American Heist

They complained how bad the movie was and they were right. I knew we were in trouble with that cheaply done title graphic in the beginning, which is odd because they obviously had a serious budget.

I think Adrien Brody was a poor choice for the role even though he gave a solid performance. We were supposed to believe he was this hardened criminal just released from prison. Fat chance, with those flamingo legs of his. And what seems like support for him given by some black thugs he knew from prison was nothing more than exploitation of his services, and his brother's (Hayden Christensen) talent with cars, in helping them rob a bank. And Christensen's character was just trying to keep his life on the clean side, working as a car mechanic. The brothers have a troubled relationship, making it one of the most bizarre reunions between family members in movie history.

The film further trudges along with this love story subplot between the straight-laced Christensen character and an old flame (Jordana Brewster) who happens to work for 9-1-1 dispatch. You see where this is going? Despite the efforts of Adrien Brody and Hayden Christensen, this is the worst film I have seen at the Toronto International Film Festival. It was a Heat (1995) wannabe written by an 11-year-old with limited awareness of reality and the human condition, and directed by an amateur. But none of this didn't prevent it from being bought for distribution immediately upon it's premiere.

Action? Solid, but nothing special. Heist element? Lacking, but enough for fans of non-elaborate larceny.

Neither of those things, however, take center stage for long. The movie wants so desperately to focus on the emotional aspect of the story...on the relationships. The problem is, it introduces these connections and backstories one after another without REALLY giving any depth to a single one. Moments that, if developed properly, could be sincere and truly emotional are rather just "out of left field" scenes that just waste screen time with a story that doesn't make a lot of sense.

On a more technical note, it almost gives the feeling that the cinematographer got switched out halfway through the movie. The beginning is filled with erratic zooms and cuts, standard cheap action movie stuff, while the mid-to ending is much more characteristic of...well...a GOOD, professional movie.

The drama is definitely the focus of the movie, but even some halfway-decent action and a plot twist or two along the way couldn't save this movie from it's nonsensical emotional story, with some awkward dialogue to boot.

Action ? Nope. I calculated that the sum of all main characters spent a grand total of 17 calories throughout the story. Mostly because one of them trots about 5 yards somewhere in the first half.

Drama ? More likely. You'll mostly watch brothers talking gravely and crying in each other's arms. There's also 1 woman, and she's in a love angle. That way, 2 requirements of US formatted products are met, killing two stones with one bird.

Heist ? Barely. It's 1 hour and a half long, and the heist itself starts after 1 hour in. I'm not saying that the heist preparations take 1 hour. Preparations ? What preparations ? Let's just pop in the bank with guns, take everyone hostage and hope nobody notices from outside. From now on, you'll mostly watch brothers talking gravely and crying in each other's arms, but with their faces covered.

American ? Yes, the title isn't a complete lie. Not sure what the exact purpose of this adjective is... maybe to warn us that this heist won't occur in Papua New Guinea and that there won't be Austin Minis. Actually, I was expecting a gang of nuke-toting, gum-bubbling, Gump-quoting, segway-racing corporate-tattooed obese survivalists. Of which I saw none, so it's only technically American; just.

I caught the premiere of this movie at the Toronto International Film Festival this week and out of all the films I screened this week, this was by far the worst. Audience members walked out mid way and rightfully so.

Adrian Brody attempted to play a hardened criminal however came off more as a leisure suited forgettable character. Set in New Orleans neither Brody or Christensen could maintain any type of accent or connection.

Hayden Christensen appears in a role often played by Casey Affleck only without any sort of stage presence. There was zero connection between these two supposed brothers mixed with random crying scenes to evoke failed emotions.

Akon proves that he's just as forgettable as an actor as he is a music artist and having his music included in the soundtrack only added to the ridiculousness of this film.

With a plot containing so many holes that the end was seen before the 15 minute mark hit lets you know what you're in for. Borrowing from Heat and The Town, American Heist leaves the audience wanting more and wondering what and why they just watched.

Jordana Brewster looks great and was probably the only redeeming quality of the film for that reason alone.

Save your time and money and avoid this one.

There seems to be something inherently lacking about American Heist. Be it may the boring pace or the lackluster script, the movie is considerably basic and uninteresting. Story follows James (Hayden Christensen) who is forced to do a heist by his brother Frankie (Adrien Brody). That's practically all there is to it, yet the movie is needlessly bloated by pointless cliché of crime drama.

It takes literally an hour before any momentum can be achieved. At that span of time American Heist is a repetitive foray of tired love subplot and awkward script which consists of refined use of words such as "Fuck" and "Bro" in every other sentences. It feels so dreary and dry as the cast could perform so much more.

Adrien Brody is certified good, bless him for trying so hard with so little, although in the end the performance is unintentionally uncomfortable. Hayden Christensen can definitely deliver better performance, in fact he did in Takers, which is exactly the same genre. Heck, even Jordana Brewster in Fast and Furious franchise has had better material to work with. Her role in this film is so redundant, almost a glorified wallflower even.

This is quite surprising since the movie has some good production. When it gets going the cinematography is pretty good. Using action oriented shots and presentation with the city in rain, the tension is elevated on the last act. However, it's barely enough to get audience's attention, especially after the comparatively weak start.

American Heist may boast some famous name and a glint of decent visual, but the tedious and generic material is a waste of time and money.