Death Comes to Pemberley

I am sorry to disagree with the many fans of this. The dialogue is terribly anachronistic and a million miles from the style of Jane Austen. "Let's not overreact" from Darcy, for example, and worst of all from Lady Catherine de Bourgh, the world's most supercilious and conservative woman of her age, who says to Lizzie, "We need to talk". Need I say more?

I'm not an expert on legal procedures through the ages, but I strongly suspect that the court scenes were anachronistic, too. Others can probably give better information on this.

Also, I noticed very little chemistry between the Darcys, despite what some have claimed.

Okay I know this is a piece of fan fiction, and I did enjoy it. It does keep you guessing til the end and it's worth watching. But....

When you use well known and loved characters from something as famous as Pride and Prejudice, they should at least stay faithful to their original characters. Which it does, mostly, but the portrayal of Elizabeth Bennett was just really off. She's supposed to be beautiful, witty and fun loving, whilst perceptive. In this she comes across as a plain, almost miserable woman. I did not like this portrayal at all and it did ruin it for me a bit.

So many bad reviews that I'm surprised I watched it at all. I agree it was lacking in the costume department. Elizabeth seemed to wear the same dress or nearly the same one daily. A woman of her means should have better clothing. It also lacked in staff housing. No footman, not butler, not lady's maid. They're should have been a chef and a maid for the chef. All those maids in the kitchen should have been busy I'm the house. It wasn't true to the time. That aside I rather enjoyed it. I'm a sucker for period pieces. I loved seeing it all play out. I wanted more when it was all said and done.

Being a fan of PD James and Jane Austin I was looking forward to watching this show. It took a while to get past Elizabeth being totally out of character...at least from the stand point of Pride and Prejudice 1995 version. They dressed her down and made her look kind of dowdy and act miserable through most of the show. They didn't change the character of Darcy much--as my mother said, it looks like he has a toothache through most of the show. The colonel was also changed to be a rather secretive fellow, unlike his easy going character in P&P. The other characters seemed to mesh well with their original characters. If you have never seen Pride and Prejudice (1995 version) then you won't be disappointed. It is a good little English mystery.

Firstly, I hate fanfic. My teeth start grinding after a few paragraphs, even when it's written by PD James.

Secondly, if you're going to do anything with P&P you have to judge your two main casting decisions with a perfection required almost nowhere else. We all know Elizabeth and Darcy so well. So the producers of two productions which have dared to go off piste, Lost in Austen and this one, must have thought long and hard. Gemma Arterton did extremely well in Lost in Austen, a blend of period drama, summer RomCom and Dr Who, and Anna Maxwell Martin, as you might expect, is simply perfect here, in Austen meets the Poirot Christmas Special.

Anna gives us the mature Elizabeth, holding court at her more informal Pemberley, with an older Darcy who has recovered all his manly confidence in personal relationships and yet is even more deeply smitten. They have a son and are clearly wonderful parents. Both characters have changed in exactly the way Austen predicted in her last chapter. Elizabeth has risen in status and now wears the authority of Mistress of Pemberley, rationally softened, like its master. They are unusually sparkly together and very reminiscent of the Netherfield scenes. This is principally down to the extremely good performances from two actors and an their understanding of their characters which goes way beyond the script.

The whole cast is outstanding, the best in a period drama since Emma09 and the mystery is satisfyingly interesting. There's lots of clever 'dialogue' with the original and arch references to earlier productions (it's the 95 Pemberley).

What's not to like?

Can't wait for the next instalment, as Pemberley itself is challenged and their relationship is tested. I do hope the Bingleys, Caroline at least, turn up soon.

Of course, it isn't Austen. If it hurts to think that it is, then imagine it as a 100-year prequel to Downton Abbey, 10 times better acted and 50 times better written.