तितली

'Titli' for me is a movie which makes an impact because of the unique storyline, the plots and themes it covers at ground level is new and honest. The movie shows that how the circumstances in which a poor and ambitious person gets into causes him to take shortcuts and involve in evil means. How the rich and powerful and the so called 'friends' try to take advantage of your situation.

The story is about a poor family, comprising of people who won't blink before doing any harm to others. The members are working as a watchman, or at petrol pump as shown in some scenes, but to earn money they con people and steal their cars. To improve the chances of them to con people they know that they need a girl in their gang , and they get the younger son married to Neelu, and hence her story also comes in the picture where it is shown how ambitious she is but is also fooled because of blindly trusting strangers.

The director did a great work at showing the tension between the characters and the way he showed the brutal hammer scenes is praiseworthy. But he is swayed away with those long "ART MOVIE" shots, the shots were unpolished and the meaning he wanted to come out of them was also not effective.

The writing for some characters was really deep and sensitive. Like the father - a selfish person who just cares for his food and TV, and don't object to the wrong his sons are into. Rarely a character like this to be seen in bollywood.

The casting is done perfectly. Shivani as Neelu is a perfect fit and same goes for Ranvir Shorey as the elder brother.

Watch this movie for an enriching experience and the surprising solutions provided to the problem of ambitiousness or desperation of a poor immoral family.

"Titli" keeps all the clichés aside and gives you some hard-hitting cinematic experience. Kanu Behl has surely an eye for the avant-garde cinema and directs this cruel and unrepentant film.

Three brothers live their lives doing random car-jacking in Delhi's dark side with their father. They do not have any remorse doing these felonies but everyone is combating the cruelty of life. The poverty, covet to live a better life and crime are the main components of the film.

This is not your every Friday film; it induces a challenge for the viewer and shows that people are surviving in any condition. They can go to any length chasing the dream of being better and living a layman's life. However, there are plethora of complexities and struggle. If you belong to hell, all the roads will bring you back and there is no redemption at all. The resurrection and resurgence is not an easy nut to crack.

It may not be everyone's movie but niche will surely appreciate this because it has a breath of fresh air and it does not rely on pompous or larger than life characters. Every character has a motive and it has been designed carefully.

The long shots and silence describe every nuance and it does not require pages of conversation or dialogs. The acting is powerful and actors have delivered the dialect to the perfection.

We need this kind of cinema which leaves you thinking after watching it and spread the cognizance that there is a whole different life which does not belong to chiffon cinema.

Kudos.

Kanu's Titli is an insane scrutiny into the head of a protagonist born in shambles. Surrounded by a filthy immoral environment that has affected his upbringing, Titli is a complex character breathing in a rotting muck with a dream.

The direction of Titli is one of the finest kinds. Behl spends ample amount of time on mundane things, captures mire gorgeously. He has caught the broken and the shattered perfectly. He literally walks behind the protagonist with a shaky camera to execute a well prepared live action drama to perfection. His frames are slow, and fade to the next ones with a purpose. He also incorporates great backdrops to complement his work. Little unnoticed things have been brought into the vanguard. Things that we see and forget quickly have been slapped on his frames. Like a spider dangling to the movie's score, or an old tattered ceiling fan making every effort to breathe in a trampled house. He captures an entire developing city marvelously to insinuate how a lot of people are slaves to dreams like that of Titli's.

The flick begins with Titli's dream, in a parking lot of a mall. It focuses on how the lad is trying really hard to escape from the swamp he has been breathing in. Then comes the unfortunate incident that topples his life over. He finds himself at Ground Zero once again. His brethren marry him to a girl for advantage. The girl on the other hand brings another story with her. The whole plot is about pursuing his dream, tackling hell whilst doing so and his life being smacked between his dream and someone else's.

The movie also compels you to think about the choices Titli takes at odd crucial hours. It lets you dive deep into the head of an abnormal person whose life had been nothing but chaos. There are a lot of things going in the skull of Titli, character exceptionally portrayed by Shashank Arora, and you can almost read him like a book. Lalit Behl's character is that of an onlooker and a freeloader, a leech who doesn't involve himself in anything and yet piggybacks to feed himself. As Titli, eventually calls him a 'pig' an apt Some of the bits in the movie are downright outrageous. There is a lot of retching going on, which might disgust you beyond limit. When you see someone take up a hammer or a stick, you expect some badass bludgeoning, but alas this wasn't put a proper thought to, and it looks more animated than real. Such places you can almost see through their acts.

Titli touches the thrilling dark which might give you the chills at times. It is scintillating at many junctures, fills you with sympathy and a plenty of times with disgust.

Another great thing about the movie is its exceptional cast. Their acting prowess is extremely engaging. Little unaffected acts that cover 'em up with profundity are quite delightful. Everyone is engulfed in their bits and that just nails the coffin perfectly. We surely can't overlook Amit Sial's bit in the movie. Ranvir Shorey is simply outstanding too.

The editing department of the flick could have seen some more cuts, since the movie ended up being lengthy.

Bottomline: Titli isn't for everybody. If you are into dark cinema or wish to watch quality movies, go for it.

Now 'Raw' isn't a genre but it could very well be. The movie is as Raw as it gets. If you are planning to watch this movie on a lazy Sunday afternoon then you're better off it.

This movie is not for folks who expect the typical 'Bollywood Happy Ending'. Its far more in touch with reality than any other movie that I've seen in the last year, which is what makes it raw and gripping.

This is not your typical weekend movie and takes you into a world that no one really wants to be a part of. The struggles, the relationships, the circumstances are very real and you ought to watch it if you don't mind a taste of the 'not so beautiful' reality every now and then.

A little more pace in the movie would've definitely made this a far more edgy thriller, lets get a better editor next time maybe!

All I can say is it is one of the serious kind of movies. It is sad to see the number of Audience it has gathered. It is serious drama which one should definitely watch. It highlights how one desperately tries to walk his way out of a turbulent atmosphere.

What I want to highlight is the nature of such criminals. They commit crime, despite that they fear God; they worship him in one of his forms. I guess if that's not that they are branded as psychopaths. For me accepting them, worshipping makes me uncomfortable. They belong to hell and nothing should come between that.

Final Verdict: If you like serious cinema unfolding into something good, don't skip this one. It needs to go to most of the audience.