IMDb रेटिंग
7.6/10
32 हज़ार
आपकी रेटिंग
अपनी शादी से ठीक पहले, एक महिला का फ़िरौती के लिए अपहरण कर लिया जाता है, लेकिन जैसे जैसे दिन बीतते हैं, वह अपने अपहरणकर्ता के साथ एक अजीब बंधन विकसित करना शुरू कर देती है.अपनी शादी से ठीक पहले, एक महिला का फ़िरौती के लिए अपहरण कर लिया जाता है, लेकिन जैसे जैसे दिन बीतते हैं, वह अपने अपहरणकर्ता के साथ एक अजीब बंधन विकसित करना शुरू कर देती है.अपनी शादी से ठीक पहले, एक महिला का फ़िरौती के लिए अपहरण कर लिया जाता है, लेकिन जैसे जैसे दिन बीतते हैं, वह अपने अपहरणकर्ता के साथ एक अजीब बंधन विकसित करना शुरू कर देती है.
- पुरस्कार
- 10 जीत और कुल 27 नामांकन
Sahaarsh Shuklaa
- Goru
- (as Saharsh Kumar Shukla)
फ़ीचर्ड समीक्षाएं
10ankurlkw
Let me start by saying that this movie has everything right about it. From direction and cinematography to performances and music. The locations are breath taking.
Imtiaz Ali yet again delivers a "hat ke" love story. Its not exactly a love story but a tale of two people who want to get free and experience life. Both the characters have there own painful pasts and when they come together they let it all go and try to start it all over again.
Their journey is the theme of this movie. Alaya Bhatt and Randeep Hooda deliver power packed performances with a great supporting cast.
The movie forces us to think about the society we live in and how people struggle to lead a normal life. Be it a rich family or a poor villager. They have there own challenges.
I won't go more into the story line as that is something to be experienced.
This movie comes with a message and we are left to think what freedom and liberation means.
I will strongly recommend this one.
Imtiaz Ali yet again delivers a "hat ke" love story. Its not exactly a love story but a tale of two people who want to get free and experience life. Both the characters have there own painful pasts and when they come together they let it all go and try to start it all over again.
Their journey is the theme of this movie. Alaya Bhatt and Randeep Hooda deliver power packed performances with a great supporting cast.
The movie forces us to think about the society we live in and how people struggle to lead a normal life. Be it a rich family or a poor villager. They have there own challenges.
I won't go more into the story line as that is something to be experienced.
This movie comes with a message and we are left to think what freedom and liberation means.
I will strongly recommend this one.
'HIGHWAY - Imtiaz Ali' Its all the way just my way or the Highway
Imtiaz Ali is NOT the 'on your face' kind of Director but he certainly is very well on the saddle/the hand behind the wheel
totally in control. So whether you like it or not, the story simmers and seeps through the crevices deep into your veins, slowly, no hurry; no intention to make any point.
It's Imtiaz all the way and he sure, is a wanderer subtly like all his earlier movies (jab we met/ rock-star/ 'Love Aaj Kal'/ 'Socha Na Tha'), he shall take you on a ride to India and make you realize how much you have missed all these years, not wandering. He is probably the guy who could have easily fitted well with NatGeo. May be he lives the moments that he wants to live – through his movies, may be he entices you, invites you to live/ relive those moments, may be .
So this 'Highway' also moves. It lives up the name, a constant hum of alternate emptiness while the visuals zip past, picture perfect - perfect, anamorphic widescreen shots; just the right exposure wherein the inter-wined scenes give out an Expanse all around. Lot of bonnet- front panned shots which open up visual sectors wide angled as you move ahead, these and those reverse shots from where the camera turns a full 180 degrees to take you back to the front. I mean, achieving all this in a feature film is tremendous especially when the whole movie is shot with natural lighting. And along with it, a subtle (not loud) story chugs along beautifully. Nothing is aggressive ever, even when people get aggressive once a while it's a highway, remember!
Imtiaz had this passion of sanctifying the childhood. He does that in all the movies; it keeps his present intentions well heeled in what went by. It's always important for his stories. Sure then, the protagonists are always trying to free themselves up, get out there in the open. Its an yearning, well yearned for! It keeps the things in perspective, unbound!!
