परीक्षा में असफल होने के बाद, छात्र खेल कोटे के माध्यम से कॉलेज में प्रवेश करने की कोशिश करते हैं, जैसे कि मुक्केबाजी. वे जिला स्तर के मुकाबलों में किस्मत आजमाते हैं, लेकिन उच्च प्रतिस्पर्धा... सभी पढ़ेंपरीक्षा में असफल होने के बाद, छात्र खेल कोटे के माध्यम से कॉलेज में प्रवेश करने की कोशिश करते हैं, जैसे कि मुक्केबाजी. वे जिला स्तर के मुकाबलों में किस्मत आजमाते हैं, लेकिन उच्च प्रतिस्पर्धा स्तरों पर अनिश्चितता का सामना करते हैं.परीक्षा में असफल होने के बाद, छात्र खेल कोटे के माध्यम से कॉलेज में प्रवेश करने की कोशिश करते हैं, जैसे कि मुक्केबाजी. वे जिला स्तर के मुकाबलों में किस्मत आजमाते हैं, लेकिन उच्च प्रतिस्पर्धा स्तरों पर अनिश्चितता का सामना करते हैं.
- निर्देशक
- लेखक
- स्टार
फ़ीचर्ड समीक्षाएं
Alapuzha Gymkhana: released in 2025 and directed by Khalid Rahman. Fun movie! Naslen is a real natural, his comic reactions are instantaneous. Lukman Avaran has done a great job as the boxing coach. Story is of a group of friends who fails 12th, and decides to learn boxing so they can get in the sports quota. The movie is light and fun, the physical transformation of all actors, Ganapathi, Naslen, Lukman is amazing. Everyone acted brilliantly and naturally. Naslen ultimately understands he's more of a team motivator than a boxer. Ganapathi though he's a brilliant boxer, realizes he needs to work on not letting outside threats get to him. Baby Jean was absolutely cool and fun to watch. And cheruthu.
First half was too cleshe and not very satisfying to watch. Very few comedy in the movie and chali romantic dialogues. No proper charector development. 2nd half had good vibes but poor direction. Cinematography was good 👍. Overall 2nd half boxing vibes are good but story is stuck between boxing, immature boys & cleshe romance. Can watch it for timepass.
It didnot meet the hype it created before the release. No proper endings for the shot & dialogues. Average bgm and dialogues.
If it was more about the boxing it would have been solid 8 or 9 but it was very disappointing to see such a weak story line.
It didnot meet the hype it created before the release. No proper endings for the shot & dialogues. Average bgm and dialogues.
If it was more about the boxing it would have been solid 8 or 9 but it was very disappointing to see such a weak story line.
Khalid Rahman is now officially the Anwar Rasheed of the mid-to-late 2000s, creating bonafide entertainers that'll strike a chord with every audience segment, one way or another. However, as opposed to Anwar Rasheed, who has moved on to production and directs only occasionally, Khalid Rahman is busy cracking bro-code with younger talents, this time around, dealing with an almost fully Gen Z cast. Yes, as many remarked, the plot is basic, and even the overall progression is somewhat minimal. Naslen, though getting the most screentime, is not a solo protagonist here. Each member of the ensemble has specific shoes to fill, both in terms of action, humour, and morale-building.
Not every moment of humour lands smoothly, but they keep getting better, with the second half turning into a truly Khalid Rahman flick. The boxing matches are incredibly shot, and stay unique, given the layering attributed to each character. There's a lot of Ryan Coogler-esque shot composition, especially during the boxing match scenes, where Jimshi Khalid's brilliant frames work in close quarters with the sparring opponents. Kramer Morgenthau's DP work in the last two Creed films also comes across as a significant inspiration; at least, some of the punches are executed like REAL PUNCHES.
I thought Vishnu Vijay went into GOD MODE with his background score, completely stripped away from what I heard in Pani, Pravinkoodu Shaappu, and of course, Thallumaala. They not only elevate all the boxing set pieces, but also manage to send a zappy fire straight into your veins with what unfurls during that final street fight that goes BONKERS! Again, this is the kind of film that benefits from the vibrant reel-ish edit style that Nishadh Yusuf (RIP) was known in the last few years for (..not Kanguva). Vishnu Govind does a fantastic job with the sound design.
Finally, the CAST. I like how all the boys (Naslen, Baby Jean, Sandeep, Ganapathi, Lukman, and the rest) had interesting arcs of their own, which reflected in their fight styles as well as the normal teenager personas (..um, all these dudes are well into their 20s, so kudos to their physical transformations!). Plus, it's not always that a side character's recovery during a boxing match results in a clapworthy "mass" moment. The girls (Noila Francy, Nanda Nishanth, and Anagha Ravi) are all solid too, but since they get comparatively less screentime, we get to know their characters only at a superficial level. I'd love to see more of each of them in Malayalam cinema going forward.
On the whole, I don't have many complaints about what the film offered as a theatrical experience. It's a festival winner by all means, because its Head Chef and team have cooked it with mostly the right ingredients in the right doses.
