Goodnight Mommy

Movie Gems' Review of a modern horror film ... Goodnight Mommy (aka Ich seh, Ich seh) {2014}. No spoilers!

When the trailer for Austrian horror flick "Goodnight Mommy" hit the Internet not that long ago it promptly went viral. The intriguing trailer, blessed with superb editing, got hardcore horror fans majorly "excited" ... but ... the trailer somewhat skews the real "character" of the film.

Horror fans that crave in-your-face, major scares in a movie within the genre will be very disappointed with Goodnight Mommy. It is plain and simple not that kind of horror film: in many ways it is an intensely creepy psychological-thriller with intense horror moments thrown in. The movie too is very typically European in its execution: a leisurely pace in the story telling, very controlled camera movement and the insightful framing of shots.

It is Summer and in an isolated and beautiful house in the countryside, between woods and corn fields, live nine-year-old twin brothers, Elias (Elias Schwarz) and Lukas (Lukas Schwarz). The twins are inseparable; they are very enigmatic; they keep large bugs as pets. They live with their mother (Susanne Wuest) who has recently returned home from apparent cosmetic surgery and her face is heavily bandaged. However, as far as the boys are concerned, nothing is like it was before she went away. They quickly begin to seriously doubt that this woman is actually their mother. And ... so begins their weird quest to find out the truth, a quest that involves the bizarre, the creepy and eventually the truly horrifying!

The tone, style and atmosphere of the piece blend cohesively to create feelings of unease and creepiness from the first frame to the last. Lacking any background soundtrack for most the film and any real over-the-top scares, it still has quite a few very disturbing moments especially in the last ten minutes or so.

The acting, from which is mostly an ensemble cast of three, is uniformly sound, particularly from the boys as there emotions are so frequently communicated via facial expressions and gestures rather than words.

And ... is there a twist? Of course there is! Unfortunately for me, I worked out what would eventually be revealed in the first ten minutes or so. That is not to say that I am ultra- perceptive; it's just that another early 70's film (one of my all time faves actually) used precisely the same premise so I had a "heads up" so to speak. I do admit that the film was spoiled for me because of this, but I still enjoyed it immensely! When the twist is revealed, however, it clearly shows that the film (despite its harrowing complexities) is really only about one thing ... and that one thing is very sad indeed!

Goodnight Mommy is pure Art-house horror as far as I am concerned because of the way the story is told and the cinematic techniques employed to showcase it. For example directors Severin Fiala and Veronika Franz have "done a Kubrick" in the final shot: it is far too long, it breaks all the cinematic rules, it makes no sense and then (in the hands of competent direction) it makes complete sense!

Goodnight Mommy is for the discerning horror movie lover who doesn't want everything dished up on a plate and who wants an intense psychological "journey" with a plausible payoff at the end.

A Austrian psychological drama horror that might not suit everyone just because it is a little bit on the slow side for the first half in particular and is then merely suggestively unsettling than a full on scare.

But the slow build-up kept my interest and it definitely paid off in the end.

I've read here that some people thought it was too predictable, but I must disagree because there were elements to the story that I had to go here to the message-boards to properly understand, and by then it all made sense of course.

It could be because I am currently sick so my brain isn't working properly lol but I really don't think so, and I can usually tell how a horror movie is gonna end half asleep anyway.

So yeah, recommended for patient viewers who's looking for a horror that isn't all about cheap jump scares but more of a psychological one.

I love movies that try to be original and do something new, that's why Goodnight Mommy caught my interest right off the bat. It sets a very nice tone and had me excited to see a dark/stunning story unfold. Unfortunately this movie was mostly build up with a very mediocre third act.

It's obvious that this movie was going for an artsy feel but it's like they completely bailed on that about 70% through and that really ruined the whole film imo. Plus through the whole film I kept thinking "Man I really hope they aren't going to try and do that, because if they do this will just turn into a clichéd mess" and they absolutely do what I didn't want them to.

Goodnight Mommy is a decent effort, and I'm sure it will be praised by many people who are desperate for a good horror movie, but I find it hard to give in to the hype because this really just wasn't that great of a movie.

5/10

Twin boys move to a new home with their mother after she has face changing cosmetic surgery, but under her bandages is someone the children don't recognize.

If you enter in to this film after seeing the trailer, you might be disappointed or at least mislead. Whoever edited that thing make the music scarier, the action more intense, and that is just simply not what the film is about.

Instead, we get a slow burn that is on some levels a horror film, but on other levels a sad story that has far too much grounding in reality. The true scariness of the film is not the mask, as you might think from the trailer, but rather the interactions of a family that is unable to completely build trust.

I went into Goodnight Mommy without knowing anything about this movie except that it's around 100-minutes long and that I had 100 minutes to spare. And it ended up being a very decent and enjoyable movie.

Co-directed by Severin Fiala and Veronika Franz, Goodnight Mommy follows a very horror-esque approach to match its growingly eerie tone. The movie tells the story of a pair of twin brothers who suspect their mother who just underwent a face-altering Costmetic surgery, of being a doppleganger. With incidents that end up making the boys grow more and more suspicious, they eventually default to having no other choice but to protest their mother through growingly violent means.

The success of Goodnight Mommy is that it's written in a way that makes you sympathetic to why the boys feel and react the way they do, even though you know it's the adult who's in the right. You feel like the violence against her is justified and then you realize that from an objective point of view, there's no reason for us to be rooting for the twins.

It's enjoyable in a very engaging way, and even the twist ending (yes, it's a twist ending movie) landed effectively. The movie, from a technical standpoint, is beautiful... with the overall imagery and the isolating production design adding to the charm of the movie. There's nothing too brilliant about it, but there's nothing to compain about either. It was a decent way to spend the 100 minutes I had without any regrets.