मानवता ने डायनासोर की दुनिया के साथ सह-अस्तित्व का सपना देखा था, लेकिन एक नई प्रजाति के पुनर्जन्म के साथ सब कुछ बदल जाता है. अब धरती पर राज करने के लिए एक नई जंग शुरू हो चुकी है - इंसानों और... सभी पढ़ेंमानवता ने डायनासोर की दुनिया के साथ सह-अस्तित्व का सपना देखा था, लेकिन एक नई प्रजाति के पुनर्जन्म के साथ सब कुछ बदल जाता है. अब धरती पर राज करने के लिए एक नई जंग शुरू हो चुकी है - इंसानों और दिग्गजों के बीच.मानवता ने डायनासोर की दुनिया के साथ सह-अस्तित्व का सपना देखा था, लेकिन एक नई प्रजाति के पुनर्जन्म के साथ सब कुछ बदल जाता है. अब धरती पर राज करने के लिए एक नई जंग शुरू हो चुकी है - इंसानों और दिग्गजों के बीच.
- निर्देशक
- लेखक
- स्टार
- पुरस्कार
- कुल 1 नामांकन
Dylan Bickel
- Brooklyn Pedestrian
- (बिना क्रेडिट के)
फ़ीचर्ड समीक्षाएं
As a lifelong *Jurassic Park* fan, this one hurts.
**Jurassic World: Rebirth** is, without question, the weakest entry in the entire franchise. From a lifeless script to painfully hollow characters, it feels less like a sequel and more like a cheap cash grab riding the bones of a once-great legacy.
Even the addition of Scarlett Johansson (who deserves way better) couldn't inject life into this CGI-fueled mess. Her talent is completely wasted in a film that doesn't seem to know what story it wants to tell-or why it's telling it at all.
The dinosaurs look good, sure. But when you care more about a digital T-Rex than any human on screen, you know something's gone terribly wrong.
Final thought: if you're watching for nostalgia, rewatch *Jurassic Park (1993)*. This one is a fossil best left buried.
**Jurassic World: Rebirth** is, without question, the weakest entry in the entire franchise. From a lifeless script to painfully hollow characters, it feels less like a sequel and more like a cheap cash grab riding the bones of a once-great legacy.
Even the addition of Scarlett Johansson (who deserves way better) couldn't inject life into this CGI-fueled mess. Her talent is completely wasted in a film that doesn't seem to know what story it wants to tell-or why it's telling it at all.
The dinosaurs look good, sure. But when you care more about a digital T-Rex than any human on screen, you know something's gone terribly wrong.
Final thought: if you're watching for nostalgia, rewatch *Jurassic Park (1993)*. This one is a fossil best left buried.
It's rare I see films on their opening day, opening weekend is relatively common but - as I'm otherwise engaged this weekend, I decided to see "Jurassic World Rebirth" on a Wednesday evening. I wish I could say it was because of enthusiasm for the series, but that has largely been beaten out of me at this point. I wish I could say that Rebirth was a film that reignited my love of the franchise but, whilst it's fine, it's largely another retread.
Dinosaurs have proven ill adjusted to the climate of most modern countries, with those that have survived clustering around the equator. Martin Krebs (Rupert Friend) representative of ParkerGenix believes that genetic material from three live dinosaurs will help with the research into heart disease that his company are planning. He hires Zora Bennett (Scarlett Johannson) and Henry Loomis (Jonathan Bailey) as lead and scientific expert of his expedition, and they head to the island of Ile Saint-Hubert. But the island was InGen's genetics experiment hub, abandoned following an incident years earlier.
To stress, I didn't think that "Rebirth" was a bad film. I thought the central performances were good and I liked the chemistry between Johansson and Bailey and the endless charisma of Mahershala Ali. I thought the film looked really good Gareth Edwards is a great visual film maker and has plenty of experience with large scale creatures.
The problem is that it's essentially 'another' Jurassic movie and feels like its plot is cribbed almost entirely from existing elements of the series. The stranded family from "Jurassic World 3", the experts from "Lost World", the really dangerous 'final boss' creature from "World" - with a nod towards the jails underneath Jabba's palace.
Without any sort of new angle the word I kept coming back to when thinking about the film was 'inessential' and, once again whilst this was fine, I do feel like the whole franchise could benefit from a lengthy break.
Dinosaurs have proven ill adjusted to the climate of most modern countries, with those that have survived clustering around the equator. Martin Krebs (Rupert Friend) representative of ParkerGenix believes that genetic material from three live dinosaurs will help with the research into heart disease that his company are planning. He hires Zora Bennett (Scarlett Johannson) and Henry Loomis (Jonathan Bailey) as lead and scientific expert of his expedition, and they head to the island of Ile Saint-Hubert. But the island was InGen's genetics experiment hub, abandoned following an incident years earlier.
To stress, I didn't think that "Rebirth" was a bad film. I thought the central performances were good and I liked the chemistry between Johansson and Bailey and the endless charisma of Mahershala Ali. I thought the film looked really good Gareth Edwards is a great visual film maker and has plenty of experience with large scale creatures.
The problem is that it's essentially 'another' Jurassic movie and feels like its plot is cribbed almost entirely from existing elements of the series. The stranded family from "Jurassic World 3", the experts from "Lost World", the really dangerous 'final boss' creature from "World" - with a nod towards the jails underneath Jabba's palace.
Without any sort of new angle the word I kept coming back to when thinking about the film was 'inessential' and, once again whilst this was fine, I do feel like the whole franchise could benefit from a lengthy break.
