One Battle After Another

Paul Thomas Anderson's 10th feature film may as well be his most amusing & entertaining one to date. An incendiary adventure that comes brimming with a charged atmosphere, laced with rebellious spirit, packed with relevant themes and bolstered by a potent ensemble, One Battle After Another incorporates much of what's happening in present-day America to tell its tale of defiance & resistance.

Also written by Anderson (Phantom Thread & Licorice Pizza), the story concerns a group of ex-revolutionaries who reunite to rescue the daughter of one of their own when their past nemesis resurfaces. Volatile from the get-go, the film gathers momentum right away while exhibiting an undercurrent of tension & urgency that the picture not only sustains with effortless ease but also sprinkles with hilarious bits along the way.

The technical aspects are sound throughout, be it the steady camerawork, smooth pace, neat editing, interesting score & some expertly choreographed action set pieces. It is also an acting powerhouse, with the entire cast contributing with excellent inputs. Leonardo DiCaprio renders his role with stoned perfection and he's brilliantly supported by Sean Penn's intense showcase, Benicio del Toro's zen act & Chase Infinity's fiery performance.

Overall, One Battle After Another is crafted with controlled aggression, unfolds with a sense of chaos & emergency and delivers a thoroughly fun ride despite its politically & thematically rich layerings. Presenting the esteemed auteur in complete control of his craft and also impressive enough to rank amongst the best all-round films of the year, Anderson's latest feature further affirms his status as one of the preeminent filmmakers of his generation.

Based on some of Thomas Pynchon's novel "Vineland", P. T. Anderson's movie is amazing in its uncensored satirizing of the right-wing takeover of America. The great acting, especially by Sean Penn in a dynamic role as the heavy (somehow sympathetic without pulling any punches) plus realistic filmmaking is a bold approach to material that is speculative fiction in a dystopian mode.

Of the many highlights, I especially liked the style of an extended sort of chase scene among three cars on a rolling elevation highway -pure cinematic suspense with thrilling photography and editing. The heavy quotient of dark humor throughout is brilliant.

Went to see the movie because of the cast, but the promise, the delivery, and the highly confusing message was disappointing. No coherence anything at all, ended up walking out before the end.

-The movie seems to glorify revolution but "not really" and for no apparent reasons.

Would not recommend.

I'll admit, this didn't grab me at first. The opening felt slow, and the revolutionaries were a little too over the top for my taste. But somewhere along the way, the film won me over, mostly thanks to Bob. I've never been a big DiCaprio fan, yet he's fantastic here as a paranoid, anxious ex revolutionary who's clearly let himself go. He stumbles through scenes with this jittery, washed out energy, like a man who's spent far too many years drunk, high, and avoiding reality.

His phone calls with the revolution's customer service line where he can't remember the code he desperately needs, had me laughing out loud. Moments like that reminded me how rare it is to see something this original anymore.

The film throws everything into the mix: revolutionaries, white supremacist secret societies, hidden tunnels, explosions, political tension, bursts of action, and a healthy dose of absurdity. It's chaotic, strange, and surprisingly entertaining once it finds its rhythm.

The movie "One Battle After Another", in summary, is about a former revolutionary on a mission to save his missing daughter. Directed and co-written by Paul Thomas Anderson, it's a thrilling political action flick that really shows off, once again, his talent for both writing and directing. However, the movie isn't consistent in its construction; at times it's unconvincing, and other times it feels unfocused. More than once, I had the same reaction I did with last year's "Emilia Pérez": a wildly original story that often seems to jump around without much logic, where anything can happen.

The whole movie basically belongs to Sean Penn as Col. Lockjaw. He totally steals the show with a character who's creepy, unhinged, and downright disturbing.

Like "Emilia Pérez", it's one of those stories you're either into from the start or you just don't care about at all.