The Good House

Weaver's character should be unlikable, but the humanity of her flaws, as well as her humour makes that not so. I can't say this is Weaver's best film, but she's highly watchable.

Themes include friendship, class, and alcoholism. There's really not a lot new here, but Weaver breaking the 4th wall is a nice touch and all the subjects are treated with a degree of finesse.

I'm sure many will watch The Good House for the third outing of Kline and Weaver together, despite it being their softest. It's not as bleak as The Ice House, or as quirky as Dave.

This is predictable adult-contemporary fare, but I was engaged until the end. Weaver mostly steals the show.

The Good House follows Hildy Good, a prominent realtor in Wendover, a fictional coastal Massachusetts town resembling Gloucester. Hildy knows everyone in town, as she's lived here all her life with family and friends. She speaks directly to the audience by breaking the fourth wall to offer background information and gossip on the main characters. The town of Wendover feels very lived in by the end, due to how each well developed character is acted excellently. Hildy's struggle with alcoholism is incredibly believable because her relatable excuses and nonchalant internal voice is convincing. This is largely due to Sigourney Weaver's stellar performance as usual. As the film progresses, it passes through comedy, romance, drama, and finally suspense. I laughed, cried, felt on edge, and finally the ending warmed my heart.

In a world of junk revivals, it's wonderful to watch a fresh story with humor, heart, and hope. Everything about this story was perfect. I laughed and cried in a rollercoaster of emotions. At one point I was enjoying it so much, I became aware that it may be close to the end. I wanted to see more.

I enjoyed all the stories within the movie. Every character seemed to have their own issues and it was interesting to see Sigourney Weaver's character deal with each of them. Her character was strong and vulnerable.

Why does Hollywood continue to redo stories when writers like this are out there? A small slice of life type of movie is missed. This and mystery movies will always win over super heroes and rethinking what was already done.

The script is clumsy (Really? Breaking the fourth wall?), the blocking is stumbling and cinematography bland (I felt bad for the poor editor who seemed at a loss to shove the clunky shots together). But in the end, this movie still worked.

It was a pleasure to spend two hours with these actors, especially the always witty and wonderful Sigourney Weaver. She gives the part weight without making it heavy, and she is well-supported by Robert Kline, Rebecca Henderson, Rob Delaney, and Morena Baccarin, all of whom turn in well-rendered performances. And in the end, all the pieces came together to make a satisfying story about people trying-some successfully, some not-to get through life's trials.

Ms. Weaver makes this role seem effortless. I totally related to her character.

I have to search diligently these days, to occasionally find a gem of a movie, and this one is one of those special few.

The acting, the story, the characters, the setting, the score,the camera work....everything, was authentic, beautifully and excellently executed.

The only tiny thought I had, which did not lesson my enjoyment, was why they didn't go with a more authentic Maine accent. No big deal.

A must see movie for those of us who are not entertained or much impressed with what is most popular of movie making these days.