Mithya

Mithya makes you feel in ways words can't fully capture. Directed with stunning sensitivity, Mithya is less a story and more of a visual poem on loss, guilt, and childhood resilience. Instead of the usual melodrama or big emotional speeches, Mithya conveys grief through small actions with emotional subtlety. Conversations are minimal, yet emotions flow through empty frames-wide, lingering shots that beautifully evoke the boy's loneliness and isolation. The use of mirrors throughout the film is masterful too, subtly symbolizing a boy trying to find himself. The cinematography deserves special acclaim. Every frame feels deliberate-from the rain-drenched streets to the reflections in puddles and windows-all echoing the boy's inner turmoil. It's no exaggeration to say Mithya is Oscar 2026-worthy in categories like Best International Feature Film and Best Cinematography, and deserves stronger international exposure.

The cast and crew of the Kannada Industry have made another masterpiece that explains about Mithun, an adolescent kid who is processing his parents' irreparable actions, understanding his responsibility towards his sister, and adapting to his new home. His anger and rage make him fight, steal, and be mute. He goes through a cycle of emotions from being mute to forgiving his parents.

Well-made movie, with subtle background music, very nice casting, and the scenic beauty of rural India.

This movie conveys the importance of the family system and the importance of our immediate relatives, who are nothing short of our family.

I am not a fan of Kannada movies in general (not due to language but because of the quality of the movies). I am a fan of good movies, and this is a good movie.

I went into the movie thinking this would be similar to Tare Zameen Par but without the dyslexia and more darker, but honestly the movie turned out to be much different for good reasons, much deeper, and also very grounded. It is a story of a young boy with a troubled past, but also a story of domestic abuse, family dynamics of power and money hungry relatives, rural India's beauty, challenges of learning new languages, adoption, loneliness, depression, etc. Also kudos to the director Sumanth Bhat for meeting the audience after the movie finished in the multiplex I attended. The ending was somewhat predictable, but it didn't ruin the experience for me.

Mithun is an 11 year old boy who has just lost his parents. Along with his sister Vandana, he moves into his maternal aunt's place in Udupi and it's a new world he has moved into after having just witnessed his own world being shattered. As he paces himself into the new life at a new place, the film focuses on the hardships of Mithun and how the family tensions push him into certain situations that makes it even more harder for him to process his grief. How does it impact him and mainly, to what extent does these experiences push him, forms rest of the story.

It is commendable that Sumanth Bhat has chosen to narrate this deeply personal tale of grief through the life of an 11 year old. The performances of the kids alone leave a lasting impact. With a short runtime, the film packs in a lot and yet doesn't lose focus on Mithun. He is the primary character and the story revolves around him including the sub plots. There is a mention of his parents death and the marital tension they had, the topic of adoption of a child and even the court case claiming custody of Mithun, all of it is too much for a boy to understand yet his anger is directed towards the one thing that he deemed to have been the cause. The final act is a solid one despite being dramatic and the kids pull it off. Definitely recommended.

Difficult to believe such a story and screenplay has brought to life in Kannada movie industry. This is not a mass movie but a movie with class.

Story of Mithun, a young kid with a disturbing life has to face the people in the present. His life situation has been mastered well in the screenplay and cinematography that it shows the dilemma running in his mind so beautifully in a very subtle manner.

It also brings to light how insensitive we as a society are evolving in dealing and handling with a young life who needs to be supported and guarded delicately.

While reality of our society has been shown the mirror but the highlight of this movie is the depth created in the writing about Mithun.

It is a slow paced movie to create enough focus on the main content than digressing with any other commercial elements which is otherwise visible in most of the mass movies.

Give it a shot for the love of class in Kannada movies.