IMDb रेटिंग
7.9/10
15 हज़ार
आपकी रेटिंग
25 जनवरी 1985 को, उस युग के दर्जनों सबसे लोकप्रिय संगीतकार अफ्रीकी अकाल राहत के लिए एक चैरिटी सिंगल रिकॉर्ड करने के लिए लॉस एंजिल्स में एकत्र होते हैं. अहंकार को किनारे रखते हुए, उन्होंने एक... सभी पढ़ें25 जनवरी 1985 को, उस युग के दर्जनों सबसे लोकप्रिय संगीतकार अफ्रीकी अकाल राहत के लिए एक चैरिटी सिंगल रिकॉर्ड करने के लिए लॉस एंजिल्स में एकत्र होते हैं. अहंकार को किनारे रखते हुए, उन्होंने एक ऐसे गीत पर सहयोग किया जो इतिहास बनाएगा.25 जनवरी 1985 को, उस युग के दर्जनों सबसे लोकप्रिय संगीतकार अफ्रीकी अकाल राहत के लिए एक चैरिटी सिंगल रिकॉर्ड करने के लिए लॉस एंजिल्स में एकत्र होते हैं. अहंकार को किनारे रखते हुए, उन्होंने एक ऐसे गीत पर सहयोग किया जो इतिहास बनाएगा.
- 3 प्राइमटाइम एमी के लिए नामांकित
- 3 जीत और कुल 14 नामांकन
Harry Belafonte
- Self
- (आर्काइव फ़ूटेज)
- (वॉइस)
Ken Kragen
- Self
- (आर्काइव फ़ूटेज)
Quincy Jones
- Self
- (आर्काइव फ़ूटेज)
- (वॉइस)
फ़ीचर्ड समीक्षाएं
Seeing all this talent come together for a great cause is truly heartwarming. Lionel Richie, a fantastic storyteller and host, alongside Quincy Jones, skillfully managed this remarkable group of artists, ensuring a seamless flow. The homage paid to Harry Belafonte as the initiator was particularly touching. Watching the writing and recording process with Michael Jackson and Lionel Richie is great fun. MJ's voice is incredibly pristine. I'm grateful that this has heightened awareness about issues beyond our safe environments, specifically combatting famine in Ethiopia, and has raised a substantial amount of money. Thanks to Netflix for creating this wonderful documentary. It really gave me goosebumps.
The documentary is Chefs kiss. I love Michael Jackson's songs and We Are The World is no exception. It's so catchy and I love harmonizing along with the artists. I enjoyed this documentary. I had always wanted to see something like it. To go behind the scenes, and it did not disappoint. From the song creation process - which is something I always wonder about as a music listener, to the retakes to the teamwork to the balancing of egos. I appreciated the no-holds-barred , honest interviews and I'm so grateful they took videos that night. I resonated with what Diana Ross voiced ie she didn't want that night to be over. I didnt want the Docu to be over either. When it began, you could tell they were all nervous, but as it went on, it became everybody's favorite project and everybody brought their A game. Lionel Richie as a narrator is so good. Great sense of humour and sharp memory. You could see from the documentary that the artists cared for the cause and cared even more for the craft and had an admiration and respect for each other, despite their differences in ages , skin color or accolades. Loved the autograph scene. I loved that all the artists were trying on such short notice, and adapting their vocal ranges as they went along. Hueys narrations were vivid and beautiful. He is a captivating storyteller. MJ came across as so humble and a perfectionist, Quincy Jones = a genius, Al was hilarious, and I loved that he and Stevie are multilingual. Bruce Springsteen got the Midas touch and aging like fine wine. Stevie Wonder - how does he make playing the piano and singing look so effortless? It truly was a highlight for me, seeing him work his magic. Harry Belafonte, God bless you for thinking of this concept. Ray Charles, iconic. Lionel's voice as the song starts, is absolutely pristine. MJs voice is angelic. Cyndi Lauper coming through with the harmonization has always been one of my fave bits of the song. It's interesting to see that part play out in the Docu. Tina Turner - goodness, what a goddess. I love Prince but I know most artists are like Bob (Dylan) and Prince, introverts who'd rather work alone so I understand. I'm grateful Bob Dylan showed up. It was for a good cause. A great cause. It was great to see how demanding artists are of themselves even when they are top of their game. They are still perfectionists. I learnt something there. Loved MJs outfit and as a dear fan, I really appreciated insights into his songwriting process. Seeing him collaborate with Richie to come up with the melody was awesome. So casually too. Geniuses make it look easy. It's nice to see his siblings there to support him. Steve Perry's vocals - wow. James Ingram. I could go on and on. This docu had everything: the tea, the laughs, the love, the tears, the emotions, the high notes, just...a delectable mix. I enjoyed it and it makes me sad that we are at an age where the icons have left or are leaving us. Nothing lasts forever but it was good while it lasted. I'm glad this song is here with us. Two quotes I loved from the show, to paraphrase: 1) How music is something spiritual that traverses space and time to come touch your soul 2) Be happy when you comeback home because one day there'll be no home to come back to. Whew! That last one was emotional. I LOVED the Docu and I LOVE the song. Shout out to Bob Geldof for the inspiration. #TheGreatestNightInPop #Netflix.
I can't recall the last time I watched a film from beginning to end without taking a break or even thinking of taking a break. And this has nothing to do with the quality of the ultimate product, although the film made me appreciate "We Are the World" far more than I did at the time of its creation. The experience of seeing how this event was created, assembled and carried out was mesmerizing, engrossing and tremendously moving.
