The Good House

The Good House follows Hildy Good, a prominent realtor in Wendover, a fictional coastal Massachusetts town resembling Gloucester. Hildy knows everyone in town, as she's lived here all her life with family and friends. She speaks directly to the audience by breaking the fourth wall to offer background information and gossip on the main characters. The town of Wendover feels very lived in by the end, due to how each well developed character is acted excellently. Hildy's struggle with alcoholism is incredibly believable because her relatable excuses and nonchalant internal voice is convincing. This is largely due to Sigourney Weaver's stellar performance as usual. As the film progresses, it passes through comedy, romance, drama, and finally suspense. I laughed, cried, felt on edge, and finally the ending warmed my heart.

The Good House (2021) was co-written and co-directed by Maya Forbes and Wallace Wolodarsky.

Sigourney Weaver stars as high-profile realtor Hildy Good. Weaver is perfect for this role. She looks and acts like the person for whom the role was written.

In an interesting twist, Sigourney doesn't just play the part. She also confides to the audience watching the film. This has been done before, but I've never seen it done as well. (You could consider Shakespeare's soliloquies in the same light. However, most actors I've seen do soliloquies appear to be talking to themselves. Sigourney Weaver is definitely talking to us.)

Hildy is a top-notch realtor, but it's a tough, dog-eat-dog world, and she is holding her own, but not thriving. One problem is that she's an alcoholic. Not a sleep-it-off-and-have-a-hangover alcoholic. She's an alcoholic who drives while drunk, and who has blackouts that are scary.

Kevin Kline portrays Frank Getchell. Getchell is a wealthy businessman, but we are supposed to accept him as a grizzled New Englander. (Inigo Montoya, yes; The Pirate King, yes. Grizzled New Englander, no.)

The movie shows us how a talented realtor works to match owners and buyers. It also shows us views of the beautiful Atlantic seacoast.

(Actually Nova Scotia, not Massachusetts.)

I enjoyed The Good House, mostly because of Sigourney Weaver's outstanding performance. The film has a very weak IMDb rating of 6.4. This is a case where I say, "Did they see the same movie that I saw?" I rated the movie 8. I recommend it.

Ms. Weaver makes this role seem effortless. I totally related to her character.

I have to search diligently these days, to occasionally find a gem of a movie, and this one is one of those special few.

The acting, the story, the characters, the setting, the score,the camera work....everything, was authentic, beautifully and excellently executed.

The only tiny thought I had, which did not lesson my enjoyment, was why they didn't go with a more authentic Maine accent. No big deal.

A must see movie for those of us who are not entertained or much impressed with what is most popular of movie making these days.

I'm glad I continued to watch this movie. When the main character played by Sigourney Weaver speaks directly to us viewers I tend to fall completely out of the action. Such films are not for me. Usually. The Good house is the exception.

For Sigourney Weaver is magnificent in this story about an alcoholic real estate agent who apparently has "full control". The plot is set in a small, idyllic town, and our protagonist knows most things about most people.

Yes, it's about alcoholism, but just as much about life in a small town - for better or for worse. The togetherness and the cozy environment are excellently portrayed. As well as all the secrets that people in a small town think they have. When it comes to the depiction of an alcoholic's life, this is shown in a different way here than in many other films. What I like is that it shows that an alcoholic is first and foremost a human being, with an alcohol problem. Not the other way around.

Many good supporting roles here, but Sigourney is the one that everything revolves around and is about in all the scenes. This is her film, and another proof of the versatile and talented actress she is.

Weaver's character should be unlikable, but the humanity of her flaws, as well as her humour makes that not so. I can't say this is Weaver's best film, but she's highly watchable.

Themes include friendship, class, and alcoholism. There's really not a lot new here, but Weaver breaking the 4th wall is a nice touch and all the subjects are treated with a degree of finesse.

I'm sure many will watch The Good House for the third outing of Kline and Weaver together, despite it being their softest. It's not as bleak as The Ice House, or as quirky as Dave.

This is predictable adult-contemporary fare, but I was engaged until the end. Weaver mostly steals the show.