To sum it up: you can't just be passive, nonchalant, yuck-Yanky in Highway. It sure breathes in some restlessness, differently for every different people; you want to react, getup, breathe out!!! And Highway helps you gulp out the welt, 'welp'! The narrative is smooth, the lessons are bitter; dialogs are simple, sound is perfect, music is just the right amount and blend (AR Rahman).
What would you look for --- Imtiaz Ali, who has a different script (always) and is amazingly observant while being silent (always shows you both sides of the coin in all his movies – while slyly hinting at the upper class society), Strong female lead as always (even Alia Bhatt has been made to act – high notch, very promising now), Randeep Hooda – just fantastic, very original, very mature, needs to be casted more often (if only Gunday was made with him and Ranveer), India – because you still haven't seen it all, felt it –need to be on a highway.
What not to expect – 'Totta Maina Ki Kahani', 'Naach Gaana' PT style, bubbly looks, third-rate jokes.
That's Imtiaz's way or take the Highway!
It's Imtiaz all the way and he sure, is a wanderer subtly like all his earlier movies (jab we met/ rock-star/ 'Love Aaj Kal'/ 'Socha Na Tha'), he shall take you on a ride to India and make you realize how much you have missed all these years, not wandering. He is probably the guy who could have easily fitted well with NatGeo. May be he lives the moments that he wants to live – through his movies, may be he entices you, invites you to live/ relive those moments, may be .
So this 'Highway' also moves. It lives up the name, a constant hum of alternate emptiness while the visuals zip past, picture perfect - perfect, anamorphic widescreen shots; just the right exposure wherein the inter-wined scenes give out an Expanse all around. Lot of bonnet- front panned shots which open up visual sectors wide angled as you move ahead, these and those reverse shots from where the camera turns a full 180 degrees to take you back to the front. I mean, achieving all this in a feature film is tremendous especially when the whole movie is shot with natural lighting. And along with it, a subtle (not loud) story chugs along beautifully. Nothing is aggressive ever, even when people get aggressive once a while it's a highway, remember!
Imtiaz had this passion of sanctifying the childhood. He does that in all the movies; it keeps his present intentions well heeled in what went by. It's always important for his stories. Sure then, the protagonists are always trying to free themselves up, get out there in the open. Its an yearning, well yearned for! It keeps the things in perspective, unbound!!
To sum it up: you can't just be passive, nonchalant, yuck-Yanky in Highway. It sure breathes in some restlessness, differently for every different people; you want to react, getup, breathe out!!! And Highway helps you gulp out the welt, 'welp'! The narrative is smooth, the lessons are bitter; dialogs are simple, sound is perfect, music is just the right amount and blend (AR Rahman).
What would you look for --- Imtiaz Ali, who has a different script (always) and is amazingly observant while being silent (always shows you both sides of the coin in all his movies – while slyly hinting at the upper class society), Strong female lead as always (even Alia Bhatt has been made to act – high notch, very promising now), Randeep Hooda – just fantastic, very original, very mature, needs to be casted more often (if only Gunday was made with him and Ranveer), India – because you still haven't seen it all, felt it –need to be on a highway.
What not to expect – 'Totta Maina Ki Kahani', 'Naach Gaana' PT style, bubbly looks, third-rate jokes.
That's Imtiaz's way or take the Highway!
I saw this first day first show with my family in a suburban theatre.
The movie is thought provoking and it deals with a social message.
Lovely cinematography with a power to heal, to nurture and free your soul.
It made me want to almost pack my bags and take off into the unknown, the joy of lying down beneath the stars, beside a river or even just driving through the snow-capped mountains is enticing to say the least.
Randeep Hooda is very underrated.
He gave a solid performance.
The direction n cinematography is top notch n the best part is the screenplay.
The ending is very shocking and so is the background story of the male lead character.
The movie is thought provoking and it deals with a social message.
Lovely cinematography with a power to heal, to nurture and free your soul.
It made me want to almost pack my bags and take off into the unknown, the joy of lying down beneath the stars, beside a river or even just driving through the snow-capped mountains is enticing to say the least.
Randeep Hooda is very underrated.
He gave a solid performance.
The direction n cinematography is top notch n the best part is the screenplay.
The ending is very shocking and so is the background story of the male lead character.
