क्रिमिनल

Greetings From Serbia. I have something to tell you about this movie. First sorry for my English its not my first language. When I saw metacritics they were low,for example peoples critics were mixed from junk to gold then i told myself if it will be somewhere in beetween it will be ok for me. Then i decided to give 2h of my life to it. And omg acting from main actor jericho(Costner) was really amazing. The story was something that didnt have me bored and was something new. Btw i have a wife and a daughter and this story made conection with me and i went emotional few times especially at the end. My recomendation.

I despise movies where the premise is beyond credible. So after reading the reviews I decided I did not want to see another Face Off type transplant story. But wow, was I ever wrong. What I was missing is one of the best characters ever created by an actor and that was Kevin Costner's doing. He develops a totally believable and absolutely impeccable portrait of a sick psychopath who is greatly affected by an unapproved medical procedure. What is great is that he is not politically correct, weak, or conflicted. It makes him incredibly interesting in the age of weak males pandering to everyone. He gets to glimpse a normal life through the eyes of a strong man who is also moral which is the Ryan Reynolds character. He also gets to feel the love of a daughter and beautiful wife which he had never known before. All of the actors are great but Costner raised my opinion of his acting ability by a mile. The story and production is also excellent with an ending that is quite satisfying.

Greetings from Lithuania.

"Criminal" (2016) is kinda "been there saw that" type of flick - nothing original, nothing super exciting, but as a one evening guilty pleasure it does it's job, at least partly.

The cast is superb, and everyone did their OK jobs for the material, except for Tommy Lee Jones - this is "you got to be kidding me" type of performance - he goes with one facial expression during whole flick, expression that says "what am i doing here? what is this thing?".

Overall, nice execution and OK story with some fun acting makes this flick work for one boring evening. There is even some descent music in it, the one in the van and the one at very end - closing song was great.

"You hurt me…I hurt you worse." Jericho (Kevin Costner)

Costner is the titular bad guy, who is implanted with the memory of deceased CIA operative, Bill Pope (Ryan Gosling—don't expect to see much of him as he dies early), and spends the better part of Criminal dealing with emotions new to him. It's a film rife with clichés but engaging largely because Costner is believable as a monster turned humanist. And the supporting cast is first-rate.

While this thriller is rife with electronics ( the bad guy has hacked into the USA's military computer system), the humanism is what strikes me as satisfying: not just Jericho's assuming Pope's affections but also Gary Oldman's CIA officer, Quaker Wells, sliding into a rage and Jordi Malla's head terrorist, Xavier, just being cool. I also must acknowledge that the growing affection between Jericho and Pope's widow, Jill (Gal Gadot), is believable if not just as improbable as their planting her deceased husband's thoughts and memories in Jericho.

In thrillers like Criminal, we've seen before the action sequences with vulnerable helicopters, racing cop cars, and ominous computer screens. What we haven't seen much of is a bad-boy hero who captures our sympathy immediately so that we care what happens to him regardless of the mayhem he causes in his journey. Costner has the stature and mien to carry this ambiguous hero right into our hearts.

"You don't remember me but I remember you," says young daughter, Emma Pope (Lara Decaro). Out of the mouths of babes come wisdom and the hope of love for a soulless murderer whose life is transformed by modern technology. Who would have thought technology could grant humanity? Besides, it's fun.

This film has been saved by its stars: Ryan Reynolds first and Kevin Costner few minutes later will make you forget most of plot's unbelievable logical holes, awful editing (what's Alice Eve's end?), repetitive scenes and complete lack of bad guy's motive (Jordi Mollà).

And Tommy Lee Jones, Gal Gadot, Gary Oldman and Michael Pitt (Alice Eve here is little more than an extra) strive to fill with workmanship and dignity their otherwise gaunt supporting roles.

They all succeed in saving the day and in the end you won't fall asleep or leave theater in contempt. But on your way home you could probably comment that this is one of the most useless (or unconvincing) films you ever watched.