आलोचक समीक्षाएं

Partnered with the always ridiculous Rudd, Robinson reconfirms his standing as the reigning master of discomfort. Together, they make "Friendship" the funniest movie of the year.

Friendship truly has all the makings of a future comedy classic.

Friendship is a delightful, vulnerable, agonizing film, and it's a new career height for Tim Robinson.

It’s easy to imagine how a version of this film might have descended into vaguely connected sketches (and still would have been one of the funniest pure comedies in forever despite its shapelessness), but there’s a clear and rewarding intentionality to DeYoung’s plotting, and it pays off with a finale that — better than almost any scene before it — perfectly threads the needle between all of the movie’s competing energies.

A gleefully discomfiting portrait of male bonding that delivers some of the year’s biggest laughs.

Even as a fan, I am honestly shocked that what basically amounts to a 97-minute ITYSL sketch stays actually funny throughout, though a good 15 or so minutes of that threaten overexposure to the brand.

While Robinson’s full-length feature as star does not reach his show’s highs, it’s still a hysterically funny, pitch-black comedy.

Tim Robinson’s first movie-star role is like an extended I Think You Should Leave sketch with fancier camera work and a guest appearance by Paul Rudd.

Yet, despite this apathy, there is an emotional core to Friendship, one that made me root for Craig despite all of his shortcomings and unpleasantness.

Robinson’s brand of middle-class psycho surrealism works perfectly in bite-size sketch-comedy doses. Stretched out to feature length, a character like Craig simply stops making sense.