'Highway' finds Imtiaz Ali at his best. The talented storyteller delivers a beautiful, tragic film that left me spell-bound. Here's a film that celebrates love & tragedy, with skill. Also, Alia Bhatt pitches in a brilliant performance in the central role.
'Highway' Synopsis: Right before her wedding, a young woman finds herself abducted and held for ransom. As the initial days pass, she begins to develop a strange bond with her kidnapper.
'Highway' is amongst Imtiaz Ali's finest works. His Screenplay is wonderful. It creates a world of diverse characters who eventually develop a bond. The protagonist, Veera, played by a sterling Alia Bhatt, is a character who finds freedom while being kidnapped, while the character of Mahabir, played by Randeep Hooda, is in search for love & respect. It's the diversity between these two-characters that makes this road-movie so engaging. Ali's direction is excellent. He's in top-form! Anil Mehta'a Cinematography captures every frame magnificently. Editing is crisp. Music by A.R Rahman is enchanting.
Performance-Wise: Alia Bhatt triumphs with 'Highway'. She delivers a brilliant, sterling performance as the vibrant yet haunted protagonist. She's the life of the film. Randeep Hooda is ever-impressive. He enacts his part with amazing understanding. The supporting cast lends good support.
On the whole, 'Highway' is near-perfection. A marvelous motion-picture!
'Highway' Synopsis: Right before her wedding, a young woman finds herself abducted and held for ransom. As the initial days pass, she begins to develop a strange bond with her kidnapper.
'Highway' is amongst Imtiaz Ali's finest works. His Screenplay is wonderful. It creates a world of diverse characters who eventually develop a bond. The protagonist, Veera, played by a sterling Alia Bhatt, is a character who finds freedom while being kidnapped, while the character of Mahabir, played by Randeep Hooda, is in search for love & respect. It's the diversity between these two-characters that makes this road-movie so engaging. Ali's direction is excellent. He's in top-form! Anil Mehta'a Cinematography captures every frame magnificently. Editing is crisp. Music by A.R Rahman is enchanting.
Performance-Wise: Alia Bhatt triumphs with 'Highway'. She delivers a brilliant, sterling performance as the vibrant yet haunted protagonist. She's the life of the film. Randeep Hooda is ever-impressive. He enacts his part with amazing understanding. The supporting cast lends good support.
On the whole, 'Highway' is near-perfection. A marvelous motion-picture!
THIS MOVIE IS A MASTERPIECE...This movie has a soul...a silent scream of a person that has nowhere to go and no one to speak to...and so life is just a HIGHWAY !! Two people from different economic strata, brought together by fate, yet having similar childhood of mistrust, trauma and abuse. There is that void..a deep hole within the soul... that can never ever be forgotten and never be filled ever again. This movie has so many layers deep within it... like how men react differently to traumatic childhood by being aggressive and secluded within, longing for the mother figure to comfort them, and women on the other hand become carefree, wanting to just run from it all and always longing for that father figure that can take care of her always. Imitiaz Ali has researched it so well that you can feel the pain, the inappropriate joy ...and the crazy feeling of comfort in the most strange circumstances. Brilliant piece of art with such a grey hue and painted on landscape of colors !! Alia bhatt..has talent..plenty, plenty of it, and randheep hooda is brilliant. Imitiaz Ali knows the soul and heart of a woman and recreates it well in all its brilliance... a MUST watch Film !!
क्या आपको पता है
- ट्रिवियाThe book Veera Tripathi is holding towards the end of the movie is "Women Who Run With The Wolves: Contacting the Power of the Wild Woman" penned by Clarissa Pinkola Estes.
- भाव
Veera Tripathi: I neither want to go back to the place from where you brought me, nor to the place where you are going to take me, but this road is very good, i don't want to leave it.
- कनेक्शनFeatured in 60th Britannia Filmfare Awards (2015)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Highway?Alexa द्वारा संचालित
विवरण
बॉक्स ऑफ़िस
- US और कनाडा में सकल
- $5,29,136
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $3,26,654
- 23 फ़र॰ 2014
- दुनिया भर में सकल
- $8,58,783
- चलने की अवधि2 घंटे 13 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.35 : 1
इस पेज में योगदान दें
किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें