Turbo

Maybe I made a mistake in watching this movie after watching Thalavan. Even in the first 10-15 minutes, the template of the movie was reveled. The director and production team should realize that Mammootty despite being the stalwart hero he is, age does defy its terms. When you cast a heroin who is young enough to be his granddaughter, the chemistry just doesn't mathematically equate and the audience wouldn't digest it that easily. Even for that matter the fight scenes where the hero hits and the goons fly like frisbee... what is this? Are we still in the 90s? Mammootty doesn't have to be projected as a superhero anymore. It is like expecting Sachin to bat for two days on a New Zealand test pitch against current bunch of bowlers. Anjana's role resembled much like the one in Pachu. I m glad that they brought in someone like Shetty which is refreshing. And that is the reason why i give 4!!

Don't watch this movie if you're sick of clichés. The screenplay for the film is so conventional and immature. Some mass dialogues dedicated to making the scenes more powerful are turned into a line drawn in the water. Prominent performers attempt to deliver humorous lines, but without acting, they lose their impact. For certain scenes, certain performers are superfluous. If the goal of this film was to amuse viewers, then it succeeded. But why should the audience be amused by shady acting and irrelevant background music? This film's plot is incredibly implausible and unfit for a great star. The movie was utterly destroyed by its primary elements, such as the twists at the end. This film might do well at the box office. However, it is not worthy of pretending to be a fine one. Even debut directors can do better than this.

Turbo needed to be a full-on campy action comedy rather than attempting to be sporadically serious. It's almost like Vyshakh knows the script lacks the emotional hooks, so it's up to his directional choices to jump in and save the day, alongside a fun, 90s-throwback protagonist played by Mammooka. Vyshakh definitely delivers when it comes to the action, and there are at least a couple of exciting set pieces (including a superbly staged car chase) that'll keep you engaged, if not invested in the leads' fates. Anjana Jayaprakash, who plays the leading lady, is also good.

Bindu Panicker is in fantastic form, getting the best one-liners (and pop-culture references) in the film. Raj B Shetty is simply exploring new avenues, and while his antagonist is pretty one-note, he's still a few notches above your run-of-the-mill psycho. Midhun Manuel Thomas' writing doesn't offer a lot of highs (or lows for that matter), but lucky for us, he's aiming for low hanging fruit. Christo Xavier's score worked for me in bits and pieces, and not as a whole. Turbo only intends to be a disposable entertainer, with hints of a sequel that doesn't really even need to happen.

AN OUT AND OUT ACTION COMEDY ENTERTAINER WITH SOME GOOSEBUMP FIGHT SEQUENCES AND SPECTACULAR PERFORMANCE OF MAMMOOTTY, RAJ B SHETTY, BINDU PANICKER, SUNIL, DILEESH POTHEN AND ANJANA JAYAPRAKASH.

PHOENIX PRABHU - BRILLIANT ACTION SEQUENCES AND CAR CHASING WITH DRIFTING SCENES ARE JUST AWESOME

VISHNU SHARMA DOP IS TOP NOTCH

CHRISTO XAVIER MUSIC AND BACKGROUND SCORE WAS JUST MIND BLOWING

VAISHAKH AWESOME MAKING AND EXECUTION GIVES AN ULTIMATE THEATRE EXPERIENCE

THE MAJOR NEGATIVE IS THE AVERAGE SCRIPT AND WRITING OF MIDHUN MANUEL THOMAS

OVERALL A PAKKA MASS ACTION ENTERTAINER ON CARDS

UNLIMITED GOOSEBUMPS GUARANTEED.

A masala film more associated with Tamil/Telugu movies, where logic left town in a hurry. The story and treatment is at least 15 years old, so the plot gets pretty much predictable. Fights are outlandish, seen in hundreds of movies, despite the villains getting beaten with a fire extinguisher, rifle butt, chain links or other weapons they keep bouncing back. Really !!!

Mammotty needs to pick more realistic storyline, as these type of movies don't do justice to the caliber of actor he is.

Coming to the villain. A scrawny bald guy with an anorexic personality, no matter how menacing he was made out to be, isn't very convincing.

Vysakh is quickly using up all the goodwill he had built with movies like Pulimurgan. He is turning out to be just another director out to make a quick buck at the expense of the viewer. If you expect to see something new in this movie, you will not find it here.