Cantinflas

Labeled as the "Charlie Chaplin of Mexico" and once called the greatest comedian alive by none other than the little tramp himself, Charlie Chaplin, Cantinflas was a improvisational comedic tour de force. If you consider yourself Mexican/Mexican American, or you simply wanna get to know the Mexican cinematic genius, Mario Moreno a.k.a.Cantinflas, (the unparalleled Shakespearean word playing tramp from Mexico) you are obligated to watch this film! I had my doubts about a Spanish actor being cast as one of our most iconic Mexican figures, but justice has been done to this endearing personality.The Performance and execution are spot on as Señor Mario Moreno. Well as the cliché goes,Imitation is the sincerest form of flattery, pos "ahí esta el detalle!"

Expectations were just to have a nice time at the movies...I grew up watching Cantinflas movies...so, will it be in Spanish, will it be in English? When casting was in progress, Controversy ensued when the actor playing the Mexican icon would be from Spain...not just Spain, but from Catalunya! Just having been to Barcelona and hearing first hand the marked difference between Castillian and Catalan...I didn't think the actor could even pull off sounding a bit from the Western Hemisphere. I stand happily corrected. What an amazing portrayal. Hat's off to the principal actor, all actors, director and everyone that had a hand in this tour de force, magical, moving movie. No spoilers here, but it tugged at my heart. The power of immense, unfathomable fame vs. the true, crystal clear power of love. The hysterical man/myth that some of us were lucky enough to grow up with has been presented to new generations as the man only a handful really knew. I couldn't be happier coming home from the movies.

I simply enjoyed this film, I grew up watching his movies with my parents at our hometown drive-theater. Even at young age, I truly appreciated his sense of humor and comedy approach to many delicate subjects. Oscar Jaenada (though many of my peers don't agree) did a beautiful performance! This film was long over do! Congrats to all who put this project together and showed us the the person behind the movies. I have to add, my parents were truly moved by the performance and his early beginnings, a story they thought they knew. A true homage to Mario Moreno and his legacy. Looking forward to more performance from Oscar Jaenada.

As much as I love learning about the history of Hollywood, there can be something pretentious about the Hollywood biopic. The story of a great creative mind taking Hollywood by storm is one that's been told too many times and easily falls into repetition. Aside from that, there's always the sneaking suspicion that the screenwriter or director is co-opting his subject's story to wrestle with his own greatness.

"Catinflas" intrigued me enough at the start that I decided to throw caution to the wind hoping the plot wouldn't veer into cliché. I enjoyed seeing the trial and error process over how Catinflas discovered his true calling, I thought the setting was unique (especially the unforgiving Mexican stage where heckling is the norm) and the actor who played Catinflas had a magnetic working-man kind of presence.

The decision to intercut the story of Mario "Catinflas" Morelli's ascension to fame over the years and the trials and tribulation "Around the World in 80 Days" producer Michael Todd to get his film made, also had potential except for the fact Michael Todd seemed like a rather flat character (not to take anything away from Imperioli's performance), and while I enjoyed "Around the World in 80 Days" as a kid, I'm not sure if there's anything to celebrate in Todd's methodology of putting every actor he could find in the film.

The storyline itself is one I've seen a hundred times before, so the film was largely on the shoulders of Oscar Jaenada and to the degree he could, Jaenada did an extraordinary job. If only he had slightly better material to work with.

Cantinflas (2014) should have been a clever little gem about a piece of forgotten film history but ends up being a solidly boring mish-mesh of a film that did little justice to its subject matter. In it Cantinflas aka Mario Moreno (Oscar Jaenada) works his way up from a minor vaudeville player on the streets of Mexico City to one of the most beloved Mexican actor/comedians of all time.

He does so while a second, mostly English tale unfolds. Michael Todd (Michael Imperioli) a wily producer at United Artists is trying to cobble together the 1956 theatrical version of Around the World in 80 Days. He boasts to the studio exec that he can convince over forty international film stars to be in the film but in reality he barely has Elizabeth Taylor on the hook. In an attempt to make the film salvageable he asks the ever-popular Cantinflas to make a cameo appearance.

Despite polished period detail and some worthwhile performances, Cantinflas feels cheap and more than a bit off. The cinematography colludes into a mix of flat browns and grays and everyone seems to be spotted by florescent lights. One cannot help but wonder if this story was given to a more mature director we'd be able to see and enjoy the vibrant colors of Mexico and the luster of old Hollywood.

The film is also betrayed by a script that fails to staple the important moments or rather the two largest threads into a story of urgency. The turbulent labor politics of Moreno's time get the same compromised treatment as his early roving theatre career. His height of popularity is as deflated as the 80 Days subplot. It's as if the editors lost a few key scenes on the cutting room floor and pasted half-shot scenes together hoping the audience wouldn't notice.

There's one nearly-poignant scene where Cantinflas, in a "success is ruination"-type stupor sees a note of encouragement by none other than Charlie Chaplin. Again I say near-poignant because up until that moment we never knew Chaplin's opinion was important to Cantinflas. Goaded by the letter, once Cantinflas agrees to do Around the World in 80 Days it leaves him without catharsis or character change. His wife seemed to think fame was going to his head so appearing in the film he's most internationally recognized for wouldn't have solved that dispute; yet it did.

Cantinflas attempts to create a stereotypical biographical film out of a figure that, given the events of the film, deserved better. At best this film deserves to be on cable and given a Hallmark type release, not a theatrical one. Maybe in the decades to come people will honor his contribution to his nation's cinema with a movie that immortalizes the man properly. Now that would be the rub.

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