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Yeah, this is definitely not my kind of 'Horror' film. I tend to like the more 'Entertaining' type of Horror stories. But, I must admit that this one is indeed very well made, and if you are one who likes the darker, more 'Reality' based Horror movies, ones that are more involved with the 'Evil that men do', then you may find this one interesting.

I don't want to give away the major 'Misdirection' in this film (as others have stupidly done here in some reviews) but, although it may not be quite what you are expecting as to the real key of what is going on, still, the way it is made and the way it is well directed is very effective in building a very strong Mystery/Thriller and a definite sense of unease...

Like I say, when you get to the end depending on your sensitivities, you might feel like, 'Oh... that is rather unpleasant', but at least the way it is done does not overly dwell on this aspect once it is revealed.

So, what you have here is a very well crafted, rather Dark, Mystery/Thriller that effectively packs a punch. Just don't expect to feel particularly uplifted afterwards.

Rarely before in the history of horror cinema, one director (or a directors duo in this case) made such an impressive debut than Alexandre Bustillo and Julien Maury with "À L'intérieur" (aka "Inside"). That film is - hands down - one of the most forceful, shocking, astounding, and nightmarish horror flicks ever made. It is also why I have been and will continue following these directors in whatever they do, even though thus far they were never able to repeat the brilliance of their debut. "Aux Yeux des Vivants" (aka "Among the Living") is another authentically raw and disturbing effort, and their Hollywood ventures "Leatherface" and "The Deep House" are more than adequate, but the true genius of "À L'intérieur" has yet to be equaled.

"Le Mangeur d'Âmes" (aka "The Soul Eater") certainly isn't a masterpiece, neither, but nevertheless another professionally made, compelling, suspenseful, and frequently unsettling thriller worth seeking out. The main difference between this movie and Bustillo & Maury's previous films (except "Leatherface") is that they are not working from a screenplay they wrote themselves, but from a novel adaptation. It's also more of a murder mystery and thriller instead of a genuine shock-horror film, but rest assured there still a handful of nauseating moments to enjoy.

When the gruesome death of a married couple in a remote little French mountain town seems somehow connected to a series of unsolved children's disappearance cases, two different police superiors are sent in to investigate. The embittered Elizabeth Guardiano must try and understand the couple's bizarre death, while gendarme Franck de Roland is obsessively searching for answers regarding the missing children. In the creepy town, where nobody really wants to cooperate and where more strange things have happened lately, there exists an old folklore tale about a horned creature that feeds on children's souls. But, surely, two mature police officers can't believe local legends, right?

"The Soul Eater" is not highly original, but the story contains a couple of unforeseen twists (one of which funnily reminded me of the recent "Cocaine Bear") and there are many vile supportive characters to keep the suspense at a high level. Bustillo & Maury once again prove themselves masters in using the ominous French landscapes and old buildings to keep you fascinated, and the excellent cast (particularly the amazing Virginie Ledoyen) give away dedicated performances. I can understand why some people refer to "The Soul Eater" as a standard and forgettable type of thriller, but I think there are plenty of reasons to enjoy it.

Le Mangeur D'Âmes (or The Soul Eater for the English title) is a French mystery/thriller of good quality, but not really a horror movie like it's also categorized on here. Sure there is a creepy mask but that's about it concerning horror. The most positive thing about The Soul Eater is that there is a good mysterious vibe to it, which keeps you guessing. It's entertaining and interesting to follow. A well written story. The acting was also more than decent, and that from the entire cast. The Soul Eater is certainly worth watching if you like this genre of movies. A good crime/mystery/thriller.

You can't watch this film and not think of the classic French crime thriller Crimson Rivers.

It has a lot of similarities to that film, only with more of a folk horror twist.

Not that it's nearly as good as it...more like a budget version.

It's got that vibe though.

Which is why I wanted to love this more than I actually did.

Because I was a huge fan of that film when I was younger.

Unfortnately, there's something about this that just doesn't do it for me.

Perhaps it's the acting (the duo here are no Reno & Cassels).

Perhaps it's the manufactured feel of the whole thing.

Or, perhaps it's the way the mystery is dumbed down "for the sake of the viewers".

Either way...it sits somewhere in the middle ground of being entertaining enough, and kind of lame, at the same time.

That's not to say it's overtly horrible.

Just that it could have, and should have, been better than it is.

It's major downfall, in my opinion, is that the ending is way too predictable.

And, even though they attempted to throw in a few twists, and a little ultraviolence, towards the end...it just wasn't enough to make the film good.

So I can't help but leave feeling a little disappointed by it all.

But I think it is enjoyable enough for most mainstream viewers to appreciate.

