अपनी भाषा में प्लॉट जोड़ेंA suburban dad falls hard for his charismatic new neighbor.A suburban dad falls hard for his charismatic new neighbor.A suburban dad falls hard for his charismatic new neighbor.
- पुरस्कार
- 1 जीत और कुल 2 नामांकन
फ़ीचर्ड समीक्षाएं
I, admittedly, cringe very easily. I can't watch reality shows because the awkward conflict makes me uncomfortable. I like Tim Robinson sometimes when his outrageousness is so over the top that it's just separate from reality. In this film, he is great, as is Paul Rudd, and frankly everyone. The cringe is low key enough in most scenes to make you truly squirm. I found myself squirming far more than laughing in this movie. It was weird, wild, and unique. I liked it and it stuck with me. I am sure that the discomfort I felt watching it was the point. If you like that cringey feeling, you will really like this movie.
Story ~ ⭐ 5.5/10
The writer forgot to close some story lines, and when you do that, you leave the audience wanting. The movie is a negative character arc for both Robinson and Rudd, and that's depressing, especially without meaning or something else to grab onto. Yes, it was funny, at times, but it was drowned out by a sea of not enough audience payoff. Clever ending, not really.
Acting ~ ⭐ 7.0/10
Robinson is doing Robinson and Rudd is doing Rudd. Expanding on Rudd, it seems he has some acting tic he can't shake that's turned him into a cliché; it's something in his face, like an invisible string keeps him from doing something different. At times, Robinson's slapstick, especially the scene with the Vietnam hat-wearing overactor, degenerated into a yelling match that should have been left with the editor. My 7 for acting is generous, thanks to Kate Mara, who delivered the most talent and nuance by far.
Cinematography ~ ⭐ 7.5/10
Nothing special here, but not bad either. Sorry, I can't offer more.
Recommendation: This is uncomfortable, awkward humor. If you like that, rent it, but pass on the theater run.
The writer forgot to close some story lines, and when you do that, you leave the audience wanting. The movie is a negative character arc for both Robinson and Rudd, and that's depressing, especially without meaning or something else to grab onto. Yes, it was funny, at times, but it was drowned out by a sea of not enough audience payoff. Clever ending, not really.
Acting ~ ⭐ 7.0/10
Robinson is doing Robinson and Rudd is doing Rudd. Expanding on Rudd, it seems he has some acting tic he can't shake that's turned him into a cliché; it's something in his face, like an invisible string keeps him from doing something different. At times, Robinson's slapstick, especially the scene with the Vietnam hat-wearing overactor, degenerated into a yelling match that should have been left with the editor. My 7 for acting is generous, thanks to Kate Mara, who delivered the most talent and nuance by far.
Cinematography ~ ⭐ 7.5/10
Nothing special here, but not bad either. Sorry, I can't offer more.
Recommendation: This is uncomfortable, awkward humor. If you like that, rent it, but pass on the theater run.
I imagine some people have a lot of trouble explaining Tim Robinson. I think I can. He is the new champion of anti-comedy. Anti-comedy is almost a performance art unto itself and would suggest a uniquely higher level of understanding of what is funny and what is not, and then taking what is not funny and making it funny. It feels almost accidental, but it isn't. The original master was Andy Kaufman, and since his untimely death in 1984, he's had many unsuccessful imitators. We very nearly had a second-coming in Tom Green, until he took things completely over the line with Freddy Got Fingered, a film that strived to be a surrealist masterpiece and ended up being the Pink Flamingos of the 21st century. But now, in 2025, we have Tim Robinson and I think he's just about mastered this difficult technique. Perhaps by sheer virtue of the fact that he looks supremely uncomfortable at all times. He's the human embodiment of a caged rat being poked incessantly with a stick. There's a level of fear and confusion, mixed with a hair-triggered rage that could ignite at any moment. He looks and behaves like the most maladjusted human on earth. Then you take that person and make him a full-fledged comedian. Perhaps this is part of his comedic routine, but whatever it is, he's got that Kaufman "It" factor that's needed.
