Opus

I had high hopes for Opus, especially since it promised to explore the dark side of celebrity culture. John Malkovich is incredible as always, playing Alfred Moretti, a reclusive pop star inviting industry elites to his mysterious desert compound. The setting was stunning, and the mood was appropriately eerie. But somewhere along the way, the story lost me. It felt like the film wanted to be profound and unsettling, but it didn't have enough depth to really deliver. The characters felt like caricatures, and the horror elements were stylish but shallow. It's one of those films where the concept is better than the execution. I wanted to be immersed, but I ended up feeling detached.

"Opus" starts with strong promise, pulling viewers in with its intriguing premise and some great music. The Moretti tracks are undeniably a highlight, complementing the emotional depth of the film and elevating its scenes.

However, the film's strength begins to falter as it progresses, especially with its underwhelming conclusion. While the opening is engaging, the ending feels rushed and fails to deliver the emotional payoff it sets up.

It's a shame, as the book was Ariel Ecton's ultimate goal but the scene just seems tacked on at the end, leaving the narrative feeling incomplete. Overall, while "Opus" is an enjoyable watch, it leaves much to be desired.

I went to a Cineworld Unlimited card holders preview of "Opus" earlier this week. I can see why it hasn't been well reviewed, but I have to admit that I rather enjoyed it.

After three decades out of public life, Alfred Moretti (John Malkovich), the biggest popstar of the 90's announces a new album and invites several selected journalists and influencers to his compound, for a weekend listening party. Included in the group is Ariel (Aye Edebiri) an inexperienced journalist at a culture magazine. As the group arrive, they discover that Moretti's compound is home to a number of passionate followers, though only Ariel seems to be concerned by the unsettling vibe of the place.

As I say, I can understand the complaints that people have had. I don't think it explores the things it's talking about very well. There are nods to celebrity indulgence and cult experiences. Thinly veiled jibes at scientology and at how magazine journalism works. But nods is all they are. Once the secrets of the film start to spill out, it briefly becomes a relatively standard horror film and then ends with a hint of a twist. This section is perhaps where the film is it's most basic and it's reasonably dull at this point.

I preferred it a lot more in the first half, where the film reminded me a lot of "Midsommar". An isolated environment where the existing group may, or may not, have malevolent intent towards the confused guests. Malkovich is having a ball as Moretti and whilst I never quite bought that the music would be "world altering pop" it's pitched as - I did at least think that the Nile Rodgers provided jams were good.

I think that there's not enough here to recommend that you head out to the cinema to see the film, but in the more forgiving world of home viewing, it'll find its fans.

Okay. Sooooo... uuhhhhh..... how do I start talking about this movie? Well, it's DISTURBING AS FUDGE for a start. There wasn't as much gore in this movie as I was thinking. Honestly, I don't even know what I was thinking when going to the cinema to watch this. The concept is not that bad. The REAL question is: Was it executed well enough to be a "good" movie? Well, it depends on what kind of horror/thrillers you are into. There's a scene in the middle of the movie that made me cringe. The ending wasn't really what I was expecting, which can be a good and a bad thing. I don't know if it is a good or bad thing in this case. The movie was pretty underwhelming, which I think was just trying to build the tension. When blood WAS on the screen, though, there wasn't loads of it. But there was an "injury" (not a kill) that was pretty painful to watch. If you have seen the movie, then you probably know which one I'm talking about. I'm talking about the bean bag one. If you know, you know. The "twist" at the end of the movie wasn't something that I saw coming. I wouldn't say that this is a good movie, but I wouldn't say it's a bad one either.

Watched at the 2025 Sundance Film Festival.

A24 recently seems to be having a slump with their horror movies because while Opus has a good concept and a good performance from Ayo Edebiri and John Malkovich, it's exhausting narrative, repetitive nature, and bland structure fails to impress itself with it's concept and becomes more of a dull and uninspired experience.

The filmmaker clearly has an vision of celebrity worshipping and cult atmospheres but it feels like a blend of many themes and ideas mashed together, that don't feel earned nor impacted. Including characters that are underdeveloped and at times, unbearable with their bad dialogue and personality. Ayo Edebiri and John Malkovich really are the best aspects and even with good camerawork and production designs, the narrative and characters aren't good as they end up becoming horror cliches and predictable structure that leads with no creative moments.

A24 horror flicks are usually pretty great but in recent times, their horror works have been going down and I do hope A24 is able to get back onto track soon.