So there's that, at least.

But it wasn't for me.

4 out of 10.

"Franck" (Paul Hamy) is hitching his way to a small French village when he is picked up by "Elisabeth" (Virginie Ledoyen). It turns out that she is a police officer send to lead an investigation of double murder and that he is a captain in the national gendarmerie on a continuing mission to track down missing children - a trail that led him to this ostensibly sleepy hamlet. Reminiscent a little of "Doctor Sleep" (2019), the place is overlooked by a sanatorium and quickly the two, initially suspicious of each other, start to realise that their mysterious cases might well be linked. What doesn't really help is a local folklore about the eponymous monster who feeds off the souls of the deceased townsfolk - and as the film gathers pace it seems to be heading for quite a brutal and bloody feast. There might be one really important clue. "Evan" (Cameron Bain) who is the survivor of the apparent self-killings of his parents. What did he see? What does he know? Anything? His psychiatrist "Marbas" (Sandrine Bonnaire) is determined that her charge be left to recuperate, but "Franck" knows he is the link... At times, this is a tensely directed murder mystery but as the plot develops it also rather thins out and neither of the lead characters really offer us much by way of chemistry as serendipity plays just a bit too much of an hand in a denouement that does have quite a fitting twist, but also has something too much of the "Scooby Do" about it. It does just about work in a cinema, the wooded landscapes and the eeriness help it out quite a lot, but on television it will be pretty ordinary.

The movie itself is quite good if you love similar movies. For instance, Long Legs.

First, the script here is good, not the most original but storyline is quite acceptable without big plot holes. Entertaining.

Second, acting here is superb. I think the main actor does a great and real acting masterclass.

Third, settings are perfect for a suspense-horror story. I love the rainy greenery that is shown here.

Fourth, music and camera work again are extremely good. Love the mysterious vibe during the whole thing. To add, gore doesn't look cheap and they didn't use cheap CGI. Good for them.

Anyway, if you're looking for an interesting horror-suspense- a bit gory movie, this one is for you.

OK there're clichés (the two cops who first do not get on well, but eventually team up when they realize that their affairs are tied ) and enough plot holes to fill the Albert Hall ....

But the excellent cast (Virgine Le Doyen , true to herself ,Paul Hamy, even Sandrine Bonnaire in a supporting part) the splendid (but sometimes maleficent ) landscapes and a threatening atmosphere make up for it ; this self-destructing attitude may remind you of an old American movie ("Impulse " 1984; the reason why they are agressive is more or less the same)

The story of the bogeyman is not new , used in so many films you can't count them all ("Hallowe'en "for instance );and one can wonder why on the rooms in the disused sanitarium the names are written in English (?) ;besides ,the part of Malik Zidi (who was an excellent Jacques Thibault in the "les Thibault " miniseries )should have been more developed ;his final intervention comes at the most awkward moment .

That said ,in spite of too many unlikelihoods , it's a gripping thriller, with enough unexpected twists to satisfy the audience and the final picture is a good idea ,keeping some of the mystery intact.

I do prefer a long-haired Le Doyen!

Le Manguer D'ames (The Soul Eater) is probably one of the interesting movies of this year. The story takes place in a spooky little town which is located around a region where, strangely, small children are disappearing. Franck (Paul Hamy) and Elisabeth (Virginie Ledoyen) arrive at this little town where gruesome murders take place. The story is really cool, and it reminds me of the atmosphere of Les Rivieres Pourpes (Crimson Rivers). At the same time, the local folklore and legends remind Der Pass (Pagan Peak). There is a surprising ending, and it is not easy to guess it. I advise everyone to watch this movie. I wish they made a TV series based on this movie. I would definitely watch it. I give 8 over 10.

Sometimes, movies are just appealing because of their story, the cover, the actors, or sometimes it's a mixture of things that you can't quite explain. That is the case for The Soul Eater, or Le Mangeur d'Âmes, for me. I was really curious to see it and was lucky enough to rent it on Prime for 1 euro here in Germany. The movie is adapted from a 2021 novel of the same name and tells the story of a male police captain and a female police commander from out of town investigating a case in a small mountain village where children disappear and gruesome deaths occur. As the title and the cover suggest, there are stories about an evil, malevolent creature said to be responsible for the strange occurrences.

After being introduced to our two lead characters, they arrive at a gruesome crime scene. It's clear that something horrible has happened, and with the great makeup effects and the realistic touch of the whole scenario, my interest was piqued. After that, the movie takes its time, depicting a few more deaths and strange happenings. Multiple characters are introduced, and the mystery deepens as the village's secrets unfold.