Five years after the mess that was Jurassic World: Dominion (2022), we're back in the land of toothy nostalgia. This time, an expedition heads into remote equatorial regions to extract DNA from three colossal prehistoric creatures in the name of a "groundbreaking medical breakthrough."
Chris Pratt and Bryce Dallas Howard are mercifully gone (finally), and in their place we get Scarlett Johansson, stepping in as the new face of the franchise for round seven of the Jurassic Park/World saga. Gareth Edwards takes the director's chair, and while he's always known how to stage a good spectacle, even his talents can't fully save this dino-soaked popcorn flick.
Let's talk visuals. There's certainly no shortage of giant set pieces and dinosaur mayhem-but when your dinosaurs look like glossy, overcooked cartoon rejects, all the action in the world can't make it feel real. Hollywood still hasn't learned that audiences are burnt out on soulless green-screen overloads, and the actors, forced to react to nothing, stumble through half-baked expressions of terror. You can practically see them wondering where the tennis ball on a stick went.
Character-wise, it's a wash. Most of them are either grating or entirely forgettable, spouting cringey, rapid-fire dialogue that exists solely to shuttle us from one set piece to the next. And while Rebirth does manage to attempt something new and different, it still feels like we're just circling the same prehistoric drain. It's entertaining, sure-but it just isn't that exciting.
That said, it's still a step up from Fallen Kingdom and Dominion, which isn't saying much, but at least it's something. At this point, though, it's time Universal grew a pair and gave us the R-rated, blood-splattered dinosaur horror epic we deserve-because the stakes never feel high when your carnivores are sanitized for mass consumption.
Here's hoping the next one finally evolves. But I'm not holding my breath. It's best to turn your brain off and enjoy this one for what it is.
6/10.
Chris Pratt and Bryce Dallas Howard are mercifully gone (finally), and in their place we get Scarlett Johansson, stepping in as the new face of the franchise for round seven of the Jurassic Park/World saga. Gareth Edwards takes the director's chair, and while he's always known how to stage a good spectacle, even his talents can't fully save this dino-soaked popcorn flick.
Let's talk visuals. There's certainly no shortage of giant set pieces and dinosaur mayhem-but when your dinosaurs look like glossy, overcooked cartoon rejects, all the action in the world can't make it feel real. Hollywood still hasn't learned that audiences are burnt out on soulless green-screen overloads, and the actors, forced to react to nothing, stumble through half-baked expressions of terror. You can practically see them wondering where the tennis ball on a stick went.
Character-wise, it's a wash. Most of them are either grating or entirely forgettable, spouting cringey, rapid-fire dialogue that exists solely to shuttle us from one set piece to the next. And while Rebirth does manage to attempt something new and different, it still feels like we're just circling the same prehistoric drain. It's entertaining, sure-but it just isn't that exciting.
That said, it's still a step up from Fallen Kingdom and Dominion, which isn't saying much, but at least it's something. At this point, though, it's time Universal grew a pair and gave us the R-rated, blood-splattered dinosaur horror epic we deserve-because the stakes never feel high when your carnivores are sanitized for mass consumption.
Here's hoping the next one finally evolves. But I'm not holding my breath. It's best to turn your brain off and enjoy this one for what it is.
6/10.
Holy cow! This is more abysmal than i thought would be. None of the actors give good performance. The plot is pathetic. No twists, surprise, addition of a 'family' as if we should care about a bunch of no-name actors with nothing to add to the plot. Hard to believe this is written by David koepp, a master in his own craft. The first flop of this franchise. Universal deserves every piece of criticism it is getting. Horrendous CGI is an added disaster for this slop. I had high expectations after the previous two garbage entries in this franchise but i never felt any excitement in the trailer so naturally the movie is even pathetic i thought it would be.
The first part of Jurassic World: Rebirth was fun, but nothing crazy. It had a decent pace, some entertaining moments, and the dinosaurs looked great as always. It gave off that familiar Jurassic vibe, which made it enjoyable enough to keep watching. However, as the movie went on, it started to lose its grip. The plot became predictable and lacked any real suspense or originality. Character development was minimal, and some scenes felt like recycled ideas from earlier films. While the action had its moments, it wasn't enough to carry the film. Overall, it started okay, but ended up being underwhelming.
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क्या आपको पता है
- ट्रिवियाJonathan Bailey not only stars as Dr. Henry Loomis, but also contributes to the film score. He plays clarinet in several orchestral tracks and performs the solo heard during the scene when his character touches a dinosaur for the first time.
- गूफ़The massive Titanosaurs are somehow completely hidden in grass that is not even tall enough to cover the human characters.
- भाव
Dr. Henry Loomis: Survival is a long shot.
- कनेक्शनFeatures One Million Years B.C. (1966)
- साउंडट्रैकMovin' On Up
Written by Bobby Gillespie, Andrew Innes, Robert Young
Performed by Primal Scream
Courtesy of Reprise Records/Creation Records
Licensed by Warner Music Group Film & TV Licensing/Sony Music Entertainment UK Limited
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- What characters return from the previous films?
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइटें
- भाषाएं
- इस रूप में भी जाना जाता है
- Jurassic World: Rebirth
- फ़िल्माने की जगहें
- थाईलैंड(location)
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $18,00,00,000(अनुमानित)
- US और कनाडा में सकल
- $27,92,54,365
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $9,20,16,065
- 6 जुल॰ 2025
- दुनिया भर में सकल
- $65,25,49,365
- चलने की अवधि2 घंटे 13 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.39 : 1
इस पेज में योगदान दें
किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें