Povodyr

The director is tremendously talented. The style is reminiscent of Andrei Tarkovsky's Stalker. Despite the sadness of some of the events, you are immersed in a world of supernatural beauty. The journeys through nature have a ethereal transcendent quality to them. The blindness of a leading character adds to this. The death toll of Stalin's famine was estimated at 7-10 million. This was one of the worst cases of genocide in human history. In this movie your soul feels the weight of this tragedy, but the movie does not dwell on this. It is setting, not the main narrative thrust. Hope and tender moments of compassion fill the screen. When this movie shows tragedy it is ultimately contrasted with a resistance of a human spirit that refuses to die. This movie is also a powerful reminder. The false promises of communism, which merely pretends to be a collectivist philosophy while actually operating more like a mafia, are juxtaposed with the real promises of compassion and love for ones neighbor. We are also shown communist propaganda tactics that mask true intentions and create confusion. Similar spin tactics accompany the war today. This is the film that Ukraine needed to make in response to what is happening to it right now. But it is so much more than that.

This film is really valuable for me like for thousands other people. Because of its story lines, kobza-player's songs, picturesque Ukrainian nature and incredible mix of emotions like "laughing through crying". "The Guide" for me is a promise for the great future of cinema in my Motherland, because this film is valuable for Ukrainians only, but not for the whole world now. Let me begin from bad side of "The Guide". It's Jamala's unnatural play. She don't live in the film. She is trying to play. And this is the thing, which give opportunity for growing to Oles Sanin and Ukrainian cinema. Then, someone said Grin's play wasn't so good, but it can't be usual or whole-understandable for us, because he is a person from different country and culture both in real life and film. That's all about bad sides. Maybe, its worth to say smth about dialogs, but that which were played by brilliant actors are good and . I am completely sure co-scenes of Stanislav Boklan and Irina Sanina were the best, because of its authenticity and premiere on the "big screen". I should say a big "Thank you!" to Sergii Mihalchuk, who took a picture, and whole film team (I don't really know who should get the biggest appreciation, except of director and actors, of course). Another advantage its shooting in Ukrainian picturesque nature, which takes a heart with it for a long months (I have watched "The Guide" in November, but I still remember that moments of delight by simply watching native landscapes). Year, so many words without mentioning dramatic storyline in this film, which should play, actually, the main role. But for me it isn't smth new, unknown. I can't even imagine how it was. And I'm really stressful-less person, so it hasn't touched me. Only mentioned that it really-really-really and I have a huge reason to live for. Mistake isn't excused. But "The Guide" is still the best and you still should watch it to understand and to move our history on.

The Guide is a nice Ukranian historical drama from 2014 directed by Oles Sanin. It is really well made and has some good performances. Cinematography is quite overexposed on many scenes, making the actual look of the movie kind of artificial with overly dramatic lights or forced lack of colors, specially on the first half. When it explores the rural landscapes, the heavy snow, fog and the open air scenes, the results is far more effective. Anton Sviatoslav Greene was a good cast for the little Ukranian-American boy character, the same for Aleksandr Kobzar as Comrade Vladimir. These are my favorite performances on The Guide. The Kobzar universe is quite interesting and the music they play and sing is really stunning, but the whole "fight" thing was completely unnecessary - despite that it was factual, the results on screen vary from bad to worst, and doesn't add anything to the plot, neither help them to avoid their fate. All this together with a script that is sometimes a bit confusing, specially for non Ukranian audiences, I rate it 7 out of 10. Worth watching anyway!

When I heard about this movie in the first time, sincerely, I was intrigued. Ukrainian film production is surviving sphere, but indeed it can produce GOOD movies, with unexpected, not trivial plot, strong and mysterious characters, dramatic end.

This film has it's soul too. Minstrel's songs, chaotic escaping and changing of epochs in totalitarian empire via pure eyes of ten-year boy...

This film deserves to be watched. Definitely.

P.S. Maybe You don't know, but in real life NKVD chief's surname is Kobzar (minstrel). And. I await the next generation of Ukrainian films: about Kyiv Rus, Zaporozhian Host, epic and big-budget. Soon.

This film's background is the Soviet Ukraine in the 1930s. It is a story of a 10 year old boy who is separated from his American father after the father is assassinated by Soviet NKVD agents for possessing documentation that reveal the atrocities that were being committed by the ruling communist party in Russia/Soviet Union. Millions of people were perishing from the forced famine that the Soviet government enforced to collectivize the farming community. The plot revolves around the boy's attempt to survive in Ukraine and get back to his home in the United States. He is aided by a blind minstrel (Kobzar). The story is a heart wrenching view of life under the Russian/Soviet communist dictatorship. The scenery is beautiful, the plot is mesmerizing and the acting is superb. I give it 10 stars.

ZJ Kossak