Beezel

I just don't understand all the hype around this movie. Social media influencers pushing this movie ecerywhere as "scary AF". First off.. it had a good start that got me intrigued, but it was so slow, and had you hanging into suspense waiting for something to happen, and it was just meh. I can put partial blame on the overall editing here. They needed more story line with scenes ending in a payoff vs. Lots of suspense, weird music, and disjointed story telling. Acting wasn't good, and has confusing characters. The opening sequences are the best with very little good after.

I do agree with others... these 8+ reviews on here are totally planted.

I agree with a lot of the positive and negative reviews on here. I think this film has both elements.

I have a soft spot for low-budget indie horror. Beezel definitely gives that feel. The story spans nearly 50 years (beginning in 1966), but the entire film gives a 70's vibe... even in 2013.

I love a retro horror film. But doing the retro thing seems to be the go-to with a lot of horror films lately... especially set in 70's or 80's. It works when it's part of the plot. But a lot of horror filmmakers seem to use this throwback style of filmmaking even when it's not really relevant to the plot.

The story is told in 4 different chapters, each with different characters. The first 3 build up like a slow burn, each giving us a closer glimpse of the horror that dwells in the cellar of a house... but doesn't give us much more than that. The less is more thing worked for me. It made those glimpses scarier.

By the time Beezel gets to its last (and longest) chapter, it kinda fizzles out into a plot that feels stale... and the characters aren't very likable, which didn't really make me care about what happened to them.

Part of me would've liked to have learned more of the backstory/origin of the evil thing in the cellar. But another part me appreciated the ambiguity. Maybe we'll learn more if there's a sequel.

The story of Beezel is told over the course of 60 years, the film broken into four acts, each taking place in a different decade. The setting is a suburban house, the basement of which is home to a hideous flesh-eating witch, whose victims are provided by the owner of the property.

The premise is a good one, and the first three segments do a great job in building the atmosphere and tension as people investigate the gloomy basement or poke their noses into dark recesses, with the threat of Beezel suddenly emerging from the shadows to rip off their head. And that one jump scare involving the care nurse and the old woman is a belter.

Unfortunately, instead of building to a suitably crazy climax, the film fizzles out in the final act, with a very disappointing ending that fails to do the rest of the film justice. It's not helped by the fact that the acting in this final part of the film isn't the best. It's a shame, because director Aaron Fradkin's handling of his film is, for the most part, very good, an impressive mix of standard storytelling and found footage, with great sound design and a wonderfully unsettling creature.

Fradkin is definitely a talent to keep an eye on, but this one fails to live up to the hype.

5.5/10, generously rounded up to 6 for IMDb.

The movie consists of three separate stories spanning a timeframe of 60 years, all involving the inhabitants of a house haunted by an evil witch. In the first story, a man whose wife and son died in the house invites a filmmaker to document his account of what really happened. Initially, the police suspected him, but after discovering bite marks that didn't match his teeth, they couldn't find enough evidence to charge him with the murders.

The second story follows a caretaker who has just arrived at the house to care for an elderly woman. The older woman begins behaving strangely, and the caretaker becomes haunted by increasingly terrifying occurrences.

The third story revolves around a couple who move into the house and are tormented by the witch.

I appreciated that the movie was divided into three stories. While it didn't add much to the plot, it was a nice twist that gave the movie more dynamic pacing. The three stories vary in quality: I enjoyed the first and second stories, but I found the third one rather weak. Unfortunately, the third story is also the longest, making the second half of the movie less engaging than the first.

All three stories maintain a creepy atmosphere and are reasonably scary. However, the film relies too heavily on cheap jump scares, which felt unnecessary since the atmosphere was already effectively unsettling. The acting is fine overall but occasionally inconsistent, making it difficult to connect with the characters, especially given the short duration of the stories.

The movie doesn't provide any answers, leaving me somewhat unsatisfied. I would have liked to learn more about the house's backstory and the witch's origins. Fun fact: the movie was filmed in the director's childhood home.

Overall, it's a decent movie and an enjoyable watch with its short runtime, but nothing about it stands out. I mostly liked it, though the first half is clearly stronger. The film loses momentum towards the end, which is disappointing. With a stronger third story and perhaps a slightly bigger budget, this could have been great. [5,6/10]

When I rate a film "7", It means excellence. There are no "10"'s after all, and few "8"s or 9s".

Beezel, operating on a budget level, pulls off the prize: a creative, well-shot, interesting, and frightening movie that puts the big budget productions to shame.

The story is believable due to the actors, and the techniques are great.

I think more movies of this style should be made. A low -key horror film that is stylish and makes sense story-wise cannot be that rare. Yet it is.

Perhaps the film poster is inappropriate for the film, or the studio description is wrong, but the actual movie is better different than what is publicized.

It's about a witch that occupies a home for 60 years, and how the witch haunts the different generations of families who live there.

It's a bit like "Barbarian", yes, only better in that it is less over-the-top.

Enjoy!