IMDb रेटिंग
6.6/10
3.5 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंWhat really happened during Shakespeare's 'Lost Years'? Hopeless lute-player Bill Shakespeare leaves his home to follow his dream.What really happened during Shakespeare's 'Lost Years'? Hopeless lute-player Bill Shakespeare leaves his home to follow his dream.What really happened during Shakespeare's 'Lost Years'? Hopeless lute-player Bill Shakespeare leaves his home to follow his dream.
- निर्देशक
- लेखक
- स्टार
फ़ीचर्ड समीक्षाएं
"Bill" is a funny movie that appeals on two levels. As an adult, I like comedy that refers to real historic events and people. But I imagine children will also enjoy the silly acting and more obvious jokes. I am an old fan of Monty Python and see similarities to that style. However, my review is as an American who has never seen "Horrible Histories" on British TV, nor was familiar with any of the actors. It appears some reviewers get hung up on that relationship. But I feel this movie entertains quite well on its own merits.
I have just watched this movie on Amazon Prime. I had never heard of it but it was free to view so I thought I would give it a try. I ended up watching it till the end (plus the credits) and really enjoyed it. It was amusing rather than funny but I laughed out loud a few times. It is a bit silly so is not recommended if you like serious films. However, if you like Monty Python and Blackadder you should like this film. I will not say anything about the story as if you are reading this you are obviously on IMDb so will probably have read the plot and a few other reviews. It is definitely worth watching and surprisingly good. More so if you are from the UK as other nationalities will miss a lot of the jokes and humour. It is also full of quotes from Shakespeare, Easter Eggs and at least one reference to a certain science fiction movie.
A delicious comedy, very well acted. A fantasy about the Bard, larded with historical hints and figures. I loved it. The cast used to having their own TV show, are thoroughly in sync with each other. A joy to watch.
Anyone familiar with BBC'S children's TV show Horrible Histories will be familiar with the format and they take it a stage further by giving it the the big screen treatment in Bill. The plot is set in Elizabethan times with Philip of Spain set to invade whilst a young Bill Shakespeare leaves Stratford to head to London to make his name and fortune. Really you don't need to know to much more, th gags come quick, and there are plenty of laughs for all. The added bonus of a couple of high profile performers in husband and wife Damian Lewis and Helen Mcrorry only add to this fun for all the family film. 8/10
Anyone who has studied history, and that's just about everyone, will find something to enjoy in Bill, a big screen leap for the popular TV team that expands the scope of the show without letting go of the good humour and wit beloved by millions.
Taking a cue from Shakespeare in Love, but playing the idea of the Bard's formative years in a very different way, Bill features Mathew Bayton as the young playwright, seeking his fortune in London and falling under the wing of Christopher Marlowe (Jim Howick). The historical aspect is brought to the fore as King Phillip II (Ben Willbond) concocts a scheme to eliminate Queen Elizabeth I (Helen McCrory) by gunpowder, with Bill's first play giving him a pretext to carry out his plan. Bill's excitement about seeing his work brought to the stage is tempered by a dawning realisation that he's only a pawn in a bigger political game.
Bill might well work for worldwide audiences as a cheerful parody of Shakespeare in Love, but has its own sense of comic invention. It's refreshing to see a British film with such spirited performances, with Willbond sporting several moustaches at once and his co-writer Laurence Rickard superbly deadpan as the violently anti-Catholic Walsingham. Bill never dumbs down history, but reflects it through amusingly modern updates; the castle security go to Code Woad when the believe there's a high risk of attack, and Phillip's men are subject to a search by a decidedly modern customs officer. Damien Lewis has a brief but amusing cameo, and all the performers are on point; you can tell that they've got confidence in the material, and they wring every possible laugh from it. Sneaking into cinemas with barely a breath of publicity, Bill should find a wide and appreciative audience once it finds a home on the small screen; carefully plotted and with genuine wit behind the gags, it's the best British comedy of the year. That may not be saying much, given that big-screen comedy is seemingly a lost art, but Bill is just the thing to put a rare smile on the faces of adults and children alike.
Taking a cue from Shakespeare in Love, but playing the idea of the Bard's formative years in a very different way, Bill features Mathew Bayton as the young playwright, seeking his fortune in London and falling under the wing of Christopher Marlowe (Jim Howick). The historical aspect is brought to the fore as King Phillip II (Ben Willbond) concocts a scheme to eliminate Queen Elizabeth I (Helen McCrory) by gunpowder, with Bill's first play giving him a pretext to carry out his plan. Bill's excitement about seeing his work brought to the stage is tempered by a dawning realisation that he's only a pawn in a bigger political game.
Bill might well work for worldwide audiences as a cheerful parody of Shakespeare in Love, but has its own sense of comic invention. It's refreshing to see a British film with such spirited performances, with Willbond sporting several moustaches at once and his co-writer Laurence Rickard superbly deadpan as the violently anti-Catholic Walsingham. Bill never dumbs down history, but reflects it through amusingly modern updates; the castle security go to Code Woad when the believe there's a high risk of attack, and Phillip's men are subject to a search by a decidedly modern customs officer. Damien Lewis has a brief but amusing cameo, and all the performers are on point; you can tell that they've got confidence in the material, and they wring every possible laugh from it. Sneaking into cinemas with barely a breath of publicity, Bill should find a wide and appreciative audience once it finds a home on the small screen; carefully plotted and with genuine wit behind the gags, it's the best British comedy of the year. That may not be saying much, given that big-screen comedy is seemingly a lost art, but Bill is just the thing to put a rare smile on the faces of adults and children alike.
क्या आपको पता है
- ट्रिवियाThe ghost sequence was not achieved using digital or optical effects. It was captured 'in camera', using a Victorian stage technique called 'Pepper's Ghost': Jim Howick's performance was reflected onto a sheet of angled glass, positioned in front of the camera, while Mat Baynton performed behind the glass.
- गूफ़Sir Francis Walsingham died in 1590, three years before the events of the film (This is presumably why various characters react to his appearance by saying they thought he was dead).
- भाव
Christopher Marlowe: Saying things in a short snappy way instead of a long drawn-out way is the soul of wit
Bill Shakespeare: You mean brevity?
Christopher Marlowe: Yeah
- कनेक्शनFeatured in Projector: Miss You Already/Bill (2015)
- साउंडट्रैकMortal Coil/Court Scene
Written by Bernard Hughes
Lute by Chorodophony
Percussion by Robert Millet
Recorder, Rauschpfeife & Natural Trumpet by Adrian Woodward
Double Bass by Lucy Shaw
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Bill?Alexa द्वारा संचालित
विवरण
बॉक्स ऑफ़िस
- दुनिया भर में सकल
- $8,96,929
- चलने की अवधि
- 1 घं 34 मि(94 min)
- रंग
- पक्ष अनुपात
- 2.39 : 1
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