Holland

I was very excited to see this movie as I am a fan of Nicole Kidman and Garcia and thought the premise sounded very interesting.

The first and second act is rather slow to build up for a rather strange and bizarre third act that unfortunately fails to deliver on its shock twist.

The sad part is this film easily could've been a classic on the level of a Cohen Brothers or David Lynch, but instead it ends with some silly premises that are so far-fetched and a bloody ending that has so many plot holes, you scratch your head almost laughing.

Kudos to Nicole Kidman for taking a chance on this film as always she's trying something different and unique and carries the film with Garcia whose role is rather 2 dimensional but this film had no chance even with a great Director as this horrible script ends up being more like a b movie.

5 stars for actors/ director.

When - 1:35 PM Where - Amazon Prime With Who - Myself

First Thoughts - I'll be honest, I've gone back and forth on whether or not to review this movie. This is because I actually worked on it as a Production Assistant for 17 days of filming. Right off the bat, I want to make it clear that my rating and issues with the overall movie has nothing to do with the amount of effort the entire cast and crew put into it. We worked our tails off to make this film happen, and I'm just happy that it's finally out.

That being said, frankly, this isn't a good movie at all. Even during production it was hard to nail down exactly what the story was and what even the point of it was. Now having seen the finished product, it's clear that the higher ups weren't sure either. This film didn't know what it wanted to be, bouncing between the psychological thriller, drama, erotic thriller like a pinball. The actors, all of whom are talented, did the best they could with what they were given. It's clear though that the script needed a few more passes before being pushed into production. A lot of it came across as over explaining and stunted, it didn't really flow naturally.

The cinematography was solid, Pawel Pogorzelski showcasing his talented eye as always. But the editing felt very off with abrasive cuts and odd choices of shots used that felt as though they were trying too hard to be unique.

Another thing story-wise that frustrated me were choices made by the characters, particularly those made by Nancy Vandergroot. The decisions she makes as the main protagonist are not warranted or justified at all. Sure they pay off in the very end, but they make zero sense when she makes the actual choice. This leaves her feeling erratic and paranoid, making it really difficult to root for her character.

Overall, while I'm proud of the work the entire crew and I did here, that hard work simply didn't come across in the final product.

Full Review to follow.

I read the original Black List script for this film years ago. It was cool, and the concept was a unique one for sure. But the director just didn't pull it off this time. No offense to Mimi Cave, I'm sure this was just the wrong material for her, but I've *heard* that, even though she's not credited as a writer, she got in there and messed around the with the very script that made this potentially special. Of course it coulda been the producers meddling in places they shouldn't have...who knows, I wasn't there. But it definitely, like so many other films, at least brings up the point that directors should sometimes just let themselves be directors. You don't HAVE to be a writer/director, but I'm sure the problem is that it's an ego thing, and that directors proclaim that they can write, just because they're creative in other ways... But I hope more directors will follow Scorcese, Spielberg, etc etc and stick to what they're good at and let the writers handle the writing/story/characters.

Nicole Kidman's back - relentless, polished, always just a little haunted. At this point, she's less of an actress and more of a presence. You don't stumble upon her work; it finds you. And when you add Matthew Macfadyen - yes, that Mr. Wamsgams - it starts to feel like a can't-miss setup. Two heavyweights, one glossy thriller, and the promise of a slow unravel.

"Holland" opens strong. A sense of dread humming beneath its surface, the kind of menace that hides behind manicured lawns and calm morning coffees. It echoes "Nightbitch" - Amy Adams's descent into the quiet madness of domestic life - the same themes of women simmering in boredom, choking on the sterile routines they've been sold.

But then it slips.

What could've been sharp and unsettling buckles under the weight of its own ambition. The twist - if you can call it that - lands with a thud. Not clever. Not earned. Just... tired. And what followed, in those last 10, maybe 15 minutes? A mess. The kind that doesn't just spoil the end - it undoes everything that came before.

A wasted potential. And in a story like this, that's the real crime.

I was drawn to Holland because I liked Mimi Cave's work on Fresh quite a lot, so I figured, why not give this one a shot? Right from the start, though, I felt like I was watching a beautiful facade that slowly began to crumble. The movie sets up this idyllic suburban world that promises dark secrets lurking underneath, but it doesn't really deliver on that promise.

The screenplay is all over the place, disjointed, and full of abrupt plot turns that feel unearned. One minute you're settling into the slow burn of suburban perfection, and the next, bam, a twist that never had time to build up any real suspense. The tonal shifts between dark humor and suspense are jarring, and frankly, neither element is strong enough on its own to carry the movie. It's clear that the characters were meant to mirror the film's theme of artifice and hidden darkness, but aside from Nicole Kidman's Nancy, they're pretty underwritten. Kidman tries her best to hold everything together, and she does give a standout performance, yet her character doesn't have enough depth or substance to fully shine in a script that never really finds its footing.

There are some interesting ideas at play, like the notion of suburban perfection hiding a sinister underside. The use of the tulip imagery and all the Dutch-themed decor is visually stunning and adds to the unsettling beauty of the film. However, all that potential is let down by too many narrative gaps and twists that feel contrived. The theme of artifice, while promising, is never deeply explored, and it remains a surface-level idea. The pacing is another issue. The movie drags in some parts and then rushes through key moments in others, so it never really builds any proper tension.

Overall, its visual style and production design are definitely its strongest points, which capture an unsettling, almost beautiful atmosphere. But unfortunately, that style is bogged down by a poor script and uneven storytelling. Holland is a film with some bright flashes that, sadly, never come together as a cohesive whole.