Rumours

I was really looking forward to watching Rumours since the premise seemed original and the trailer looked fun without giving away too much. I still enjoy zombie movies, even though there are countless examples in the genre, because with some talent and unique ideas, they can still be great.

In this film, the leaders of the seven wealthiest liberal democracies are having their annual G7 meeting in a gazebo, while something strange begins happening in the world, with zombie-like creatures appearing in the woods. The movie is a satire and heavily dialogue-driven, which I didn't mind, and the bits of humor sprinkled throughout felt like a fitting touch.

However, as the movie progresses, nothing significant really happens. The characters interact and speculate about what might be going on, but there's no real climax. It's mostly talking and walking through dark woods with little action. Occasionally, the zombies or "Bog People Dancers" as they are credited appear in the distance, but they don't pose any real threat.

I understand what the movie is trying to achieve, but it's simply not entertaining and definitely doesn't warrant a 104-minute runtime. The acting was fine, though the inconsistent accents were noticeable but not overly distracting, but still worth mentioning.

Overall, I was pretty disappointed. While there might be a small niche audience that enjoys Rumours, the majority likely won't find it engaging. [4,7/10]

I for one quite enjoyed it. Did not understand it completely, honestly could not pick out all of the symbolism, allegory etc, but it was interesting and fun to try. There are no laugh out loud moments, but smirks aplenty as connections and parallels are suggested and at times blatantly stated.

The cast, the script, the dialogue were convincing and never overplayed, these were serious politicians acting like real people in a surreal situation. The choice of subdued lighting in red tones, and a off kilter soundtrack kept everything suitably unreal. Direction and editing could not be faulted.

Would/could a film like this be made in an authoritarian country? Undoubtedly not.

Its a fun film that can be taken seriously.

Rumour has it there's a new movie out written and directed by 3 different people: Galen Johnson, Evan Johnson, and Guy Madden. A Canadian/German production, RUMOURS is a satirical look at the annual G7 summit, gathering together 7 of the world leaders who try to prepare a joint statement to address an unspecified world crisis. I really enjoy weird movies, but this one almost pushed my tolerance to the limit. It took a bit to understand the kind of humour this movie is going for. I appreciate it a tiny bit more now that I've had time to contemplate. Basically, it's a movie that says politicians and world leaders are more focused on drawing up a statement than actually taking any action. There is still one aspect of the movie I still don't understand, which I can't tell you about, just know it's very weird. According to this movie, politics is just one big circle-jerk. A few standout performances from Cate Blanchett, Roy Dupius, and Denis Ménochet carry the film. So much of RUMOURS is strange and surreal, but I feel like it's full of symbolism and metaphors. I understood some of them. By the end, I think I had a fun time?

"Rumours" is a Guy Maddin film. So you need to know going in that it will be an absurd, surrealistic, over-the-top festival of craziness.

Maddin's first film came out in 1985. Since then, he has completed twelve feature films and dozens of shorts that are iconic among cinephiles. His work includes a short film starring Isabella Rossellini as a legless matriarch who sponsors a competition to discover which country produces the saddest music in the world. For another film, Maddin stipulated that during its theatrical release an eleven-piece orchestra, a Canadian castrato vocalist and a narrator doing voiceovers must all participate live at each screening. In a related development, the film was never offered in wide release.

In "Rumours," Maddin co-directs with long-time colleagues Evan and Galen Johnson. Evan Johnson wrote the script. The story centers on a meeting of the G7 countries (Canada, France, Germany, Italy, Japan UK, US) to address an unspecified international emergency. The group soon begins to draft a position statement, in lieu of taking actual action. Even this tepid response is sabotaged by the personal agendas of the participants. The Canadian Prime Minister sleeps with the Chancellor of Germany, in part to compensate for the emotional indifference of the UK Prime Minister, a previous paramour. The French President feels the need to emote at every opportunity. The Italian President unctuously offers other G7 members a variety of sausages from the inner pockets of his coat. Eventually, these "leaders" find themselves mysteriously abandoned by the support staff. They stumble around on fog-shrouded terrain, encounter an all-seeing AI tasked with rooting out pedophiles and discover an unbodied brain the size of an SUV.

Several major actors have lent their star power to this endeavor. Of course Australian Cate Blanchett is the Chancellor of Germany. Charles Dance, a quintessential Brit (Tywin Lannister in "Game of Thrones," Lord Mountbatten in "The Crown"), portrays the US President without the inconvenience of eliminating his upper-class British accent. In a refreshing change of pace, the other G7 representatives are all veteran actors native to the countries they represent. Alicia Vikander has an incendiary cameo as an EU functionary/apocalyptic prophet whose predictions of doom are somewhat less effective because they are uttered in Swedish.

Professional critics apparently are contractually obligated to swoon because this is (kneel and genuflect here) Guy Maddin. Regular moviegoers are more likely to just pass out from boredom. While this film makes a fair point about the fecklessness of many of the leaders on the world stage, it's ultimately a one-note tune that becomes tiresome. "Rumours" elongates material would make an inspired, captivating short film. But here, it stretches its content and the moviegoers' patience past the breaking point.

Buñuel's movies might be lacking some zombies (at least I don't recall their presence). But IMHO they're much more to the point when it comes to avant-garde surrealism infused with political commentary. For artful, unconventional, surrealist and political satirical films, Buñuel is probably still the bench mark.

I'd strongly suggest that rather spending your time and money on the quite boring 'Rumours', you try to get your hands on VHS or Disc copy of Buñuel's first movie 'Un Chien Andalou' (The Andalusian Dog) from 1929, an unprecedented collaboration with Salvador Dalí. Or enjoy some of his classics such as 'The Discreet Charm of the Bourgeoisie' (1972) or 'That Obscure Object of Desire' (1977).