Love & Jane

If you are a Jane Austen fan, you will really enjoy this movie. It's a little quirky at times, but it has the imagination, allure & romanticism of Jane Austen at her best. In modern day, a frustrated writer, who is inspired, and at times, obsessed, by Jane Austen's work, struggles with her own life, friends & aspirations. A book club, a book store, and a small group of friends, real and imaginary, are the fabric of a sweet, intriguing story line. Imagine! If only! What if? Like a Jane Austen novel, this movie opens doors to possibilities. I wasn't really crazy about the choice of the male lead, but if you can get past that it's quite enjoyable.

I can't describe it any better really. It's just really strange.

I've seen these actors in other movies and I actually quite like them but there is no chemistry here. So that part of the romance movie gets scratched.

The story is imaginative, which I don't mind, but it doesn't work. I don't actually know why, I've seen this concept of someone seeing a ghost who acts as a life coach before but it doesn't work in this movie. It's distracting in a way. This is one of those concepts that you either leave untouched or you pull it off, otherwise it just makes the whole movie weird.

I feel like the relationship development between the two leads is lacking. For whatever reason, it felt dry. I didn't get the impression that they actually grew closer together on a personal level. They just "ran into each other" a bunch of times and started to be nice and civil towards each other. This makes the ending awkward. We all know how these movies end, it's a requirement for the genre, and therefore, the romantic storyline that came before has to at least work a little bit in terms of romance. They missed that boat with this movie because the romantic relationship between the leads is so dry.

In short, it's rare for me to say to skip a hallmark movie but this one is definitely not worth your time.

I love Jane Austen, I love romcoms, even Hallmark predictable ones, but this one was too boring to enjoy. While the original idea was interesting and promising, the execution was poorly made.

The main character was acting too childish for a person in their 40s. Like, I might expect that self-centered, daydreaming behaviour from someone in their 20s, maybe early 30s, but when you're a full grown up person, being arrogant and judgemental is not cute or funny. All the quirkiness seemed just cringeworthy. They "work" story is also not clear since it seemed like much fuss with the questionable result but it's normal for Hallmark people to have jobs where they don't understand what they're doing.

I feel like "Jane" character brought pretty much nothing to the plot. She was just there, but didn't inspire or do anything.

As for the chemistry - there was little of it. Probably because the characters had at most only one conversation longer than 5 minutes. The main guy tried to make the spark, but it was too difficult because the leading lady just treated him so badly every time. Still he was after her like a wet puppy. I see that they tried to make him the Darcy-esque figure, but it was probably better in paper.

Also, what is wrong with the Americans that tend to shorten everything, saying "P&P", "Pride", "Sense" etc instead of actual book names.

There have been other stories where one of the leads sees and talks to a ghost, but this story is a bit different. This story is quirky. The flow is convoluted at times. But most of all it is filled with words and quotes and hero worship. I also assume there are general references to Jane Austen without quoting, but I am no expert on Austen. At times the story is nonsensical beyond the ghost, but I think it is meant to be. I never understood what Trevor was trying to do with the bookstore.

Regarding the flow, one example is how in the middle of Lilly's story, her struggles with the presentation, her book, and her relationship, everything pauses while she plays matchmaker to her best friend. Complete pause. Everything focuses on that. And then Lilly's story is back. Other movies have a subplot like that, but the complete pause for it was distracting.

Alison Sweeney and Ben Ayers had some chemistry. It is surprising that came through because they had so little screen time together given everything else going on.

I didn't like Lilly's character, but I suspect Austen fans might find her perfect. She lives in the clouds, not to mention has a relationship with a woman dead 206 years. (Not sure of the significance of the "just 206" line.) She worships Austen like some god. Austen's wisdom trumps all logic.

Some of the acting other than Sweeney and Ayers is not good, but perhaps the overacting is intentional. There is some dialogue that many will find witty. At least the Trevor's investment idea at the end got a laugh out me.

Two more weeks of Lovuary and Jane Austen stories on Hallmark.

Love and Jane is a sweet movie, with a very charming plot. Alison Sweeney is her usual upbeat, emotional self, a pleasure to watch in any film. This reviewer has only one concern about Love and Jane.

It refers to Benjamin Ayres' appearance. This actor is mature, serious, very gifted leading man. He is a pleasure to watch in any romantic story. However, recently there has been such a dramatic change in his appearance, it leaves one wondering what the reasons might be for such a strange physical presentation.

It was first noticed in a Christmas movie, A Miracle in Bethlehem, PA. Mr. Ayres was presented with a "grungy" unshaven face, his good looks altogether diminished by this new dark image, his hair was a disheveled mess, hanging into his forehead, in a strange uncombed style.

And, now, again, in Love and Jane, he appears in the same manner. Unshaven face, and messy uncombed hair.

Is there a new look being explored for this mature, very handsome actor? And what modern woman would be attracted to such a look in a man? Mr. Ayres deserves to be seen in his full, handsome, best way. He is a wonderful, emotional actor. He is a romantic lead with a mature presence and very appealing style. Why now present him in this grungy, messy manner?

If anyone has the answer to this question, please help. If anyone agrees with my confusion about the new "presentation" of Mr. Ayres, please contribute your feelings.

This viewer is left confused and very put off by the new look. Give us back a clean-shaven, combed hero. He is such a great actor, and deserves to be seen in his best handsome style.