अपनी भाषा में प्लॉट जोड़ेंWhen a titan music mogul is targeted with a ransom plot, he is jammed up in a life-or-death moral dilemma.When a titan music mogul is targeted with a ransom plot, he is jammed up in a life-or-death moral dilemma.When a titan music mogul is targeted with a ransom plot, he is jammed up in a life-or-death moral dilemma.
जल्द आ रहा है
रिलीज़ किया गया 5 सितंबर 2025
A$AP Rocky
- Yung Felon
- (as A$AP Rocky a.k.a. Rakim Mayers)
Ice Spice
- Marisol Cepeda
- (as Isis 'Ice Spice' Gaston)
फ़ीचर्ड समीक्षाएं
Spike Lee has always been the perfect definition of a hit or miss as he has made some great movies like Do the Right Thing, Malcolm X, She's Gotta Have It, Jungle Fever, and so on. At the same time, he has made some pretty awful movies, particular Oldboy (2013) and Miracle at St. Anna. With his latest film, based on a reinterpretation of Akira Kurosawa's classic "High and Low", it falls quite flat and rough.
For starters, there are some nice camerawork that helps presents the atmosphere and environment. Creating the vibe and energy of the city of New York. Lee does offer some fresh themes and concepts about it's characters, writing, and the political aspects, however it all feels confused, misplaced, and messy. The writing feels as if this new reinterpretation didn't offer anything special or interesting to the original and book, as if Lee confuses with what he wants to present and display. Alongside with some laughable bad dialogue, the performances are a mix bag. Denzel Washington does provide his best as his energy and personality is good. However some of the other performances are honestly pretty bad, particularly Ilfenesh Hadera. Almost as if the performances are TV levels of acting or being intentionally awful.
The production designs and structure feels cheap and dated, almost as if the movie is having a Hallmark and Lifetime approach. The musical score is one of the worst aspects about this movie as it's presentation, sounding, and how the music is used is all over the place, messy, and atrocious. Regarding pacing, it drags, as the pacing remains uneven and it's first and second act really struggles. However, around it's third act, it does pick up with some interesting and good thrilling moments.
I'm honestly kind of surprised with the positive reviews because audiences and critics have been raving this reinterpretation, however I found it to be tedious and frustrating. I do appreciate it isn't as disgraceful as Lee's remake of "Oldboy" (which I'm glad to hear he has since disowned the movie). However, no matter what, it's pretty clear that it's best to stay away from remaking classics because it ain't worth it.
For starters, there are some nice camerawork that helps presents the atmosphere and environment. Creating the vibe and energy of the city of New York. Lee does offer some fresh themes and concepts about it's characters, writing, and the political aspects, however it all feels confused, misplaced, and messy. The writing feels as if this new reinterpretation didn't offer anything special or interesting to the original and book, as if Lee confuses with what he wants to present and display. Alongside with some laughable bad dialogue, the performances are a mix bag. Denzel Washington does provide his best as his energy and personality is good. However some of the other performances are honestly pretty bad, particularly Ilfenesh Hadera. Almost as if the performances are TV levels of acting or being intentionally awful.
The production designs and structure feels cheap and dated, almost as if the movie is having a Hallmark and Lifetime approach. The musical score is one of the worst aspects about this movie as it's presentation, sounding, and how the music is used is all over the place, messy, and atrocious. Regarding pacing, it drags, as the pacing remains uneven and it's first and second act really struggles. However, around it's third act, it does pick up with some interesting and good thrilling moments.
I'm honestly kind of surprised with the positive reviews because audiences and critics have been raving this reinterpretation, however I found it to be tedious and frustrating. I do appreciate it isn't as disgraceful as Lee's remake of "Oldboy" (which I'm glad to hear he has since disowned the movie). However, no matter what, it's pretty clear that it's best to stay away from remaking classics because it ain't worth it.
I loved seeing Spike Lee and Denzel Washington teaming up again for a new film. From start to finish, though, the movie felt scattered-jumping around with no clear plot or objective. As expected, Denzel did his thing and really carried it. A$AP Rocky wasn't bad, and Ilfenesh Hadera held her own, but overall the film was just... okay. At times, it definitely gave off Godfather of Harlem vibes, and it was New York through and through from beginning to end.
Movie Grade:C-/C.
Movie Grade:C-/C.
Spike Lee movies are always a hit or miss with me. Loved his first, She's gotta have it, Malcolm X (too long), Do the Right Thing (too long), but I never got past the few other movies I saw. IMO the scoring of his movies is atrocious. And he seems to stretch out the scenes filled with dialog too long to the point you want to say "cut" or edit. And that's what I felt watching this "Apple Studio" movie. Spike in an interview said Apple was the only studio that would finance it. It's going straight to stream in about two weeks.
The acting is subpar and his close-ups of Denzel pondering decisions are laughable. Most of the actors are TV actors so that explains it the subpar-ness.
The movie perks up when the ransom drop takes place, but even then you wonder - WHAT the H? The money bag is passed from moto biker to moto biker and the police lose the actual money bag. From my understanding when there's a kidnapping and ransom of a high-powered executive like David King, the FBI takes the lead. Did Spike NOT do his home work?
Denzel is in every scene and that can be a bit too much. I wished to see more of the police work to find the kidnapper, but that falls to Denzel and his chauffeur. Which wouldn't happen in real life. An executive of a record company wouldn't go on the hunt himself. IMO. He would have security do it. Which was also a head-scratcher. The music executive did not have a bodyguard. Even JayZ has a bodyguard.
If you have Apple TV, I would recommend you wait for Highest2Lowest, it will be streaming in a week.
The acting is subpar and his close-ups of Denzel pondering decisions are laughable. Most of the actors are TV actors so that explains it the subpar-ness.
The movie perks up when the ransom drop takes place, but even then you wonder - WHAT the H? The money bag is passed from moto biker to moto biker and the police lose the actual money bag. From my understanding when there's a kidnapping and ransom of a high-powered executive like David King, the FBI takes the lead. Did Spike NOT do his home work?
Denzel is in every scene and that can be a bit too much. I wished to see more of the police work to find the kidnapper, but that falls to Denzel and his chauffeur. Which wouldn't happen in real life. An executive of a record company wouldn't go on the hunt himself. IMO. He would have security do it. Which was also a head-scratcher. The music executive did not have a bodyguard. Even JayZ has a bodyguard.
If you have Apple TV, I would recommend you wait for Highest2Lowest, it will be streaming in a week.
Expected more from Spike Lee. Very misfitting score that belonged in a Star Wars type film. We don't need loud distracting music over every scene. The double edited shots were also distracting and over done. Bad acting from many of the supporting cast. Slow start, could have easily tightened the edit. This film didn't seem to know what it was. No clear vision. A little preachy. And a kind of dull story line with no twist!
I feel like the only reason Denzel accepted this script is because it's a Spike Lee joint. I felt like the soundtrack was unused/left over music from one of Spikes unreleased films from the 90's. The cuts are messy. Not the worst film but I always debate my cousin about who has the better filmography Denzel or Will Smith...he finally has a poor film to use against me.
क्या आपको पता है
- ट्रिवियाThe film is a reinterpretation of Akira Kurosawa's High and Low (1963), which was in turn based on the novel "King's Ransom" by Evan Hunter, published in 1959 under his pen name "Ed McBain."
- गूफ़In a studio, like the one shown in the film, if the person in the recording booth takes off their headphones they would not be able to hear the person in the other room who is speaking through the "talk back" mic.
- भाव
David King: I been to your house. And I appreciate you naming your son after me.
Yung Felon: Damn! Stupid bitch talk too fuckin' much, B!
David King: Why she gotta be a bitch?
Yung Felon: Fuck!
David King: Why she gotta be a bitch?
Yung Felon: Fuck!
David King: Why she gotta be a bitch?
Yung Felon: Damn, B!
- कनेक्शनReferenced in Radio Dolin: Best Movies of the 2025 Cannes Film Festival (2025)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
Before They Were Famous: Actors' Early Roles
Before They Were Famous: Actors' Early Roles
See these famous faces in some of their first breakout roles in Hollywood.
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइट
- भाषा
- इस रूप में भी जाना जाता है
- 上流× 下流
- फ़िल्माने की जगहें
- ब्रुकलीन, न्यूयॉर्क, संयुक्त राज्य अमेरिका(on location)
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- US और कनाडा में सकल
- $15,00,000
- दुनिया भर में सकल
- $15,00,000
- चलने की अवधि
- 2 घं 13 मि(133 min)
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.39 : 1
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