The film enlarged, exponentially, my knowledge and understanding of the individuals who participated in creating the song and video. For example, I appreciate, for the first time, the scope of Lionel Ritchie's talent, which extends far beyond singing. Wrangling pop stars is more difficult than herding house cats, but Ritchie proved to be a master of the art. He was the film's star, with Stevie Wonder and Quincy Jones close behind. The scenes showing Stevie's interactions with Ray Charles and Bob Dylan were, at the same time, hilarious and moving.
The film also enhanced my appreciation of the level of talent that participated in the project. As a contemporary of most of the participants, I realize now that they were a lot more talented than I might have thought back in the 1980s.
From a technical standpoint, condensing a ten-hour all night recording session into the last hour of a ninety minute film was no mean feat. The editing of tons of archival material into a coherent narrative was masterful. If Netflix can mount more retrospective documentaries of similar events from the late twentieth century, I would welcome the endeavor.
If I have one criticism, it is that I wanted to know more about the selection process, about the artists who elected not to participate, and about the one, Waylon Jennings, who walked out. Madonna was mentioned once. And maybe Waylon was there because he lost a bet to his pal Willie, and of course Prince was Prince. But Waylon and Willie were the only representatives of a genre that IS music to millions of Americans. Were any others asked?
But on the whole, the film was an Oscar level documentary and should be recognized as such.
The film enlarged, exponentially, my knowledge and understanding of the individuals who participated in creating the song and video. For example, I appreciate, for the first time, the scope of Lionel Ritchie's talent, which extends far beyond singing. Wrangling pop stars is more difficult than herding house cats, but Ritchie proved to be a master of the art. He was the film's star, with Stevie Wonder and Quincy Jones close behind. The scenes showing Stevie's interactions with Ray Charles and Bob Dylan were, at the same time, hilarious and moving.
The film also enhanced my appreciation of the level of talent that participated in the project. As a contemporary of most of the participants, I realize now that they were a lot more talented than I might have thought back in the 1980s.
From a technical standpoint, condensing a ten-hour all night recording session into the last hour of a ninety minute film was no mean feat. The editing of tons of archival material into a coherent narrative was masterful. If Netflix can mount more retrospective documentaries of similar events from the late twentieth century, I would welcome the endeavor.
If I have one criticism, it is that I wanted to know more about the selection process, about the artists who elected not to participate, and about the one, Waylon Jennings, who walked out. Madonna was mentioned once. And maybe Waylon was there because he lost a bet to his pal Willie, and of course Prince was Prince. But Waylon and Willie were the only representatives of a genre that IS music to millions of Americans. Were any others asked?
But on the whole, the film was an Oscar level documentary and should be recognized as such.
Simply and shortly put, this was incredible.
We are being introduced anew to this important piece of history.
Michael Jackson and Lionel Richie was a power duo in making this happen, for such an important cause.
Enjoy learning from A to Z just how impactful this really was, and still is.
Netflix needs to release more of these, so that the younger generations truly understand the value of music history, as it was. I wish music could still be like this, about something greater than yourself. The act of giving, caring and unity. Todays artist have a lot to learn from this.
Thank you... "We Are The World"
We are being introduced anew to this important piece of history.
Michael Jackson and Lionel Richie was a power duo in making this happen, for such an important cause.
Enjoy learning from A to Z just how impactful this really was, and still is.
Netflix needs to release more of these, so that the younger generations truly understand the value of music history, as it was. I wish music could still be like this, about something greater than yourself. The act of giving, caring and unity. Todays artist have a lot to learn from this.
Thank you... "We Are The World"
In 1985, We Are The World was huge. We saw the video over and over and over again.
We all had the album and listened to it countless times. It was on the radio non-stop. It was an immensely powerful song.
Watching this documentary and learning how the song came about and how they managed to get all the biggest names in Music together, it let me re-experience it all. Watching it was both nostalgic and entertaining. But also sad watching the great artists who aren't around anymore.
It's a Must See for anyone who was around back in '85.
And, after nearly 40 years, I finally learned why Prince wasn't there.
We all had the album and listened to it countless times. It was on the radio non-stop. It was an immensely powerful song.
Watching this documentary and learning how the song came about and how they managed to get all the biggest names in Music together, it let me re-experience it all. Watching it was both nostalgic and entertaining. But also sad watching the great artists who aren't around anymore.
It's a Must See for anyone who was around back in '85.
And, after nearly 40 years, I finally learned why Prince wasn't there.
क्या आपको पता है
- ट्रिवियाThe documentary goes into detailing several first-hand accounts of why Prince was not on the song. However, the documentary fails to include that Prince did, in fact, donate a song to the "We Are the World" album, (released April 23, 1985) "4 The Tears in Your Eyes", and made an accompanying live performance video for the song, which premiered on the "Live-Aid" concert broadcast on July 13, 1985. In addition, Prince detailed his "side of the story" with the song "Hello", a B-side to the "Pop Life" single in the US (released in July 1985), and the B-side to "Raspberry Beret" single in the UK.
- गूफ़Bruce Springsteen's last concert before the recording was in Syracuse, not Buffalo .
- भाव
Paul Simon: If a bomb lands on this place, John Denver is back on top.
- कनेक्शनReferenced in Film Junk Podcast: Episode 929: Perfect Days + I.S.S. (2024)
टॉप पसंद
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