God's Pocket

I was brought up thinking that a book had to have a story line packed full of memorable incidents, poems had to rhyme, and films were supposed to be full of action to be appreciated. I'm glad to say that I grew out of that 'please me quick' attitude. Yes if I'm in the mood for a dose of that I can gladly take it, but these days you are likely to overdose on that. I tend to seek films like this these days and I'm not at all disappointed. God's Pocket has been explained a few times already so I won't bother to do that. I'm just here to try and encourage others to enjoy this film for what it is, a great little offbeat film with tremendous characters, an everyday story of working people that takes a few twists and turns here and there, with a lovely dark streak running right through it. I for one loved it.

This film tells the story of a man whose son is killed in an workplace accident. His wife insists on finding out the truth, and things descend into a downward spiral.

"God's Pocket" is a very sad film, as many tragic events happen in a deprived neighborhood. Characters are developed very well, making the film engaging. In the short time that the son appears in the film, he appears so obnoxious that viewers have little sympathy for him. The mother is stricken with grief, and makes poor decisions. It's a real fun about real people. Given it's one of Philip Seymour Hoffman's last film, it deserves more attention.

Philip Seymour Hoffman's stepson's dead body is used, not in the best possible taste, as a comic prop, and Eddy Marsan does a funny turn as the undertaker who won't extend Mickey any credit. Turturro's wife runs a flower-shop and proves to be handy with a hand-gun. The comedy is mixed with rough sex scenes and more than one savage beating. As in Nicolas Cage's JOE, GOD'S POCKET delivers visceral violence in a beautifully shot movie with fine performances from its ensemble cast.

Despite the moments of comedy and the pleasingly upbeat coda, the overwhelming mood is grimness and grunge. But this is how people live in today's city slums (1980s Phildelphia looks pretty much the same in 2014), scratching a living, fighting off creditors, killing each other.

"Until recently you only had to die once in this city, even if you came from God's Pocket." Mickey Scarpato (Hoffman) is the step-father to a kid that no one in the city really likes. The son gets killed at work one day but no one will tell the truth about what happened. This doesn't bother Mickey and he is ready to bury him right away but his wife and the boys mother demands the truth. Mickey does what he can to find out what happened but between finding out the truth, trying to make his wife happy and finding a way to pay for the funeral things begin to pile on top of him. When his wife turns to news reporter Richard Shellburn (Jenkins) for additional help things really begin to spiral out of control. This is a tough movie to review. I did think the movie was good and tense but did move very slow and was hard to stay focused on. The acting was great and this was very realistic but again though the pacing made it hard to stay engrossed in. Hoffman did a great job of playing someone who seemed lost and under an immense amount of stress and Jenkins was great as a sleazy reporter. The number one reason to watch this is for the acting. The movie itself, again, is pretty good but it is one you have to be in the mood for otherwise it will be a struggle to make it through. Overall, a movie that is worth seeing if you are in the mind set for it. It's too bad that Hoffman died because he is great in roles like this. I give it a B-.

I enjoyed this film. It has excellent acting and character development. And there's never a dull moment. Sometimes seeing a dark, depressing, yet sprinkled with humor film uplifts the spirits. Not everyone will be able to appreciate what this film tries to do in its 1970s portrayal of blue collar life. It will be far too creative for many. I saw this film right after A rated Locke and enjoyed this film much more. This film gets bad reviews wherever I look. The popular film types of today get the good reviews, films that don't fit the molds get the bad reviews. It's not a superhero movie or a Disney film. If you want something different that works the mind, see this film.