If you don't mind the rather slow pacing, the movie will definitely entertain you with its piece-by-piece storytelling and unique narrative, supported by great performances and believable settings throughout. Without spoiling anything, I can say the movie took a direction I didn't expect, creating a unique outcome that people will either love or hate. It felt a little out of place and unexpected, but I thought it was an interesting take that added originality to the story, which I appreciated. The runtime could have been 10-15 minutes shorter, as a few scenes didn't lead anywhere, but that's a minor complaint.

Overall, it's a great and well-produced movie that surprised me with its dark storytelling and gruesome scenes. I would have loved for it to dive deeper into the horror genre, as it leans more towards a mystery-thriller with some crime and horror elements mixed in. Nonetheless, I think it's worth a watch, and I'm curious to see what the directors will do next, as their previous movies were also quite enjoyable. I'd recommend checking them out. I enjoyed this unique French movie more than I anticipated, and if you get the chance, you should give it a try.

[6.2/10]

The directors Julien Maury and Alexandre Bustillo used to make only horror films, such as their colleague David Moreau - ILS - and so far never gave us thrillers. I although agree that this movie nearly enters into the horror category because of the atmosphere, a proof, a trace that the directors hardly prevent themselves to make a pure horror flick. The basic plot, an investigation taking place in the deep France, reminds hundreds of TV stuff destined to prime time audiences. Hundreds if not thousands. However, this horror thriller is not at the same scale as LES RIVIERES POURPRES, the reference film for such tales.

... Insane! No pun intended - also soul Eater could be seen as a pun ... works in many ways. So we have two detectives here, both trying to solve a case of their own ... both not really welcomed in the village they arrive. Now if you have seen a few (crime) thrillers ... I reckon you will be able to see where some of the things the movie considers twists are going or when they will appear.

So there is a bit of predictability that comes into play. What you may not expect: how brutal it is. The two directors of this have done quite violent movies before - Inside being one of the most infamous one. Not sure if they did the US remake - I don't think I watched that ... yet! Will do at one point - but it was really good to watch this. Even if I had some hunches to say the least - still great ride.

Now this was a film that I believe I originally heard about hitting other film festivals. From what I saw, this played at Fantasia Fest. I got the chance to see this at the Nightmares Film Festival for its Midwest premiere. This was the opening film and not to play my hand too much, but if this is the tone they're setting, I'm here for it. Other than knowing the directors from their other works, I came into this one knowing just what I've shared here.

Synopsis: when violent and gruesome deaths plague a small mountain village, an old legend about a malevolent creature resurfaces.

We start this by seeing Franck de Rolan (Paul Hamy) running. Someone in a van pulls up and hands him a file. We just know that there's another one who has gone missing. We then see Franck get off a bus near a remote mountain village. He tries to catch a ride with Elizabeth Guardiano (Virginie Ledoyen), but she doesn't stop. She must soon after though. There is a logging truck that has blocked both lanes of the road. This allows Franck to catch up and we learn he's an inspector. She then gives him a ride to the next village.

What is funny here is that she is also a police officer. Elizabeth oversees the crime scene that Franck was on his way to. We meet other officers here who are from the town, including Brigadier-Chef Marcelin (Francis Renaud) and Fabrice Gonnet (Malik Zidi). What we learn is that there was a married couple, the Vasseurs (Jérémy Margallé and Audrey Golay). They have a son, Evan (Cameron Bain), but he's missing. Elizabeth looks around the house, finding the boy in the basement. Franck finds a van in the garage, which could match one seen at the scenes of other disappearances of children.

The death at this place was violent, but it seems that this couple did it to each other. It turns out that they both were aroused during it. This isn't the last violent death that happens. Franck is there trying to solve the case of the missing children in the area. Elizabeth wants to figure out what is happening with these murders. There is a local legend about a creature called The Soul Eater, which could be a connection. We also continue to hear about an airplane that crashed. There are secrets here that everyone is keeping that need to come to light to explain what is happening.

That is where I'll leave my recap and introduction to the characters. Where I want to start is with something that was said before this started. A local podcast duo introduced this and they said that this makes you think one thing before showing the truth of what we're getting. I agree there and I love how this manages your expectations with it. There are elements that made me think of different things to make this work. I wouldn't say blatant rip-offs or anything like that. I can just see similar things there.

Now that I've set that up, let me start with what made this work for me. The first thing is the isolated location. We are in this small mountain village. Since it is difficult to get to quickly, there is that isolated feeling. Then to go along with that, everyone knows everyone and their business. It also creates divides where they are prejudiced against them due to what makes them different. An example here is the neighbor of the Vasseurs. She called them weird and that they kept to themselves. This woman also believed there was something wrong with Evan. Then something else to include here. We meet a doctor, Carole Marbas (Sandrine Bonnaire). She's trying to help Evan, but we learn later that not only does she work at the hospital, but also as the school doctor. People in the community wear different hats.

