Chef

Stepping away from the blockbusters that have occupied his time and talents of late, Jon Favreau scales back the spectacle to deliver Chef, a thoroughly enjoyable story of redemption set amid the chaos and camaraderie of the kitchen in which Favreau delivers what may be his best performance yet. In addition to taking on the lead role of disgruntled chef Carl Casper, Favreau also wrote the screenplay and served as producer and director, putting himself firmly in the firing line if the film misfired. Fortunately, he has got most of it right and Chef overcomes any shortcomings through its refreshing take on relationships - particularly between Carl and his 10-year-old son Percy (Emjay Anthony) - and the power of technology and social media as both a destructive force and an instrument of considerable social currency. Confined to bit parts of late in the likes of The Wolf of Wall Street and the three Iron Man films, Favreau seems to relish the opportunity to take on this role of a man forced to re-evaluate everything that is important to him.

We first meet Carl as he begins preparations for the evening ahead at the restaurant at which he is the head chef. Once hailed as the next big thing in culinary circles, Carl's career and reputation has stagnated somewhat as he finds himself frustrated by the limitations placed on him by restaurant owner Riva (Dustin Hoffman). You see, Riva is more interested in maximising profit, while Carl is desperate to shake things up and broaden the menu, particularly with high profile critic Ramsey Michel (Oliver Platt) dropping in to sample the fare. It is not giving too much away to say that things don't go well and, when Carl unleashes at Michel in a tirade that goes viral, his tenure at the restaurant is over. At the urging of his ex-wife Inez (Sofia Vergara), Carl heads to Miami and establishes a food truck that enables him to reconnect with his love of cooking and the son he has neglected. Much merriment ensues as Carl hits the road to redemption with Percy and best friend Martin (John Leguizamo) along for the ride.

The film very much celebrates the art of cooking and gastronomes will go nuts at the myriad montages of Carl at work in the kitchen, whether it be in the restaurant, the food truck or at home where even a toasted sandwich is prepared with passion and precision. The relationship between Carl and Percy, which is the crux of the narrative with the food truck as the conduit that brings them together, is refreshingly realistic and devoid of mawkish sentimentality. Young Graham is remarkably composed and naturalistic as Percy and the underrated Leguizamo makes the most of his best role in ages. The music is fabulously funky, creating the up-tempo mood that permeates the second half of the film. There really is a lot to like here, which makes it easy enough to overlook those aspects that go unexplained. For example, Inez lives in a luxurious house with an armada of domestic staff and is always making reference to her work, yet we never get any sense of what this work entails and ultimately Vergara seems to be simply rehashing her Modern Family persona, albeit not quite so shrill.

The sudden disappearance of Scarlett Johansson from the narrative is another mystery that remains unsolved. In the opening portion of the film, Johansson's Molly works as a hostess at the restaurant and there is clearly a mutual attraction between her and Carl. In fact, a scene in which Molly lounges seductively while Carl prepares a meal is sexier than most love scenes, yet once Carl leaves for Miami, Molly is neither seen nor heard from again. A cynic might suggest that Johansson's inclusion, along with a somewhat strange cameo from Robert Downey Jnr as another of Inez's ex-husbands, is simply Favreau calling upon his Iron Man co-stars in an attempt to secure maximum leverage for his film with multiplex audiences.

The film demonstrates the power of ubiquitous presence and power of social media; initially bringing Carl to his knees before ultimately playing a very significant role in his resurrection as a chef and a father. Despite a few unanswered questions along the way, Chef is a charming, refreshing surprise.

As I've been exposing myself to new types of movies and different filmmakers, I sometimes feel like I'm trying new food. CHEF, directed by and starring Jon Favreau, was a delightful little indie "dish" and an immensely satisfying treat. It's about a chef, Carl Casper (Favreau), who works for this French restaurant. One night a critic (Oliver Platt) comes in and later posts a scathing review on Twitter that goes viral. Carl, a little bit new to social media, inadvertently starts a flame war with the critic and challenges him to come back because he'll cook the menu he wanted to cook the first time around. Things don't end up going so well, and Carl leaves his job as chef and takes his ex-wife's (Sofia Vergara) advice about starting a food truck. Narratively, the film is somewhat divided. The first third or so is more of a traditional "food" movie with some relationship drama thrown in, but at a critical point the film shifts gears into a road trip movie. Structure aside, I thought that they did a great job balancing the food aspects (which looked amazing) and the character relationships. The key relationship is between Carl and his son, who comes along with him on his food truck journey. It was really great to see how the relationship changed and improved over the course of the film. Something should also be said for the cast. Although most of them have relatively small roles, Favreau was able to call in some favors and get Scarlett Johansson, Robert Downey Jr., Dustin Hoffman, Oliver Platt, Bobby Cannavale, John Leguizamo and Sofia Vergara to appear here. Even though most of these people only appear in the first half when Carl works at the restaurant (and are therefore dropped once the narrative switches gear), it was still nice to see them. I thought they all gave excellent performances, even for such small roles. The only iffy member of the cast was the boy who plays Carl's son who, at times, seemed like a blank slate. Maybe that was intentional? I don't know, but he also is a child actor so I won't make too big a deal out of it. The only other aspect of the movie I find fault with is the way in which the film ends, which I won't spoil here. All I'll say about it is that it was a little TOO nice and clean. That being said, I thought that CHEF really worked on an emotional level. Overall, it might not be the best film I've ever seen, but it had a feelgood atmosphere, great dialogue and some great cooking. Bon appetit!

I guess some people thought this movie was long and boring. Even some said acting was kind of bad. Well I think the total opposite of this. And I cannot see why anyone would think otherwise. This movie as basic as the plots and story lines were, totally kept my interest. I think it's Jon Favreau's best movie ever. It's a masterpiece. This could be a cult classic for Father's Day, like It's A Wonderful Life is for Christmas. Of course the general sway of Hollywood shun's on a great family life. However Jon Fav didn't give a crap and he decided to celebrate how to celebrate living again. Yeah not much going on but if you don't feel good after watching this then you have a crusty heart and your problems have deep rooted issues.

I thought this was probably one of the better movies I have seen all year. Personally. I believe we really - really need more movies like this to remind us about how precious life really is and how to enjoy special moments just eating a real beignet from New Orlean's French Quarter, and in search of the perfect Cuban sandwich recipe, and perfecting the ultimate beef brisket slider. I totally was impressed by this movie for it's full hour and fifty minutes. I loved a great - feel good - movie - - I recommend for any dad and most everyone to see it This will surely restore a sense of how important a support group of family and good friends can be. Great job Jon Favreau! I kind of thought you were like Hollywood stuck up before seeing this movie. Now I know you are a real guy and cool ass family man.

A very enjoyable film, fun storyline, great acting, and an amazing soundtrack. Loved the journey and genuinely felt invested in the characters and story.

I really enjoyed this funny and heart-warming movie about a chef and his relationship with food and his son. The film is worth about 8.5 in my books. The current IMDb score is roughly accurate, despite the inexplicably negative reviews and voting of a tiny minority.

Leguizamo and Vergara light up every scene they're in. Quite a few A-list Hollywood stars are in this movie, but it's not a Hollywood movie at all. The performances by all the main and supporting actors were excellent. When I try to single one or two out, I just start thinking about how good the others were too.

You feel like the movie had no script at all, that's how natural the writing was. Remarkably cliché-free.

I was subtly but deftly moved at the end. This is an optimistic guy movie but women will enjoy it as well.

Kudos to Favreau (of course) and to everyone else involved in this film. I have a new respect for Favreau and will watch out for his films in the future.