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Monster

  • 2023
  • TV-MA
  • 1 घं 26 मि
IMDb रेटिंग
4.7/10
1.7 हज़ार
आपकी रेटिंग
Anantya Kirana, Sultan Hamonangan, and Marsha Timothy in Monster (2023)
मनोवैज्ञानिक रोमांचमनोवैज्ञानिक हॉररसस्पेंस रहस्यात्मकथ्रिलररहस्यहॉरर

अपनी भाषा में प्लॉट जोड़ेंAlana and Rabin, two friends who were kidnapped by a monster. With no other choice, they had to fight by any means necessary.Alana and Rabin, two friends who were kidnapped by a monster. With no other choice, they had to fight by any means necessary.Alana and Rabin, two friends who were kidnapped by a monster. With no other choice, they had to fight by any means necessary.

  • निर्देशक
    • Rako Prijanto
  • लेखक
    • David Charbonier
    • Justin Douglas Powell
    • Alim Sudio
  • स्टार
    • Marsha Timothy
    • Alex Abbad
    • Anantya Kirana
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    4.7/10
    1.7 हज़ार
    आपकी रेटिंग
    • निर्देशक
      • Rako Prijanto
    • लेखक
      • David Charbonier
      • Justin Douglas Powell
      • Alim Sudio
    • स्टार
      • Marsha Timothy
      • Alex Abbad
      • Anantya Kirana
    • 47यूज़र समीक्षाएं
    • 18आलोचक समीक्षाएं
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • पुरस्कार
      • 1 जीत और कुल 2 नामांकन

    फ़ोटो9

    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    + 6
    पोस्टर देखें

    टॉप कलाकार4

    बदलाव करें
    Marsha Timothy
    Marsha Timothy
    • Murni
    Alex Abbad
    Alex Abbad
    • Jack
    Anantya Kirana
    • Alana
    Sultan Hamonangan
    • Rabin
    • निर्देशक
      • Rako Prijanto
    • लेखक
      • David Charbonier
      • Justin Douglas Powell
      • Alim Sudio
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं47

    4.71.7K
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    फ़ीचर्ड समीक्षाएं

    5sadmansakibayon

    Figures that it's Indonesia that does the lazy remake.

    Okay, that is a tiny bit unfair, but given that most of their mainstream horror output is from legendary copy/paster Rocky Soraya, I feel like it's an appropriate joke. Monster is an Indonesian adaptation of The Boy Behind the Door, though with everything applied in a way that doesn't work quite as well when put together..... The visuals are the only good part, with some great shots and an overall suspense building aesthetic focusing on close and tight shots. There are even some well bits of swivel work that are done more than well enough, and the practicals have some satisfactory blood and violence to them. The killer doesn't really have any menace, but I feel like that's more in the overall acting and writing..... Speaking of which, the writing is one of the more lacking elements. While the lack of dialogue is a good choice, the story is very formulaic, with no actual surprises and no attempt at originality. There's very little to the characters too. No real substance to speak of..... The soundtrack feels out of tune. There's this odd western tune that always takes the viewer out of the scene, as well as some composed bits that are never timed right and never properly fit. While the sound effects work well enough, there isn't enough effort placed on them for sinister and/or unsettling effects..... The acting isn't great. The two kids, played by Anantya Kirana and Sultan Hamonangan do as good as they can, but their facial expressions are limited to either mild terror or high levels of fear, while the other two just go through their motions. The antagonists aren't exactly spooky or creepy, they're just annoying.

    If you want to find out for yourself, Monster is on Netflix. If you want to save time and effort, just watch The Boy Behind the Door.
    6qxcpjrh

    People are way too critical

    I enjoyed this movie for what it was it's kept me engaged and it was suspenseful. I don't think people can handle the lack of dialog but I thought the actor's performance was good I didn't have to have dialog to understand what was going on and enjoy the movie. The little girls is such a baddie! My only complaint was the music was a little misleading sometimes. Example sometime it sounded like someone was knocking on the door when they weren't, but over all it was a decent flick. If you like suspenseful movies I say give it a go, the jump scares were predictable if horror is you genre but overall fun watch.
    5kevin_robbins

    Monster has a solid premise but stumbles in its execution.

