Inheritance

This director also made Limitless, one of my all time guilty pleasure. The movie is better than what they say, I was on the edge of my couch for the first hour, it's more than can be said than most blockbusters these days, and cost not much to make by the look of it. Then, just like Limitless, the whole thing becomes improbable towards the end, any suspension of disbelief will be tested. Special mention to the chick, what a talent! Watch this on a rainy day and if nothing else, you'll be grateful you're not runing from Interpol in the slum Delhi. If you pay attention in the end credits you'll get the info that reveals how much is the inheritance.

After her mother's funeral. Maya (Phoebe Dynevor) gets a chance to connect with her estranged father Sam (Rhys Ifans.)

He offers to take her to Egypt where he claims to work in real estate. Even asking Maya to get a job to entice people to launder money in property.

However Sam disappears and is later contacted by people who claim to have abducted him.

They want Maya to retrieve a hard disk from a safe deposit box in India.

It leads her to question just who her father is. He had a false passport, previously worked in espionage and Interpol are also after him.

Directed by Neil Burger on an Iphone. This is a guerilla thriller shot in Egypt, India and South Korea without permits. Some task in India as the cops like to have their backhanders even if you have all the proper paperwork.

Once the post production grading is done, the film looks quite good. Although it could be better lit.

The story is hackneyed. You sense Maya is being used by her father. The international locales add to the movie.

Conceptually I enjoyed that this film was shot on iPhones and I thought the cinematography was interesting for all that. I enjoyed some of the twists or smart decision making by our lead character Maya. My favorite part of the film was the tie in with the title at the end.

Now for what I didn't like...the majority of this film is watching Maya (Phoebe Dynevor) run around...which speaks to a lack of plot. What plot there was, was decent...but probably more suited to a short short or a film short.

The film begins with Maya's mother's passing from a long battle with an illness. Her absentee father, Sam (Rhys Ifans) shows up for the funeral and offers Maya, not her sister, a one time job with him in Cairo. It seems to be a no loose situation and might help her answer some questions she has about her dad...only Sam ends up taken almost within minutes of Maya's arrival in Cairo. He is being held hostage in order for Maya to retrieve something Sam has hidden to exchange for him. This leads her to India...and eventually to Korea, where pieces of the puzzle fall into place.

There are definitely some clever things in this film...but again it could have been told in a short with the rest of the running around unnecessary. Didn't quite make it on my recommendation list...unless you just want to see what can be done with an iPhone.

Using only iPhones for filming definitely gives this project a unique flavour, a distinctive identity, especially from a filmmaking perspective.

All the events come across as raw, the moments feel unfiltered, making scenes resemble more of a vlog you would find on someone's YouTube channel rather than a traditional movie meant for theaters and home entertainment.

However, it falls short in all other facets.

There's lack of real tension, screenplay is pretty bland, and it misses that sense of stakes and intensity. Plus, I just didn't feel invested in the characters or the journeys they had to take.

Forgettable film from start to finish , besides being in Egypt, India and South Korea. It is true that there is no tension sauf a little in Egypt and more of it in India. I don't know why this movie was made considering what happens in the end.

Is it iPhone filming prowess advertisement? Does it bear a hidden message? Is it a sort of wicked encouragement?

At least, I got to travel without a visa to three beautiful countries glued to Maya.

• Screenplay/storyline/plots: 5
• Production value/impact: 4.5
• Development: 6.5
• Realism: 5
• Entertainment: 6
• Acting: 6
• Filming/photography/cinematography: 7
• VFX: 7.5
• Music/score/sound: 6
• Depth: 3
• Logic: 2
• Flow: 7
• Drama/mini thriller/conspiracy/mini action: 5
• Ending: 3.