Enter, Friendship. If ever you needed to know what a Tim Robinson movie would be like, this is what it is. Some would say it's a 90-minute I Think You Should Leave skit, and you'd very much be right. This is a dark comedy about why grown men shouldn't have bromances. That said, it's 97 minutes of exactly how far Tim Robinson can take that premise. The sky isn't even the limit here. Robinson explores obsession and insecurity through the eyes of a man who has zero control over his impulsive thoughts. The rest of the cast looks on in terror, especially Paul Rudd, who approaches the role similarly to how he did in I Love You, Man. But a classic Judd Apatow-universe comedy this isn't. This is Tim Robinson's unhinged world and we are all held hostage.
I haven't laughed this hard in a movie theater in a decade. Studio comedies are dead. Comedy movies, in general, have dried up worse than the Mojave Desert. A24, I can attest, might be about to change that, and they have the right man to do it. If we could get a Tim Robinson comedy movie once a year, I'd be very happy.
Enter, Friendship. If ever you needed to know what a Tim Robinson movie would be like, this is what it is. Some would say it's a 90-minute I Think You Should Leave skit, and you'd very much be right. This is a dark comedy about why grown men shouldn't have bromances. That said, it's 97 minutes of exactly how far Tim Robinson can take that premise. The sky isn't even the limit here. Robinson explores obsession and insecurity through the eyes of a man who has zero control over his impulsive thoughts. The rest of the cast looks on in terror, especially Paul Rudd, who approaches the role similarly to how he did in I Love You, Man. But a classic Judd Apatow-universe comedy this isn't. This is Tim Robinson's unhinged world and we are all held hostage.
I haven't laughed this hard in a movie theater in a decade. Studio comedies are dead. Comedy movies, in general, have dried up worse than the Mojave Desert. A24, I can attest, might be about to change that, and they have the right man to do it. If we could get a Tim Robinson comedy movie once a year, I'd be very happy.
I saw this with about 40 other people. 20 were mostly laughing, the others ( me included) sat in silence.
I cannot fault the acting. Tim Robinson was really good portraying a man never at ease with himself and in a constant state of anxiety around others. He seems very aware that he doesn't fit in. The fact that he has an actractive wife (Kate Mara), who is working her arse off on her business that he in no way helps or offers encouragement gives him any confidence.
She just goes on with her business and the job of keeping her family together.
I just did not find much humor in a film that offered one cringe worthy scene after another. Like watching a car wreck waiting for the blood.
I cannot fault the acting. Tim Robinson was really good portraying a man never at ease with himself and in a constant state of anxiety around others. He seems very aware that he doesn't fit in. The fact that he has an actractive wife (Kate Mara), who is working her arse off on her business that he in no way helps or offers encouragement gives him any confidence.
She just goes on with her business and the job of keeping her family together.
I just did not find much humor in a film that offered one cringe worthy scene after another. Like watching a car wreck waiting for the blood.
On the one hand, it's got moments of genuine hilarity and ingenuity. Rare these days in movie theaters - it seems only stand-up has any guts and originality. I laughed hard in places and so did the first-weekend LA crowd. On the other hand, the story is without much momentum and lacks a sense of inevitability. Feels random and without clear purpose/meaning. As though the whole thing were a series of sketches strung together with no driving thematic goal. Another way of putting it is that it does not get more interesting as it goes. But the acting and casting is superb. Very well directed. Bravo!
Theatrical Releases You Can Stream or Rent
Theatrical Releases You Can Stream or Rent
These big screen releases can now be watched from the comfort of your couch.
क्या आपको पता है
- ट्रिवियाAndrew DeYoung claimed in an interview that the movie was inspired from his own experience of getting iced out of a friend group.
- गूफ़Tony the phone salesman refers to his Toad as the "Buffalo River Toad" but it's actually called the "Colorado River Toad.
- कनेक्शनFeatured in Half in the Bag: 2025 Mid-Year Catch-up (2025)
- साउंडट्रैकMARIGOLDS
Written by Donny Dykowsky
Performed by MIRRORS ON THE MOON
Courtesy of THE SKI TEAM AND DONNY DYKOWSKY
By arrangement with SOSTEREO
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइट
- भाषा
- इस रूप में भी जाना जाता है
- Дружба
- फ़िल्माने की जगहें
- योंकर्स, न्यूयॉर्क, संयुक्त राज्य अमेरिका(Filming City)
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- US और कनाडा में सकल
- $1,62,28,274
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $4,44,759
- 11 मई 2025
- दुनिया भर में सकल
- $1,62,28,274
- चलने की अवधि1 घंटा 40 मिनट
- रंग
- पक्ष अनुपात
- 1.66 : 1
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