    I recently watched the Indonesian film 🇮🇩 Monster (2023) on Netflix. The storyline follows two friends who are kidnapped after school, thrown into a trunk, and driven to a remote mountainside shack. One of the friends manages to escape, but instead of fleeing, she sneaks back into the house to try and rescue her friend from the monster...

    Directed by Rako Prijanto (The Clerics), the film stars Marsha Timothy (The Raid 2), Alex Abbad (The Raid 2), Anantya Kirana (Beautiful Pain), and Sultan Hamonangan (Tira).

    Monster is a film with a solid concept that could have been executed better. The opening does a great job of setting up the circumstances, with a strong atmosphere and minimal dialogue that suits the premise. However, while the setup is effective, the intensity is lacking. The horror and torture elements fall short, with a chainsaw sequence that could have been much more impactful. The storyline and conclusion are fairly straightforward and predictable.

    In conclusion, Monster has a solid premise but stumbles in its execution. I would rate it a 5/10 and recommend it only with tempered expectations.
    2spragueeli

    Who approved this terrible background noise through the whole film

    The no dialogue thing is an interesting take that can work, but the show is the same thing over and over. The child is painted as both brave and smart yet also quite dumb, making quick moves at opportune times yet falling for silly things that would be way more intuitive in the first place. Maybe that was intentional? But it felt inconsistent and all the characters felt a bit basic and overly stereotypical.

    But more importantly for almost the entire thing there is this terrible background feed of this sort of white noise highly degraded sound that comes in and out and it genuinely was terrible. Like gave me a headache and caused my to almost watch the film on mute terrible. I created this account literally to share that this sound ruined the movie. It goes on. The entire hour and a half. It's horrible.

    I regret staying up late for this.

    I regret staying up late for this.

    I regret staying up late for this.

    I hate that stupid sound.
    5nasikasakura

    Great Idea But Too Many Clichés

    I am a fan of the idea of having a film use no dialogue. (Characters only sometimes say the names of other characters, so at least the main actors are more likely to get fairly compensated as speaking parts.) I don't mind the campy fake blood as long as there is suspense and a good storyline. Cinematography definitely had good moments of creating suspense. Only twice in the film did I find myself in a moment that seemed laughable and took me out of my immersion. One was a "The Shinning" spoof of the "Here's Johnny" scene that played out impressively well, especially by a young child actress in the place of Duvall, but even in its abbreviated form, the scene is just too long to not be a bit dull and out-of-place. The other moment was when our main character stops herself from stealing some french-fries left behind by an antagonist and pouts. I can see how they intended to make this a moment of showing human-ness and generating pity for the child, but it instead came off as an out-of-place moment of levity. I can forgive those things however. The thing that really irked me was the stereotypes used to depict the "badguy" archtype; Joint-smoking, beer-drinking gamer playing violent MMO shooters late into the night, has long unkempt hair and a black baseball cap or hoody with open jacket and ripped jeans, sustaining on cup noodle and fast food, neglecting an otherwise gorgeous home that is taken for granted and absolutely infested with cockroaches. And let's not forget this is supposed to be a child predator. It's just hitting every checkmark for a bad stereotype. When we got our second villain in the story, things started to pick up with suspense.

    संबंधित रुचियां

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    मनोवैज्ञानिक रोमांच
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    थ्रिलर
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    रहस्य
    Mia Farrow in Rosemary's Baby (1968)
    हॉरर

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      Though the film claims to have no dialogue, some characters call out the names of other characters. Other than that, there is no conversation at all.
    • कनेक्शन
      Remake of The Boy Behind the Door (2020)

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 16 मई 2024 (इंडोनेशिया)
    • कंट्री ऑफ़ ओरिजिन
      • इंडोनेशिया
    • आधिकारिक साइट
      • Netflix Site
    • भाषाएं
      • इन्डोनेशियन
      • नोने
    • इस रूप में भी जाना जाता है
      • Kapının Ardında
    • फ़िल्माने की जगहें
      • West Sumatera, Indonesia
    • उत्पादन कंपनी
      • Falcon Pictures
    • IMDbPro पर और कंपनी क्रेडिट देखें

    तकनीकी विशेषताएं

    बदलाव करें
    • चलने की अवधि
      • 1 घं 26 मि(86 min)
    • रंग
      • Color
    • ध्वनि मिश्रण
      • Dolby Digital
    • पक्ष अनुपात
      • 2.35 : 1

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