Hardcore Henry

Half human and half machine, Henry wakes only to witness the kidnapping of his wife Estelle, by a group of mercenaries. From this moment onward Henry searches and fights for Estelle with every ounce of energy he possesses. He kills and risks being killed himself, by every weapon imaginable. The viewer, through the use of a special camera attached to someone's head, is about as face to face with the violence as anyone can get. Each move that is made by Henry is followed by the viewer. Every throat that is cut seems as if it is done by our own hands. We figure out what is happening only in so much as Henry does, for both viewer and character are in the same shoes. The film is kinetic, bloody and non-stop action. While worn down by the shaky camera work and bad acting, I also appreciated all the zany twists, gore, rawness and laughs to the story. Ann of Green Gables and Little House on the Prairie the film is not, and this is usually a good thing. Seen at the Toronto International Film Festival 2015.

Within a couple of minutes of the opening credits, "Hardcore Henry" takes off on its wild ride, and doesn't stop until the ending credits. It is just a good old fashion action film, with gunfights, explosions, crazy stunts, good guys, bad guys, weird people, twists, turns, and most of all, non-stop action.

The film has no message. There is no propaganda that it tries to push. The films entire purpose is to make its audience forget their problems and just enjoy themselves for a couple of hours (and the filmmakers succeed in that goal).

"Hardcore Henry" is a film to watch.

This film tells the story of a man who is resurrected from the dead by technology. He is a hybrid of man and technology, and is trained to kill efficiently.

There is a lot of buzz around "Hardcore Henry" being the first film to be filmed in a first person perspective. To me, the film looks more like a video game, because Henry is moves so fast and is so good at killing. People around him just die so easily. Scenes move very quickly from one to another, and the location of the story moves very quickly as well. One second he is on the roof and then the next second he is in a car. I can hardly keep up with the pace and the story! Towards the end, I felt dizzy from all the constant motion, and I was lost by the plot. At least, it was cool to have watched Henry doing daredevil jumps from one floor to another as if he was walking on grass.

I was definitely already a fan of the Biting Elbows music video that gave rise, but was unprepared for the roller coaster of awesome that doesn't let up for 90 minutes. I don't know if it was the 98 foot Frank's FDX screen or just a more attached rig, but some of the action was shaky and a little hard to follow, especially when Henry would get moved or tossed around. Without a sense of motion, you can lose your bearings. Being an avid FPS gamer will really help here. I'd recommend not filling your vision to the periphery with the screen (like the front 1/3rd point, where I sat) and choose a middle screen height position, which will make it more like a computer monitor experience. That said, I still found it easier to follow then the hand to hand combat in the early Bourne films, and more enjoyable. The audio is a blast with a good system, so don't wait until it gets to the crappy 30 seat theaters with the turned down speakers the megaplexes seem to tuck away in unused corners.

Sharlto Copley is extremely fun to watch in this film and did a great job not being the same character in District 9, and Elysium, proving far far from it (not a fan of Chappie, but he did well in that too).

There are so many oo, ahh, wow, and shock moments in this film. I really want to see a sequel and would definitely be happy to help fund it if they go that route again.

I think I will be seeing this again.

tldr: if you grew up with or are a fan of FPS games, this movie is amazingly fun.

When is a movie not a movie? How do you rate a movie like this anyway?

Hardcore Henry completely reinvents cinematic language. It's closer to a videogame in streamlined story and brutal, flinch-inducing violence. The sometimes low-res, often choppy POV is ballsy and cleverly conceived, gags and smart editing is commendable, the director's well-honed eye providing a true cinematic breath of fresh air.

It has superbly apt, moody music and good directional sound, it's not nearly as cheap as the marketing led me to believe even though it's clearly on a shoestring, its inventiveness and good blend of stunt performers and FX create a non-nauseous, toe-curling adrenaline rush.

There's admiration to be found in the lack of exposition in the 8-bit paper-thin plot and the gaudy, gonzo characters of a suitable Sharlto Copley. If you're in to videogames or appreciate something different, then Hardcore Henry is a revelatory, avant-garde, art-house action flick with its tongue in its cheek and its balls to the wall. It's also a sadistic, nihilistic over the top collection of video game levels. Insanely creative and in incredibly bad taste. It's a gory riot, blackly comic and tells you exactly what it is upfront and never lets up. Many parts of this film are stupid, ugly, dragging and plain insufferable and then there's equal parts hilarity and visual wit, true kineticism and sheer stuntman balls.

Very Russian. Not for everyone. And wears thin by the end, but very much a one of a kind and relentlessly intent on being it's own beast. And it helps that the ending is so absurdly laugh-out-loud OTT that it puts Crank to shame.