VANish

This is a kidnapping for ransom with a twist film. While a ransom demand was made there is more going on than simply wanting cash.

This is a low budget film but I didn't find it to bad as bad as some of these horror snobs have made out. I thought the plot was decent, the acting wasn't awful but it wasn't great and the camera work was passible.

I liked that it was bloody and for the most part, it had a steady pace. It isn't great but it isn't an unbearable movie either. You'll just have to check it out and see how you like it.

What hooked me in was that they had Danny Trejo's mug on the poster (which by the way I think is one of the better indie posters I've seen in a long time). Now, I always come in with very low expectations when it comes to a Danny Trejo film as he's in every single film you can imagine so his quality control is scant. Having said that, I thoroughly enjoyed this film. It surprised me on how entertaining it was having only been shot entirely in a van! The director Bryan Bockbrader highlights this very well, using the tight space and passenger POV to claustrophobic effect. His performance as the sadistic half-brother to the film's protagonist played by Austin Abke is equally effective in its own right. Performances were solid overall with what may possibly be a career-turning role for Maiara Walsh as the acerbic and witty abductee of the brother's scheme to rip off her formidable, drug lord father: the one, the only, Danny Trejo. Tony Todd's brief but memorable cameo was especially exciting to see as well as new comer Adam Guthrie as the junk fiend, ex-military buddy along for the ride. Though maybe not an awards contender, VANish is a fun, fast-paced thrill ride that is sure to entertain even Trejo skeptics like me.

"Max, hide the beers. I mean, who gives a sh*t, man. The whole van smells like pot and alcohol."

Seeing the title of this movie, it inevitably made me think of the legendary polish product, used to remove stains. I must admit that as the film progresses, and especially during the rough and gore climax in the end, they sure could use a load of this product to remove the resulting stains (blood stains that is). Eventually, the initial meaning of the movie title will be a reference to the fact that the entire film almost solely takes place in a van. "VANish" surely can be considered as a low-budget film that was made in an unreal short period. In 13 days they've made the whole thing and in a way you'll notice that.

Despite the low budget, the film still looks surprisingly fresh and professional. In terms of images anyway. The sultry and hot desert environment where everything happens, shimmers of the screen. Everything is soaked in warm colors. And although it's a simple story that was filmed in a driven way, there are some shortcomings in it. I'm a fan of low-budget movies. And after watching all these million dollar blockbusters, it's sometimes a relief to see a minimalist creation. It's the purity of such movies that intrigue me and not the dizzying special effects or the exuberant paid movie stars who appear in it. That this film won't be nominated for an Oscar is obvious of course, but usually there is still a revelation to discover in such a creative product. In "VANish" this is without a doubt the actress Maiara Walsh who plays brilliantly the part of Emma: a brave young lady who, even though she finds herself in a dire situation, continues to provoke and belittle the three kidnappers. A funny rendition that guarantees hilarious conversations now and then.

Another highlight is the brief appearance of Tony Todd, who I'll always remember as the imposing and frightening "Candyman" from the eponymous movie. A central interlude so absurd that it made me think of "Pulp Fiction" and the character of Todd as intimidating as ludicrous. I'm sure Tarantino could appreciate this fragment. Besides that, I think you can compare "VANish" with "From Dusk Till Dawn" (except that the latter with regard to the finishing touch and elaboration surely is from a different level). At first glance you might think that this is yet another Danny Trejo one-man-show. Are you a hardcore Trejo fan, then you'll be deeply disappointed, because he appears only for a few minutes (which I didn't regret). He might be a crucial part of Jack's (Austin Abke) established plan, but the final emphasis is on the interaction between the four protagonists and the hidden agenda of Jack.

The biggest disappointment was the denouement. In line with the slasher films of the 90s, this film ends in a huge bloodbath and the shown violence reaches excessive proportions. But ultimately, these violent scenes aren't really innovative and they look just as old as those of the good old days. Nevertheless you would expect them to be more realistic and credible with today's technology. It seemed as if the staff used buckets of fake blood on the set. Also, the three kidnappers Jack, Max and Shane were at one time really irritating. Admittedly, Shane (Adam Guthrie) and Max (Bryan Bock Brader, Director) weren't really sane (drugs, alcohol and PTSD are most likely the cause of this), but gradually they became more and more schizophrenic and hallucinatory insane. In contrast, Jack is an example of self-control. That's why a visit to his angry girlfriend, who broke up with him for unknown reasons, during the abduction is plain normal (for me this was a bit exaggerated).

Perhaps the biggest plus of this film is the simplicity of the story: two perfectly normal looking weirdos (a kind of "Dumb and Dumber"-types) abduct the daughter of a drug baron for ransom, the trip to the meeting is fairly chaotic, one of the kidnappers seems to have a different motivation, the denouement turns out to be quite bloody. And that's perhaps the downside of the film. A too simplistic story. Perhaps they should have extended that period of 13 days a little, to embellish the story a bit and improve the gore, bloody scenes. The movie isn't that bad, but maybe they rushed it a bit as if all hell would fall on them.

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It takes a lot to make a movie set in one confined environment and this writer director has come up trumps with this.

I did not expect to enjoy this as much as i did as some of the acting is not that great, the gore scenes are actually quite funny and not well done but I am not sure whether it was meant to be black humour but it has accomplished it by accident and quite well I must say.

Ignoring all the deficiencies it was well photographed , directed and the female lead was good in the role so against all odds this film actually comes out quite a way on top of what I otherwise would have expected it to be. I would like to see the alternate endings which all sounded as good as each other so all in all this was a well above average nights viewing and I am giving it a very respectable 7/10.

Greetings from Lithuania.

"VANish" (2015) is sometimes laughably bad, sometimes laughably gory, sometimes laughably stupid but most important, never good. The plot is very simple, and not really engaging. To be honest, i somehow managed to watch it till the end, till the very bad end. There was a shoot out scene at the end that has to be one of the worst shoot out scenes in the movie history - seriously, watch it closely and you will spot some very serious errors in continuity, terrible editing and even worst directing. What was the point of this whole movie?

Overall, to think that someone managed to spend a lot of money for creating this stuff and hoping to get it back kinda makes me want shake my head in disbelieve. The only think that was kinda nice in this movie actually was Bryan Bockbrader's acting. That i think was not bad performance at all, and you clearly see that this guy has some natural talent, although the material is wrong to make any real judgments. Overall, you can safely skip this flick and save some 1 h and 17 min.