100 Streets

I strongly believe that reviews can take the magic out or embrace the greatness of any movie with a few paragraphs, so I will keep this simple. Having lived in London for several years, I have to admit I was positively prejudiced about the film from the very beginning. Nevertheless, it managed to meet and even surpass my already high expectations. The reason is simple.

It was a slick enjoyable movie with a distinctive message, life is life. You cannot plan every step of they way, there is always something unexpected luring to happen. It is true that characters were not as emotional as a person would want them to, in order for him/her to find their struggles relate-able. Maybe that was the plan all along, who knows? (the director, obviously). All I know is I spent a relaxing evening enjoying a fine film.

Netflix suggested I watch this after seeing 'Brighton Rock' and I can see why. The intensity of the characters' demise and their struggle to make sense of what happens makes for compelling viewing.The setting is everything, from the local football club to Battersea Bridge and all streets in between. While the characters don't cross over too much (which might make it a bit of a soap opera) they make subtle references which keeps the viewer guessing. I guess the theme is around disintegration and how we all cope when things seem to deteriorate. A really absorbing film, well worth a watch.

Right, so this is a sappy film. But, not cause of the acting in my opinion. Looks at the choices people make and how they deal with the realities that life presents them. The acting is good all around. Idris, Gemma, Franz Drameh and Ryan Gage put in good performances. Yes, it's stereotypical and predictable. The stories do not intersect are separate stories taking place at the same time. What throws it off and makes it sappy is the writing and the score/music. Seeing as Idriss Elba was the music supervisor this is kind of disappointing. I know his music chops are strong but the music made the whole film melodramatic. This is what gives it the syrupy feel. The screenplay is not interesting at all and presents characters in a particular light with little context. It's a good idea for a film, whose story structure has been done before. It lacks more the depth in writing to really draw you deep into the characters whose lives are on edge.

I realize the title does suggest a anthology of stories, In fact the movie technically should be called Three Streets as it contains three stories about three different people who you could say live on three different streets in London (talking more socially and culturally) .

From the trailer, I was expecting just one street with Idris Elba and Gemma Arterton. That could have been just me knowing who these two people are and just focusing on that part or it could have been a trailer met to draw in Americans with two faces we would recognized.

Either way, Elba and Arterton's street take a side step for me, as the most interesting street was about a guy named Kingsley (Played by a British face that I've seen before but can't place) who just got out of jail and does not want to go back into the life of a drug dealer so he gives acting a try after befriending one, but the streets keep trying to pull him back in (Oh wait, this dude is Firestorm on the series, The Flash).

The other story was a touching love story about a loving couple who are having trouble extending their family though adoption.

But I say all this not to suggest that Elba's performance as an Ex-Rugby player dealing with life off the field, which causes him to screw up royally with his wife (Played by Arterton), was not a great moment in the film, I mean it's Idris Elba, but it was not my favorite.

100 Streets three stories work very well as a whole movie and it's worth seeing.

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Although this intense British drama is not for everyone, I felt it does offer some rewards if one sticks with it. It depicts various interconnected stories of Londoners and a roller coaster of human lives and emotions. The film can be dark and violent at times, but it can also be quite touching and uplifting as well.

Most of the characters here are flawed in one way or another, but I thought the ensemble cast portrayals were top notch. The director Jim O'Hanlon and screenwriter Leon F. Butler are making their feature film debuts here, but O'Hanlon does have extensive writing experience in television.

To note, this is an adult drama with explicit language throughout, one fairly explicit sex scene, drug and alcohol usage on screen, and one brief scene of nudity. I also should mention I had to use the subtitles here due to thick accents and slang usage.

Overall, this indie can be very uncomfortable to watch at times but I felt there are rewards here if the viewer sticks with it.