Armor

I knew that "Armor" was going to be a bad film. How could one not? One look at the poster or a single viewing of the trailer reveals all that someone would need to know about this movie, which is better known as something called a "geezer teaser." According to Google, a geezer teaser is a movie that features older, well-known male actors, or "geezers", in prominent roles in promotional material, but is usually released directly to video and distributed through video on demand - additionally, the well-known male actors (in this case, Stallone) will only appear sporadically in the film itself. Now, I knew this going into "Armor;" however, I found myself in the mood to watch a bad, cheesy action film, so I decided to spend $6.99 and rent this movie on Amazon Prime. Big mistake.

Truth be told, for the first 25 minutes or so, I didn't find "Armor" to be all that bad. Yeah, it looked as basic as a film can, what with bare-bones editing and a generic soundtrack, but I found some things to be kind of interesting, like the character of Jason Patric. Patric plays a recovering alcoholic who never actually took the time to recover. The film opens with him waking up at 7 a.m. And immediately retrieving a hidden bottle of vodka from his refrigerator. As one who enjoys drinking and enjoys movies that feature people who drink, I thought this character introduction was unique enough to warrant my interest - you just have to look past the inconsistency, which is that Patric's character lives alone, so why would he feel the need to hide a bottle of alcohol in his own home that only he lives at, and that seemingly no one ever visits? Regardless, I was intrigued.

Patric's character is further revealed to work as an armored truck driver with his son, played by Miller Garfinkel. Their relationship seems slightly strained for one reason or another, but they get along well enough to work together. Alas, one day they find themselves hauling goods of particular value, goods that are wanted by Sylvester Stallone and his merry band of thieves. Enter "Armor's" second act - the heist.

30 minutes go by before a gun is fired in this film - 30 minutes go by before the titular armored truck heist begins. But when it does begin, it's exciting enough, or at least, as exciting as it can be for a film like this. If you push all logical thoughts into the back of your brain, (one of those thoughts being, "Why doesn't Jason Patric just ram the bullet proof, armored truck into Sly's gang and drive away?") you can somewhat enjoy the sequence that features Sly and his criminals cornering Patric and his son on a bridge in order to rob the contents of their truck. Yes, the special effects in this movie are some of the worst I've seen in a 2024 release, but it's always entertaining to watch Stallone fire a gun, and that's no different here.

Besides this initial action sequence, "Armor" has nary anything else to enjoy. As, after this initial action sequence, the rest of the film basically consists of Patric and his son talking to each other while stuck inside of their truck. Now, this could - on paper - be exciting, if Patric and his son were conversating about ways to escape their captors. However, instead of doing that, they decide to take the time to talk about past mistakes and old grudges - perhaps conversations that would be better suited for when people weren't trying to kill them. So, most of "Armor's" runtime consists of Patric and his son reminiscing about the past, and Sly and his gang yelling at each other for one reason or another. It's not exciting, it's not interesting, and it's definitely not anything you'd expect to see in an action film. In short: "Armor" is boring.

One positive I can give this movie is that Stallone was in it for more than I thought he would be. That said, he really doesn't have much to do besides talk to his cronies and boss them around. Also, I found Sly's character to be inconsistent, to say the least - "The plan was, and is, they don't die," Sly says; this is after him and his crew spend five minutes shooting armor piercing rounds at our main characters. Being a killer isn't in his nature, Stallone explains. If that's the case, maybe a more cautious approach would've been appreciated if he really didn't want to kill anyone?

In the end, "Armor" is a terrible film. I thought it might be good for a lazy, late night watch, but it's not. "Armor" is quite literally good for nothing. If you're bored, don't watch this. If you're a fan of Stallone, don't watch this. If you like good action movies, don't watch this. What should you do? Don't watch this.

I will start off by saying, nobody from this film will be gracing the red carpet at the Oscar's. If they do end up there then it won't be for the performances in this film.

Patric and his son are armoured van drivers. They get ambushed by Sly's crew. Most of the film is set on a bridge with Patric and son trying to survive, Sly and his crew trying to get into said van.

I've given it a five, I could've gone to six if I was feeling generous. It isn't great but it entertained me for an hour and a half. I never considered turning off after ten minutes, which is rare these days.

If you've nothing else to watch then give it a go. If your expectations are low then you won't disappointed if you hate it!

I thought they're transferring millions of dollar, but they're like transferring pile of rotten squash. I work for bank before, I experienced both Branch and Armored Security. When I watched this movie, it's a mile far beyond security.... and putting Silvester Stallone in the front cover and he only showed like 2% in this Whole movie is like murdering people who downloaded this movie. Its just waste of time and internet. Just huge disappointing that Stallone even took this project. Poor acting, poor storyline, poor sense of humor...... who ever produced this, you just made a boring comedy movie.

Fun Facts about Armor:

Stallone was paid $3.5 million for one day's work.

Justin Routt didn't direct a thing," said Steve Noell, the prop master on "Armor." "He was just there. Randall Emmett was the one who called all the shots."

Justin Routt was listed as director on the call sheet when Stallone arrived for his single day of shooting. That morning, around 7:10, Randall Emmett approached several of the filmmakers as they were preparing for the day, including the director of photography, according to multiple crew members.

When Stallone got there, Randall asked the DP to come in and talk to Sly with him," said one person who was on set that day. "He said, 'Sly doesn't quite know that I'm directing this. I want you to back me up that this film shoot is going poorly and I need to take over the ship.'"

Initially, producers told Mississippi officials that "Armor" would be a 15-day film shoot, documents show. Then producers cut it to 10 days, knowledgeable people said. Shooting abruptly wrapped on the ninth day.

I thought Armor was well cast, but that is almost the only good thing I can say about it. The plot had holes in it large enough to drive an armored truck through. Unstable plastic explosive wouldn't be my first choice of what to take on a heist. Bullets flying, grenades exploding, vehicles engaged in a game of low-speed bumper tag on conveniently deserted roads, yet no one notices any of it. Shoot-outs on a bridge over what is presented as a number of hours, yet not a single car passes by until it is conveniently needed. It also arrives at the perfect time. Houses are near to the so-called 'action', easily within earshot, yet no one phones in about the explosions or gunfire. Roads going through the Nevada desert see more traffic. Stallone spoke often but did little. I suppose that's to be expected at this stage of his career. Not bad, but not good either.

The whole film strained my sense of incredulity and really disappointed me. There was no sense of realism whatsoever. Watch it if you don't have anything else to fill your time; just don't expect much from the experience.