so quickly.
- भाव
David Brent: Life's a struggle, with little beautiful surprises that make you wanna carry on through all the shit.
- कनेक्शनEdited into David Brent: Life on the Road (2016)
- साउंडट्रैकLife on the Road
Written by Ricky Gervais
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is David Brent: Life on the Road?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषा
- इस रूप में भी जाना जाता है
- Life on the Road
- फ़िल्माने की जगहें
- 2 Castle Rd, Kentish Town, लंदन, इंग्लैंड, यूनाइटेड किंगडम(Flamin' Eight Tattoo Studio)
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- दुनिया भर में सकल
- $52,04,054
- चलने की अवधि
- 1 घं 36 मि(96 min)
- रंग
- पक्ष अनुपात
- 1.78 : 1
इस पेज में योगदान दें
किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें