ब्रेकअप के बाद, न्यूयॉर्क की कामकाजी जेसिका अकेले रहने की योजना बनाते हुए लंदन चली जाती है. उसकी मुलाक़ात फेलिक्स से होती है जो उसे फिर से प्यार ढूँढ़ने के बारे में सोचने पर मजबूर करता है.ब्रेकअप के बाद, न्यूयॉर्क की कामकाजी जेसिका अकेले रहने की योजना बनाते हुए लंदन चली जाती है. उसकी मुलाक़ात फेलिक्स से होती है जो उसे फिर से प्यार ढूँढ़ने के बारे में सोचने पर मजबूर करता है.ब्रेकअप के बाद, न्यूयॉर्क की कामकाजी जेसिका अकेले रहने की योजना बनाते हुए लंदन चली जाती है. उसकी मुलाक़ात फेलिक्स से होती है जो उसे फिर से प्यार ढूँढ़ने के बारे में सोचने पर मजबूर करता है.
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फ़ीचर्ड समीक्षाएं
Nope, just not it. Could not get in to the main character. I find her too be very egoistic, way too dramatic and very self-centred.
As a European it is way too much American exaggerated drama about feelings and making it all about you.
First episode started out strong but just didn't get picked up after. The obsessive part with the ex wavering on way too long during the season. With in the end kind of soft boring ending.
Did like a lot of the acting and the different characters, but the script can use a little less of the almost hateful main character.
Definitely way "too much". Would I recommend, no. Would I watch again, no. Would I wish for my time back, YES!
As a European it is way too much American exaggerated drama about feelings and making it all about you.
First episode started out strong but just didn't get picked up after. The obsessive part with the ex wavering on way too long during the season. With in the end kind of soft boring ending.
Did like a lot of the acting and the different characters, but the script can use a little less of the almost hateful main character.
Definitely way "too much". Would I recommend, no. Would I watch again, no. Would I wish for my time back, YES!
After watching the entire series, I realized it felt like a social commentary on our individualistic and narcissistic culture. It made me sad, and I think it was supposed to make me laugh. It felt like everybody was so egotistical in this series there was not one redeeming character, including the protagonist. I wanted to like her a little more, but I just couldn't. She just kept sabotaging herself. Also, this series felt like it lacked a really good, strong plot sometimes it felt quite boring and like they were stretching the series for more episodes. I gave it a higher score because I loved all of the actors performances. It was nice to see Lena again, and I know she created this. I would say this had a beautiful moments and very disturbing moments, but I'm not going to be recommending it overall.
I really wanted to love this. I loved Girls. I really felt Lena Dunham was the voice of a generation and I wanted this to be every bit as good. But it wasn't. In fact it was bad, REALLY BAD. Like student film or GCSE drama devised piece bad.
Firstly, Dunham can't write British dialogue at all, or British characters. All the British characters lacked well, character, and they also lacked nuance, originality and believability. They were all tired tropes. Some of their dialogue was just awful. Especially in the work scenes. Poor Richard E Grant did his best with terrible dialogue but he had nothing to work with. None of the work team characters came across like any real British person or spoke like any real British person. You could see they knew the show was going to flop.
Add to that the two leads were just unlikeable (and I've never disliked Will Sharpe in anything but this loser musician character is just plain unlikeable and you could see Sharpe's heart wasn't;t really in it) and the female lead character is both unlikeable and irritating in the extreme. It was hard to care about them, their romance or anything really. They also had zero chemistry which didn't help.
The show is also unbelievably slow and devoid of any plot. So no character, no plot, no originality and absolutely no Com in the Rom. I didn't laugh once. Didn't even crack a smile.
The whole thing felt off, like a mish mash of Baby Reindeer, Notting Hill and wanting to be but totally failing to be the brilliant Shrill. But Shrill had charm, nuance, actual comedy and pulled the heart strings. And a lead actress who was incredibly watchable. This does nothing. Didn't make me feel anything except infuriated about wasting my time watching it!
I'm sure off the back of the success of Girls Netflix just said off you go Lena, make whatever you want to make and never gave a single note. They must be regretting that now.
Netflix have had a string of British hits lately but this sadly is not one of them.