Not every moment of humour lands smoothly, but they keep getting better, with the second half turning into a truly Khalid Rahman flick. The boxing matches are incredibly shot, and stay unique, given the layering attributed to each character. There's a lot of Ryan Coogler-esque shot composition, especially during the boxing match scenes, where Jimshi Khalid's brilliant frames work in close quarters with the sparring opponents. Kramer Morgenthau's DP work in the last two Creed films also comes across as a significant inspiration; at least, some of the punches are executed like REAL PUNCHES.
I thought Vishnu Vijay went into GOD MODE with his background score, completely stripped away from what I heard in Pani, Pravinkoodu Shaappu, and of course, Thallumaala. They not only elevate all the boxing set pieces, but also manage to send a zappy fire straight into your veins with what unfurls during that final street fight that goes BONKERS! Again, this is the kind of film that benefits from the vibrant reel-ish edit style that Nishadh Yusuf (RIP) was known in the last few years for (..not Kanguva). Vishnu Govind does a fantastic job with the sound design.
Finally, the CAST. I like how all the boys (Naslen, Baby Jean, Sandeep, Ganapathi, Lukman, and the rest) had interesting arcs of their own, which reflected in their fight styles as well as the normal teenager personas (..um, all these dudes are well into their 20s, so kudos to their physical transformations!). Plus, it's not always that a side character's recovery during a boxing match results in a clapworthy "mass" moment. The girls (Noila Francy, Nanda Nishanth, and Anagha Ravi) are all solid too, but since they get comparatively less screentime, we get to know their characters only at a superficial level. I'd love to see more of each of them in Malayalam cinema going forward.
On the whole, I don't have many complaints about what the film offered as a theatrical experience. It's a festival winner by all means, because its Head Chef and team have cooked it with mostly the right ingredients in the right doses.
Alappuzha Gymkhana is simply worth watching. The cinematography in the boxing scenes and fights is superb. The music is good. The entire cast delivered a good performance. The movie starts off at a steady pace in the first hour and then becomes entertaining and engaging. The pre-climax and climax are peak moments. It's a comedy-sports movie, and the director has done a great job, reminiscent of Thallumala.
If you enjoyed Thallumala, you might appreciate this film's similar vibe.
Plot :: Jojo Johnson, David "DJ" John, Shifas "Valthu" Ahammed, Shifas "Cherthu" Ali, and Shanavas are five friends from Alappuzha who have just completed their 12th-grade board exams. While Shanavas passes, the rest of the group fails, leaving their prospects of college admission uncertain.
If you enjoyed Thallumala, you might appreciate this film's similar vibe.
Plot :: Jojo Johnson, David "DJ" John, Shifas "Valthu" Ahammed, Shifas "Cherthu" Ali, and Shanavas are five friends from Alappuzha who have just completed their 12th-grade board exams. While Shanavas passes, the rest of the group fails, leaving their prospects of college admission uncertain.
Sometimes, the best cinematic experiences are the ones you least expect, and Alapuzzha Gymkhana is a prime example. Walking in with no expectations, I was immediately hooked; the film deftly pulls you from one scene to the next, maintaining a compelling rhythm throughout.
The boys' gang is a definite highlight, bringing genuine laughs with their excellent comic timing. Their camaraderie feels authentic and is a strong anchor for the movie's lighter moments. On the romantic front, while Jojo's attempts to flatter the girls were entertaining, I found myself unexpectedly rooting for him to end up with the one he initially refused to kiss, a testament to the subtle character development at play.
Surprisingly, given what I imagine might have been a modest budget, the boxing scenes are remarkably well executed. They carry a real punch and add an unexpected layer of grit to the narrative. The story itself gels seamlessly with the screenplay, ensuring a cohesive and enjoyable viewing experience, and each character, big or small, plays their part with conviction. Adding to the film's charm is a fantastic background score that perfectly complements the on-screen action and emotion.
This movie leaves you wanting more. I wouldn't be surprised if a second part is already in the works, and if it is, consider me eagerly waiting.
The boys' gang is a definite highlight, bringing genuine laughs with their excellent comic timing. Their camaraderie feels authentic and is a strong anchor for the movie's lighter moments. On the romantic front, while Jojo's attempts to flatter the girls were entertaining, I found myself unexpectedly rooting for him to end up with the one he initially refused to kiss, a testament to the subtle character development at play.
Surprisingly, given what I imagine might have been a modest budget, the boxing scenes are remarkably well executed. They carry a real punch and add an unexpected layer of grit to the narrative. The story itself gels seamlessly with the screenplay, ensuring a cohesive and enjoyable viewing experience, and each character, big or small, plays their part with conviction. Adding to the film's charm is a fantastic background score that perfectly complements the on-screen action and emotion.
This movie leaves you wanting more. I wouldn't be surprised if a second part is already in the works, and if it is, consider me eagerly waiting.
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
बॉक्स ऑफ़िस
- दुनिया भर में सकल
- $13,40,600
- चलने की अवधि2 घंटे 19 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.39 : 1
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