The Guest

It feels almost inaccurate to refer to this movie as The Guest when in reality it was entirely carried by a wonderful performance by Dan Stevens. I enjoyed it thoroughly, which isn't at all to say it's what I would normally call a good movie. The movie is highly campy, reminiscent of '80s-'90s action movies / thrillers, and Dan Stevens brings in an excellent all around tongue in cheek tough 80's anti-hero performance.

Stevens' acting is well matched by strong action that is to the point and not drawn out, as well as superbly chosen music, particularly in the climactic scenes.

For any gamers out there, if you enjoyed Far Cry 3: Blood Dragon for the nostalgia and humor, you'll likely love this movie as much as I did.

Creepy stranger premise has been used in horror or mystery to varied effect, the latest Jennifer Lopez's flick is an example of how not to welcome this premise. Luckily, The Guest has the luxury of having suave lead actor and good atmosphere for a thriller. Some of the kinks are predictable, but the dark humor as well as bizarre revelations offer much needed novelty to the movie.

David (Dan Stevens) arrives at the Petersons resident, claiming that he was a friend of their fallen son. He's well-mannered and seems trustworthy, thus the family welcomes him openly. Upon his stay, strange accidents begin to happen, and suspicion arises with the casualties. The most important hook is Dan Stevens' portrayal of David. He looks like a rugged debonair, this is not average smooth, this is Ryan Gosling's level of smoothness.

Stevens delivers a wide variety of emotions, he can be either friendly or deadly. Backed by good cast, such as Maika Monroe as the Anna Peterson and Lance Reddick as Mayor Carver, the movie has a solid degree on acting performance. The exchange of banter is enjoyable, often resulting in manipulation or downright violence for David's benefit. It elevates the human drama between him, the Peterson family and whoever unlucky enough to be in their immediately vicinity.

Mystery of David's real identity is crafted slowly and it's compelling enough to pique interest without revealing too much. The film also has a touch of humor, albeit slightly crude. Strangely, in the third act it changes tone drastically for the climax. This shift is a bit odd considering it plays the thriller aspect with steady pace for the majority of early parts, although this explosive tone does have the merit of being entertaining.

There are short bursts of Hollywood style carnage, but they are modest, not all out gunblazing from the start like Bourne or the recent John Wick. Action sequences are well choreographed, it has both devastating and ridiculous impact.. Good practical effect for the blood and explosion as well as its highly unorthodox soundtracks make the faster pace scenes more satisfying.

Having good mesh of action, mystery and comedy, The Guest is enigmatically fascinating.

THE GUEST is a fun, if derivative, little movie from Adam Wingard, the guy who also brought us the familiar-yet-entertaining YOU'RE NEXT. It's a belated addition to that whole psycho-thriller sub-genre of the 1990s in which ordinary families were menaced by mysterious forces, and it achieves plenty on what is clearly a tight budget.

There are shades of THE TERMINATOR and the BOURNE trilogy here and it has to be said that the story is simplistic and straightforward. The denouement will surprise nobody, for example. However, like DRIVE before it, THE GUEST is all about the execution. It looks cool, it looks stylish, and it sounds cool too thanks to that thumping soundtrack. Dan Stevens is excellent as the suave and sophisticated guy who turns up to make a few waves, and Maika Monroe shows some of the promise that she displayed in IT FOLLOWS. Plus we get Lance Reddick, being exceptionally good again after his turn in JOHN WICK.

In fact, THE GUEST has quite a lot in common with IT FOLLOWS, especially the horror-style unfolding of the plot. These films share likable young cast members and a fresh feel despite the familiarities of the situations in which the characters find themselves. Certainly nothing about THE GUEST is original, yet it's thoroughly entertaining at the same time. And that's all I need from a movie.

Wow! What a gem of a movie. The Guest tells a tale of a mysterious and initially benign-appearing ex-military man who claims to have served with the recently deceased son of the Peterson family. Still grieving their loss, they welcome him with open arms. All is not as it seems however and slowly, despite his psychopathic charm, young Anna Peterson suspects that something is amiss.

What follows is a slick and stylish thriller with fluid action scenes that simmers at first before leading us to an explosive finale. The acting is solid throughout, especially from the two leads Dan Stevens and Maika Monroe who share a nice chemistry. The story, whilst simplistic and sometimes cheesy, is tight and the terse dialogue fits well. Character motivations are deliberately left vague and the film remains focused on the fact it is a thriller and doesn't overburden us with ridiculous a back-story; what back-story there is merely serves as a plot device to set-up the finale. And what a finale! Without giving spoilers, it is one of the most stylish final movie set-pieces I've seen in a long time, interjected with just the right amount of tongue-in-cheek quips. Just shows what can be done with the right set, some nerves and a smoke machine; who needs CGI!

A special mention must be given to the excellent soundtrack which really enhances the tension in some of the key scenes. At times I swore the bass beats were synced with my heart-rate!

Highly enjoyable and highly recommended!

The only thing surprising in The Guest is just how straight forward it is in its simple plotting. Everything unfolds in predictable fashion, but this B material is a fantastic showcase of wicked humor and misanthropic violence. Dan Stevens is in excellent form here, as a mysterious soldier who shows up unannounced at a family's home of a fallen soldier he served with. He's all smiles and very polite, but people with a usually negative connection with this family start meeting grisly ends. Like in his previous film You're Next, Adam Wingard approaches plotting you've seen a million times and wittily turns it on its ear without ever being too self aware. It's a shame Picturehouse who acquired the US rights dumped the film in a handful of theaters without trying to capitalize on the strong reviews and never bothered to expand it theatrically. The Guest is a quick fun time that knows exactly what it is and delivers without overstaying its welcome.