Mob Cops

Somehow I just didn't buy almost anything in Mob Cops, from the characters to the plot. And I love me a good mob movie, they're my favs in general. It's not surprising that movies high up in the charts are often not actually great, but still disappointing when it happens. I like David Arquette sometimes, but his choices in movies sometimes leave a lot to be desired, like in this case. A lot of the dialog felt amateur to me, too obvious and "easy", if that makes sense.. A lot of the cuts were fast, which isn't always a bad thing, but in this case contributed to it feeling forced and disconnected since the story and acting weren't at the level. It was mildly entertaining for a late night, I suppose, but I can't really recommend it.

The acting in this film is excellent. Joseph Russo, Jeremy Luke, Lorenzo Antonucci, Lynn Adrianna, David Arquette, Danny A... all do a fantastic job. Believable, authentic, dynamic and witty too (i think I can discern textual improvisation there). Seeing such an authentic mob film these days is highly unusual. It isn't a 10. But it's comfortably an 8.

The writing at time falls short, but most of the time it hits the spot. The directing is excellent and the cinematography is superb. No wonder, the DP is Barry Markovitz!

Given the budget, this is an art work that deserves recognition by the heavy hitters of this genre.

Well done, Danny A!

I remember that The Wolf of Wall Street gained a reputation as the movie with the greatest number of F-Bombs per square inch in history. Until now. The only time I ever heard more F & C Bombs than in this hour and a half was a day back in 1982 when my dad was putting an IKEA Wardrobe together. This movie doesn't have a strong story, and every single character was deeply unpleasant. It wasn't entertaining, just 90 minutes exposure to an experience of lives that have no redeeming features. I'm not sure what the director was wanting to tell us. Anyone with an Italian name isn't very nice? Now, I'm losing the will to live, trying to write enough words to tell you to give the film a swerve. 2 stars for the fact that it ends.

How?

How is it possible to take the events of something true yet so unbelievable, something so fantastical with a brilliant story already laid out before you, something with a host of rich characters with a depth of depravity and mindless violence within the gangster genre AND MAKE ONE OF THE WORST MOVIES IVE EVER SEEN? This is the same as leonardo da Vinci doing the outline of the last supper then asking stevie wonder to colour in the lines. In parts it was like watching a badly constructed stage production and in others it was like watching an amateur dramatics society showcasing their talent though Facebook feeds. Just awful and such a shame this movie could have been brilliant given the money, actors and a director who can actually has direction.

If you start it, finish it. Trust me. How else will you know it's the worst mob movie of all time if you didn't? The first sign that it's a satire is the lack of Sicilian actors in the film. Nothing in the movie has a lock of substance. There's no scene longer than a minute because I assume that no casted actor could hold character long enough to keep a shot. Every conflict is quickly ended with a lame bozo line that only a bozo could think of. Imagine a henchman in the mob wanting to write a movie, but couldn't spell, so he got his Greek and Jewish friends who have hard-ons for poorly written DC TV series to write a mob movie for him "based on real events." A travesty to everything put out before this movie - not just mob movies - but EVERY movie period. At least The Room was endearing. The Wishmaster? MASTERCLASS compared to this sad attempt to cast two D-list actors and a former WCW world champion in a movie they expected anyone to take seriously. Worst acting, writing, and lighting. Just so bad. Rust will put this to shame no matter how bad it is.