Firstly, Dunham can't write British dialogue at all, or British characters. All the British characters lacked well, character, and they also lacked nuance, originality and believability. They were all tired tropes. Some of their dialogue was just awful. Especially in the work scenes. Poor Richard E Grant did his best with terrible dialogue but he had nothing to work with. None of the work team characters came across like any real British person or spoke like any real British person. You could see they knew the show was going to flop.
Add to that the two leads were just unlikeable (and I've never disliked Will Sharpe in anything but this loser musician character is just plain unlikeable and you could see Sharpe's heart wasn't;t really in it) and the female lead character is both unlikeable and irritating in the extreme. It was hard to care about them, their romance or anything really. They also had zero chemistry which didn't help.
The show is also unbelievably slow and devoid of any plot. So no character, no plot, no originality and absolutely no Com in the Rom. I didn't laugh once. Didn't even crack a smile.
The whole thing felt off, like a mish mash of Baby Reindeer, Notting Hill and wanting to be but totally failing to be the brilliant Shrill. But Shrill had charm, nuance, actual comedy and pulled the heart strings. And a lead actress who was incredibly watchable. This does nothing. Didn't make me feel anything except infuriated about wasting my time watching it!
I'm sure off the back of the success of Girls Netflix just said off you go Lena, make whatever you want to make and never gave a single note. They must be regretting that now.
Netflix have had a string of British hits lately but this sadly is not one of them.
I can see the Netflix boardroom conversation now: "Hey, remember how well last year's series One Day did? People loved that cute guy from The White Lotus-Leo Woodall. Let's grab another cute guy from The White Lotus-Will Sharpe this time-pair him with a quirky but relatable girl, drop them in London, throw in some hipster melancholy and emotional turbulence, and voilà! We've got our next streaming hit."
That's more or less what Too Much feels like.
The ingredients are all there: an acclaimed indie darling (Lena Dunham), a cool urban setting, plenty of yearning, offbeat dialogue, and a cast that looks great in soft lighting. But while One Day built genuine emotional weight over time, Too Much often feels like it's trying to reverse-engineer the same success rather than create something fresh.
Will Sharpe does his best with what he's given-he has a quiet magnetism that keeps things watchable-but the writing never quite gives his character the space or depth he deserves. The same goes for the lead female role, which vacillates between charming and frustrating without ever landing with much emotional impact.
There are nice moments. A few scenes have a rawness that feels honest, and the London backdrop is used well. But overall, it's a show that feels like it was made by checking boxes. It's not terrible-but it's trying too hard to be something we've already seen.
That's more or less what Too Much feels like.
The ingredients are all there: an acclaimed indie darling (Lena Dunham), a cool urban setting, plenty of yearning, offbeat dialogue, and a cast that looks great in soft lighting. But while One Day built genuine emotional weight over time, Too Much often feels like it's trying to reverse-engineer the same success rather than create something fresh.
Will Sharpe does his best with what he's given-he has a quiet magnetism that keeps things watchable-but the writing never quite gives his character the space or depth he deserves. The same goes for the lead female role, which vacillates between charming and frustrating without ever landing with much emotional impact.
There are nice moments. A few scenes have a rawness that feels honest, and the London backdrop is used well. But overall, it's a show that feels like it was made by checking boxes. It's not terrible-but it's trying too hard to be something we've already seen.
The biggest issue for me was the main character. She comes across as incredibly over-the-top and grating. It's frustrating that the "big girl" trope still leans so heavily on being loud, overly dramatic, and supposedly funny, while also trying to present her as someone the audience should root for romantically. Her personality was exhausting, and it had nothing to do with her appearance (though the heavy rouge didn't help).
Felix, on the other hand, was a standout. He was kind, grounded, and genuinely likable. Frankly, she didn't treat him well, and he deserved better. I really wanted to enjoy this show because I was a fan of Girls but the writing just didn't land for me this time.
Felix, on the other hand, was a standout. He was kind, grounded, and genuinely likable. Frankly, she didn't treat him well, and he deserved better. I really wanted to enjoy this show because I was a fan of Girls but the writing just didn't land for me this time.
क्या आपको पता है
- ट्रिवियाDunham confirmed that "Too Much" was inspired in part by her own relationship with Felber, whom she met and married in the U.K. in 2021.
टॉप पसंद
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Everything New on Netflix in July
Everything New on Netflix in July
No need to waste time endlessly scrolling — here's the entire lineup of new movies and TV shows streaming on Netflix this month.
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