Then with that set up, let me discuss our two leads. The biggest thing here is that we learn both are flawed and have secrets in their past. That goes for everyone. What it adds here is that there are things in their past that haunt them and push their decisions. I don't want to spoil everything, but Elizabeth had a daughter. She killed herself due to bullying. This is revealed early on. We learn that because of it, she shouldn't be working cases with minors. Franck also has something in his past that he is hiding. I thought that both Ledoyen and Hamy do a great job bringing their characters to life as well as making them feel real.

For the last part of the story, this makes you wonder if there is a supernatural entity called the Soul Eater. We see it, but when we do and how it is shown, we don't know if this is in the imagination of Evan. That was a good touch there. Now the people in this village I believe are Catholic. Due to that isolation, there is this local legend of the monster. What I like is explaining why Evan and Jeanne Maublanc (Lya Oussadit-Lessert) believe in it. I'll say there, it is heartbreaking. Since I'm not spoiling, I'll say here that we might have a local cult, how the airplane factors in and the truth is terrifying as well as heartbreaking.

That should be enough for the story so over to the rest of the acting. Bonnaire is solid in her role. It isn't large, but it is important. She does seem like someone who wants to help the children. How she factors in later was good. Renaud, Zidi and the other local police officers are solid. What I like there is that they come off as bumbling. They're not used to dealing with what they are here so they're in over their heads. There could be more to it as well. Bain and Oussadit-Lessert were good as the two children who were orphaned during the events. The rest of the cast rounded this out for what was needed.

All that is left then is filmmaking. What I'll say here is that the establishing shots of the terrain were good. That sets up this as an isolated village. From there, I thought that they did solid things with building the mystery through the cinematography and the framing. It also helps with suspense. There are dark places explored, literal and figurative, so that adds to this. The effects that we got were great. I'm not shocked there, knowing the directors did the original Inside. We don't necessarily see them as they happen, but the aftereffects are brutal. Other than that, I thought the soundtrack fit what was needed.

In conclusion, I'm glad that I could take this off my list of films to check out. This has an interesting story and concept. It plays with their expectations which kept me guessing until the end. That is something that I appreciated. The acting was good to bring the characters to life. I also wanted to commend the depth of our characters, which adds an element for me. This is well made from the setting, effects, cinematography to the framing. This is one that I'd recommend checking out. It is one that I'm hoping I get the chance to revisit when making my end of year list.

My Rating: 8 out of 10.

The Police Captain Franck de Rolan (Paul Hamy) is hitchhiking on the road to reach the small village Roquenoir and a woman gives a ride to him. He is investigating the disappearance of several children in that area and when they reach the address, he learns that she is Inspector Elizabeth Guardiano (Virginie Ledoyen). She drove to the address to investigate the gruesome murder of the local Vassell couple. They meet the local chief of police Marcelin (Francis Renaud) and his two police officers. Franck investigates the white van while Elizabeth searches the house and finds the boy Evan Vasseur (Cameron Bain) hidden in the basement. They call an ambulance to take Evan to the hospital. Franck visits the boy, but the psychiatric Dr. Carole Marbas (Sandrine Bonnaire) does not allow him to see Evan. However, Franck sneaks and interviews the boy that blames The Soul Eater for the death of his parents. Further, he says that he knows all the children that have disappeared, and they are dead. However, Dr. Marbas interrupts Franck. Meanwhile, a Cessna with tourists that crashed in the woods has not been located yet. The coroner concludes that Mr. And Mrs. Vassell awfully killed each other and felt pleasure before dying. Franck also interviews the Vassell's neighbor and learns that they were weirdos and Evan killed her dog. Soon other gruesome deaths happen in Roquenoir and they finally recover the computers. They further investigation that all the victims have connection in the dark web. Meanwhile, a man riding a motorcycle is following them everywhere. What is the mystery of The Soul Eater?

"Le mangeur d'âmes", a.k.a. "The Soul Eater" (2024) is another excellent French thriller, and certainly one of the best recently released. It is amazing how French writers are able to write such complex police story in 108 minutes running time and without the use of CGI. The plot is full of details and the viewer must pay attention to them. The story shows how evil and the lack of humanity of the human race, and what they are capable to do to make money. The end is another plus in this magnificent French thriller. The work of the cast is amazing, highlighting the lead cast with the names of Virginie Ledoyen, Paul Hamy and Sandrine Bonnaire. My vote is eight.

Title (Brazil): Not Available.